Unsettled Histories

Unsettled Histories

Vancouver-based artist Dan Starling’s Unsettled Histories takes as its starting point Rembrandt’s renowned work Christ Crucified Between Two Thieves: The Three Crosses (1653). Rembrandt had created five states of this print, with each version altered through either sketching directly on the plate or adjusting the level of ink left on the plate for printing. Starling, piqued by this experimental approach by one of Western art history’s most renowned figures, created 40 drypoint prints, working from the original to embellish and erase parts of the image, creating a shifting narrative through time on the hills outside the walls of Jerusalem.

Unsettled Histories uses printmaking to realign the timelessness of Rembrandt’s original with the timeliness of contemporary socio-political struggle in the settler-colonial context of Israel and the occupied Palestinian territories. Western art history is typically presented as timeless and unchanging. By moving Rembrandt’s work through a process of erasure and superimposition, Starling aims to highlight the instability of occupation.

Starling, through his process, questions the legitimacy of colonial histories, prodding at the foundations of settler-occupied cultural narratives. Starling’s single copper plate carries within it a multitude of propositions, fictions, literary accounts, and imaginings.

This publication features 40 drypoint prints from Dan Starling’s Unsettled Histories series and texts by Jennifer Cane, Daniel Adleman, Sanem Güvenç, and the artist. It was published in conjunction with the exhibition Unsettled Histories at the Burnaby Art Gallery, which ran from February 4 – April 17, 2022.

For more information: https://artmetropole.com/shop/14890

For more information about the exhibition: https://www.burnaby.ca/recreation-and-arts/arts-and-culture-facilities/burnaby-art-gallery/exhibitions/dan-starling-unsettled-histories

Jacqueline Witkowski

MFA Alumna Krista Dragomer’s Collaborative Project Wins Prix Ars Electronica Award of Distinction

Congratulations to AHVA MFA alumna Krista Dragomer (2009) for her work on the collaborative project A Father’s Lullaby, which received the Prix Ars Electronica 2021 Award of Distinction in Digital Musics and Sound Art.  

Krista Dragomer and digital composer Christian Gentry co-created the sound design for this multimedia site-responsive installation as part of a team led by filmmaker Rashin Fahandej. A Father’s Lullaby marks another artistic collaboration between Dragomer and Fahandej—for the 2009 Master of Fine Arts graduate exhibition, Interrobang, at the Morris and Helen Belkin Art Gallery, the pair co-created the video/sound work Sorkhab. 

A Father’s Lullaby focuses on the role men play in raising children and the impacts of their absence when incarcerated. Manifesting in multiple formats, from an ongoing series of public interventions to immersive installations, community co-creation workshops, and a location-based participatory audio augmented reality platform, the work delves into racial inequalities in the criminal justice system in the United States.
 

A Father’s Lullaby has been shown at: 

Prix Ars Electronica, Linz, Austria, 2021 

SOMARTS, San Francisco, CA, 2021 

Concord Art, Concord, MA, 2021 

The Institute of Contemporary Art, Boston, MA, 2019 

The Boston Center for the Arts, Boston, MA, 2018 

 

Prix Ars Electronica is the world’s most prestigious media arts competition. Since 1987, the prizes are awarded to groundbreaking projects that revolve around questions of our digital society and incorporate innovative forms of technology and artistic expressions. Read more about Prix Ars Electronica here 

Krista Dragomer is an artist and independent educator. Her art and teaching practice explores bodies: human bodies, non-human bodies, how bodies perceive and are perceived, and how that perception affects relations internal and external. Her work is deeply interdisciplinary, moving between visual and sound art practices, and is informed by research into cultural history, human and non-human sense studies, speculative and feminist ecology, and multi-species research. She has worked in collaboration with experimental filmmakers, new media artists, musicians, and academics in the fields of religion, philosophy, and anthropology. Her work has been presented in a diverse range of platforms including academic conferences, art galleries and museums, science museums, concert venues, public parks, and alongside bio-hackers and eco-interventionists at underground, DIY, and artist-run spaces. She holds an MFA from the Department of Art History, Visual Art and Theory at the University of British Columbia, where she also worked extensively with the School of Music. 

Website: http://www.kristadragomer.com/  

Seeking Audain Chair in Historical Indigenous Arts (tenure-track/stream)

We invite applications for a tenure-track/stream appointment at the open rank of Assistant, Associate or Full Professor in the field of historical and traditional Indigenous arts and cultural practices. This position is open to any geographical areas and their specializations in a global context. The anticipated start date of employment is as early as July 1, 2022.

