Julian Stallabrass – Photographic Meaning in the Vietnam War


Julian Stallabrass is Reader at the Courtauld Institute of Art in London. He lectures in modern and contemporary art, including postwar British art, the history of photography and new media art. Stallabrass is the author of Gargantua: Manufactured Mass Culture (Verso, 1996), High Art Lite: British Art in the 1990s(Verso, 1999), Internet Art: The Online Clash of Culture and Commerce (Tate Publications 2003), and Art Incorporated (Oxford, 2004) – recently reissued as A Very Short Introduction to Contemporary Art. He is now working on a book about the photography, politics and memory and his JCI lecture will air a portion of that research.

Organized by Manuel Pina and William Wood, Department of Art History, Visual Art and Theory, The University of British Columbia.