Ways of Seeing: Introduction to Visual Studies
ARTH 101
keyboard_arrow_downDrawing on examples from across history and around the world, this course deals with the role of the visual in society, culture, and everyday experience.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | M | 17:00 - 19:00 | Smith, Tai | ||||
L01 | 1 | Tutorial | M | 19:00 - 20:00 | |||||
L02 | 1 | Tutorial | T | 10:00 - 11:00 | |||||
L03 | 1 | Tutorial | T | 17:00 - 18:00 | |||||
L04 | 1 | Tutorial | T | 18:00 - 19:00 | |||||
L05 | 1 | Tutorial | W | 9:00 - 10:00 | |||||
L06 | 1 | Tutorial | W | 10:00 - 11:00 |
Ways of Seeing: Introduction to Visual Studies
ARTH 101
keyboard_arrow_downDrawing on examples from across history and around the world, this course deals with the role of the visual in society, culture, and everyday experience.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | M | 10:00 - 12:00 | Orell, Julia | ||||
L01 | 1 | Tutorial | M | 13:00 - 14:00 | |||||
L02 | 1 | Tutorial | M | 13:00 - 14:00 | |||||
L03 | 1 | Tutorial | W | 9:00 - 10:00 | |||||
L04 | 1 | Tutorial | W | 10:00 - 11:00 | |||||
L05 | 1 | Tutorial | Th | 14:00 - 15:00 | |||||
L06 | 1 | Tutorial | Th | 15:00 - 16:00 |
Ways of Seeing: Introduction to Visual Studies
ARTH 101
keyboard_arrow_downDrawing on examples from across history and around the world, this course deals with the role of the visual in society, culture, and everyday experience.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | M | 10:00 - 12:00 | Orell, Julia | ||||
L01 | 1 | Tutorial | M | 13:00 - 14:00 | |||||
L02 | 1 | Tutorial | M | 13:00 - 14:00 | |||||
L03 | 1 | Tutorial | W | 9:00 - 10:00 | |||||
L04 | 1 | Tutorial | W | 10:00 - 11:00 | |||||
L05 | 1 | Tutorial | Th | 14:00 - 15:00 | |||||
L06 | 1 | Tutorial | Th | 15:00 - 16:00 |
Ways of Seeing: Introduction to Visual Studies
ARTH 101
keyboard_arrow_downDrawing on examples from across history and around the world, this course deals with the role of the visual in society, culture, and everyday experience.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | Th | 10:00 - 12:00 | Multiple instructors | InstructorsChapplow, Richard | Smith, Tai | Trojanowski, Julia | |||
L06 | 1 | Discussion | W | 11:00 - 12:00 | Multiple instructors | InstructorsSmith, Tai | Trojanowski, Julia | |||
L04 | 1 | Discussion | T | 13:00 - 14:00 | Multiple instructors | InstructorsSmith, Tai | Trojanowski, Julia | |||
L01 | 1 | Discussion | T | 10:00 - 11:00 | Multiple instructors | InstructorsChapplow, Richard | Smith, Tai | |||
L03 | 1 | Discussion | T | 12:00 - 13:00 | Multiple instructors | InstructorsSmith, Tai | Trojanowski, Julia | |||
L02 | 1 | Discussion | T | 11:00 - 12:00 | Multiple instructors | InstructorsChapplow, Richard | Smith, Tai | |||
L05 | 1 | Discussion | W | 10:00 - 11:00 | Multiple instructors | InstructorsChapplow, Richard | Smith, Tai |
Crisis and Contradiction in Art and the Built Environment
ARTH 102
keyboard_arrow_downConcepts and issues critical to the understanding of art and its histories in a global context.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | M, W | 13:00 - 14:00 | Makris, Georgios | ||||
L01 | 2 | Tutorial | T | 10:00 - 11:00 | |||||
L02 | 2 | Tutorial | T | 11:00 - 12:00 | |||||
L03 | 2 | Tutorial | T | 12:00 - 13:00 | |||||
L04 | 2 | Tutorial | T | 13:00 - 14:00 | |||||
L05 | 2 | Tutorial | W | 10:00 - 11:00 | |||||
L06 | 2 | Tutorial | W | 11:00 - 12:00 |
Crisis and Contradiction in Art and the Built Environment
ARTH 102
keyboard_arrow_downConcepts and issues critical to the understanding of art and its histories in a global context.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | M | 10:00 - 12:00 | Makris, Georgios | ||||
L01 | 2 | Tutorial | M | 13:00 - 14:00 | |||||
L02 | 2 | Tutorial | M | 13:00 - 14:00 | |||||
L03 | 2 | Tutorial | T | 12:00 - 13:00 | |||||
L04 | 2 | Tutorial | T | 13:00 - 14:00 | |||||
L05 | 2 | Tutorial | W | 15:00 - 16:00 | |||||
L06 | 2 | Tutorial | W | 16:00 - 17:00 |
Crisis and Contradiction in Art and the Built Environment
ARTH 102
keyboard_arrow_downConcepts and issues critical to the understanding of art and its histories in a global context.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | M | 10:00 - 12:00 | |||||
