Publications

Russell Stephens
Alejandra Morales
Carmen Milne
“The Why of D.I.Y.” in A Handmade Assembly

“The Why of D.I.Y.” in A Handmade Assembly

A publishing project of the Owens Art Gallery and Struts Gallery, A Handmade Assembly publication was initiated in 2020 as the tenth and final iteration of the beloved community gathering. This ambitious book was envisioned as an important continuation of the Assembly, rather than a commemorative volume of past events. From its beginning in 2011, A […]

‘”Please Don’t Let Your Ambition Sleep”‘ in Cassatt – McNicoll: Impressionists Between Worlds

‘”Please Don’t Let Your Ambition Sleep”‘ in Cassatt – McNicoll: Impressionists Between Worlds

Nicole Georgopulos, ‘”Please Don’t Let Your Ambition Sleep”: Cassatt’s Professionalism’ in Cassatt-McNicoll: Impressionists Between Worlds, edited by Caroline Shields. Toronto, ON: Art Gallery of Toronto, 2023. Book information: This groundbreaking book brings together for the first time the work of two pioneering women Impressionist painters: the American Mary Cassatt and her Canadian contemporary Helen McNicoll. Renowned […]

Fragment, Image, and Absence in 1960s Japan

Fragment, Image, and Absence in 1960s Japan

Presenting an inventive body of research that explores the connections between urban movements, space, and visual representation …

Taking Place: Building Histories of Queer and Feminist Art in North America

Taking Place: Building Histories of Queer and Feminist Art in North America

Taking Place examines feminist and queer alternative art spaces across Canada and the United States from the late-1960s to the present. It looks at how queer and feminist artists working in the present day engage with, respond to and challenge the institutions they have inherited. Through a series of regional case studies, the book interrogates […]

Leanne Warawa
Ji Eun (Camille)  Sung
Towards the Rivers

Towards the Rivers

A4 Art Museum has followed and promoted the development of diverse histories and artistic experiments in contemporary art and culture in Southwestern China. The museum presented a series of solo exhibitions as artist case studies, my art practice cross cultures as a case study of “Personal Position in the Process of Globalization,” cashed up attention […]