The incumbent of the Audain Chair in Historical Indigenous Arts will be at the forefront of scholarship that is critically evaluating global Indigenous art and engages with academic and popular narratives of Indigenous cultures. The successful candidate will be an active scholar, immersed in the current aesthetic, theoretical and methodological concerns of historical Indigenous works, traditions and perspectives. The incumbent will have access to annual funds to support their research.

Applicants must have a PhD in art history or a related discipline. They are expected to provide strong evidence of active and excellent research, and to demonstrate a record of high-quality teaching at the undergraduate and graduate levels. The successful candidate will teach a one-two course load related to the history of Indigenous arts and will be expected to maintain an active program of research, publication, graduate supervision and service. They will liaise with Vancouver’s Host Nations, local and international Indigenous and art communities, and hold a public lecture or gathering triennially.

As one of the largest and most distinguished universities in Canada—located on the traditional, ancestral and unceded territory of the Musqueam people—UBC has excellent resources for scholarly research. The Art History program offers BA, MA, and PhD degrees as well as a diploma, and partners with departmental programs in Visual Art and in Critical and Curatorial Studies, and in the Bachelor of Media Studies program. For more information, visit: www.ahva.ubc.ca.

This position presents the opportunity to engage with an interdisciplinary group of scholars within the larger academic community, including the Museum of Anthropology, the Morris and Helen Belkin Gallery, the First Nations and Indigenous Studies program, the First Nations House of Learning, Xwi7xwa Library, the Indian Residential School History and Dialogue Centre, the Institute for Critical Indigenous Studies, the Peter A. Allard School of Law and the Indigenous Legal Studies Program; and the Institute for Gender, Race, Sexuality and Social Justice.

Applicants must submit their application at https://ahva.air.arts.ubc.ca/?p=2036 and upload the following in the order listed within a single PDF (max size 15MB):

  • letter of application
  • detailed curriculum vitae
  • statement of research program for the next three to five years
  • statement of research ethics
  • statement of teaching philosophy
  • statement of experience working with a diverse student body and contributions or potential contributions to creating/advancing a culture of equity and inclusion
  • evidence of teaching effectiveness (e.g. teaching evaluations and/or course syllabi)
  • published writing sample
  • name, title and affiliation, and contact information of three references

Please note we do not require letters of reference for your initial application. However, your listed references should be willing to provide a confidential letter of reference at a later date should your candidacy progress.

Review of applications will begin on September 20, 2021 and continue until the position is filled.

Given uncertainty caused by the global COVID-19 pandemic, applicants must be prepared to conduct interviews remotely if circumstances require. A successful applicant may be asked to consider an offer with a deadline without having been able to make an in-person visit to campus should travel or other restrictions apply.

Salary will be commensurate with qualifications and experience. This position is subject to final budgetary approval.

Equity and diversity are essential to academic excellence. An open and diverse community fosters the inclusion of voices that have been underrepresented or discouraged. We encourage applications from members of groups that have been marginalized on any grounds enumerated under the BC Human Rights Code, including sex, sexual orientation, gender identity or expression, racialization, disability, political belief, religion, marital or family status, age, and/or status as a First Nation, Métis, Inuit, or Indigenous person.

All qualified candidates are encouraged to apply; however, Canadians and permanent residents will be given priority.

Jeremy Kramer

Amy Kazymerchyk

Health and Safety

AHVA has an active and dedicated Local Safety Team that meets monthly. Notices and signage regarding Emergency Procedures are prominently displayed throughout AHVA workspaces, studios, offices, etc., detailing what to do and who to call in the event of an emergency or workplace accident requiring First Aid.  

2023 / 2024 Local Safety Team Members
Employer Representatives: Jeremy Jaud, Andrea Tuele
Worker Representatives: Yasmin Amaratunga, Rob Bos, Tracy Chiu, Ian Craig, Andrew Keech, Dan Starling

Please bring forward any safety concerns you may have to your supervisor, instructor, or an area staff member. Safety concerns should also be reported to Andrea Tuele and Jeremy Jaud.

 

Professor Emeritus John O’Brian: New Publications

Professor Emeritus John O’Brian has published two books that stem from his ongoing research and curatorial work regarding the engagement of photography with the atomic era. The Bomb in the Wilderness: Photography and the Nuclear Era in Canada was released by UBC Press in October and Through Post-Atomic Eyes, co-edited with Claudette Lauzon, came out from McGill-Queen’s University Press in September. 

Professor O’Brian was presented with the Lifetime Achievement Award at the 2020 Universities Art Association of Canada conference in Vancouver this October. The award was given in recognition of his outstanding contributions to the profession through leadership, creation, education, curatorial projects, service, and publication. 

Music, Art, and Architecture Library

The Music, Art, and Architecture Library’s Canadian Art Exhibition Catalogue Collection has expanded to Levels 3 and 4 of the Ridington Room, and many new catalogues were acquired in 2019.* This collection brings together catalogues produced for exhibitions by Canadian artists and exhibitions held at Canadian art institutions and is a record of historical and current art practice in Canada.  

Materials are branch-use only, but some items have duplicate copies in the stacks that can be borrowed. Contact the Art Librarian, Sarah Ellis (sara.ellis@ubc.ca), with special requests and/or visit the MAA Library Information Desk during Reference Hours to learn more and access the collection. 

* Select new acquisitions include:  

 

Recent Graduates Pursue Diverse Research and Creative Practices

We extend warm congratulations to thirty-one graduate students who completed their programs over the past year and we thank them for their many contributions to the intellectual and artistic conversations in the department. 

PhD, Art History 

Heiða Árnadóttir, “The Conceptual, the Romantic, and the Nonhuman: The SÚM Group and the Emergence of Contemporary Art in Iceland, 1965–1978”

Kristen Carter, “Enraged and Confused: Art after Student Revolt, circa 1970”

Katherine Jackson, “Total Economy: The Artist Placement Group (1969–1976)

Jeff O’Brien, “The Right to Be Seen: Archiving Absence in Post-Civil War Lebanon”

Marisa Sánchez, “The Beckett Effect: The Work of Stan Douglas, Paul Chan, and Tania Bruguera” 

Rajarshi Sengupta, “Making Kalamkari Textiles: Artisans and Agency in Coromandel, India”

Ivana Vranic, “Making and Remaking Renaissance Sculpture: The Terracotta Groups (1460–1560)” 

MA, Art History 

Ilaria Casini, “The Vanishing Point: A Black Feminist Paradigm on the Early Modern Canon in the National Galleries”

Suhyun Choi, “Dressing Difference: Gender, Ethnicity, and Subjectivity in Representations of Chima Chogori in Japan”

Annika Davis, “Between Individual Expression and Collectivism: Onchi Kōshirō’s Wartime Prints”

Adrian Deveau, “Art Crimes: Queering the Revolution through the Work of Pussy Riot and Petr Pavlensky”

Megan Jenkins, “Thinking Continuity in the Works and Milieus of Fahrelnissa Zeid”

Lucas Kling, “Impressions of the Grid: Veil, Velo, and the Printed Image in Early Modern Europe”

Schuyler Krogh, “Birthing the Modern: Modernity, Maternity, and Subjectivity in the Art of Berthe Morisot”

Lanna Lastiwka, “Visible Female Power Structures in Nineteenth Century Algeria”

Kristina Parzen, “The Space in-between Cultures: Site-Specific Meeting Places of Indigenous and European Knowledges”

Marcus Prasad, “Splitting Space: Destabilizing the Suburban Souse in Postwar Art and Contemporary Horror Film”

Anika Sterba, “The Magazine as Surrealist Object: VVV and the Reanimation of a Movement in New York during World War II”

Catherine Volmensky, “Replica Chains and the Portability of Jerusalem”

Alice Wang, “Collaboration as Camouflage: The Mobilization of Art during Cold War Scientific Exceptionalism” 

MFA, Visual Art 

Matthew Ballantyne

Alejandro A. Barbosa

Rosamunde Bordo

Angela Glanzmann

Cameron Kerr

Samantha Kinsley

Mandana Mansouri

Ramey Newell

Nazanin Oghanian

Jay Pahre

Weronika Stepien 

 

Learn more about the MFA students’ individual practices and see images of work from their graduating exhibitions Shores and one sentence too many, one word too few here: 

https://belkin.ubc.ca/exhibitions/shores-ubc-master-of-fine-arts-graduate-exhibition-2019/

https://belkin.ubc.ca/exhibitions/ubc-master-of-fine-arts-exhibition-2020/