L01 | 2 | Tutorial | M | 13:00 - 14:00 | |||||
L02 | 2 | Tutorial | M | 13:00 - 14:00 | |||||
L03 | 2 | Tutorial | T | 10:00 - 11:00 | |||||
L04 | 2 | Tutorial | T | 11:00 - 12:00 | |||||
L05 | 2 | Tutorial | W | 15:00 - 16:00 | |||||
L06 | 2 | Tutorial | W | 16:00 - 17:00 |
Crisis and Contradiction in Art and the Built Environment
ARTH 102
keyboard_arrow_downConcepts and issues critical to the understanding of art and its histories in a global context.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | M | 10:00 - 12:00 | Makris, Georgios | ||||
L05 | 2 | Discussion | W | 15:00 - 16:00 | |||||
L04 | 2 | Discussion | T | 11:00 - 12:00 | |||||
L06 | 2 | Discussion | W | 16:00 - 17:00 | |||||
L03 | 2 | Discussion | T | 10:00 - 11:00 | |||||
L02 | 2 | Discussion | M | 13:00 - 14:00 | |||||
L01 | 2 | Discussion | M | 13:00 - 14:00 |
Byzantium: Arts of an Empire
ARTH 210
keyboard_arrow_downArt, architecture, and material culture of the Byzantine Empire situated in the eastern Mediterranean (c. 300-1453); focus on social and cultural contexts of artistic production, including interactions with neighboring cultures. Credit will only be granted for one of ARTH 210, CNRS 207 or AMNE 279.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | M | 14:00 - 17:00 | Makris, Georgios | ||||
01W | 1 | Waiting List | M | 14:00 - 17:00 |
Byzantium: Arts of an Empire
ARTH 210
keyboard_arrow_downArt, architecture, and material culture of the Byzantine Empire situated in the eastern Mediterranean (c. 300-1453); focus on social and cultural contexts of artistic production, including interactions with neighboring cultures. Credit will only be granted for one of ARTH 210, CNRS 207 or AMNE 279. Equivalency: AMNE 279
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | M, W | 14:00 - 15:30 | Multiple instructors | InstructorsMakris, Georgios | Volmensky, Catherine |
Art, Patrons, and Audiences in the Middle Ages
ARTH 225
keyboard_arrow_downA thematic study of the relationship between patrons and audiences in painting, sculpture, and architecture through the 15th century.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | T | 11:00 - 13:00 | Salgirli, Saygin | ||||
L01 | 1 | Tutorial | W | 13:00 - 14:00 | |||||
L02 | 1 | Tutorial | Th | 11:00 - 12:00 | |||||
L03 | 1 | Tutorial | Th | 12:00 - 13:00 |
Art, Patrons, and Audiences in the Middle Ages
ARTH 225
keyboard_arrow_downA thematic study of the relationship between patrons and audiences in painting, sculpture, and architecture through the 15th century.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | T | 10:00 - 12:00 | Salgirli, Saygin | ||||
L02 | 2 | Discussion | Th | 10:00 - 11:00 | |||||
L01 | 2 | Discussion | T | 13:00 - 14:00 | |||||
L03 | 2 | Discussion | Th | 11:00 - 12:00 |
What is Modern Art?
ARTH 227
keyboard_arrow_downSelect issues in 20th-century art and the visual and built environment.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | T | 17:00 - 19:00 | |||||
L01 | 1 | Tutorial | T | 16:00 - 17:00 | |||||
L02 | 1 | Tutorial | W | 11:00 - 12:00 | |||||
L03 | 1 | Tutorial | W | 12:00 - 13:00 |
What is Modern Art?
ARTH 227
keyboard_arrow_downSelect issues in 20th-century art and the visual and built environment.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | T | 17:00 - 19:00 | Lerner, Jillian | ||||
002 | 2 | Lecture | Th | 14:00 - 16:00 | Lerner, Jillian | ||||
L01 | 1 | Tutorial | T | 19:00 - 20:00 | |||||
L02 | 1 | Tutorial | W | 11:00 - 12:00 | |||||
L03 | 1 | Tutorial | W | 12:00 - 13:00 | |||||
L04 | 2 | Tutorial | Th | 16:00 - 17:00 | |||||
L05 | 2 | Tutorial | T | 14:00 - 15:00 | |||||
L06 | 2 | Tutorial | T | 15:00 - 16:00 |
What is Modern Art?
ARTH 227
keyboard_arrow_downSelect issues in 20th-century art and the visual and built environment.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | W | 10:00 - 12:00 | Lerner, Jillian | ||||
002 | 2 | Lecture | T | 14:00 - 16:00 | Smith, Tai | ||||
L01 | 1 | Tutorial | W | 13:00 - 14:00 | |||||
L02 | 1 | Tutorial | Th | 10:00 - 11:00 | |||||
L03 | 1 | Tutorial | Th | 11:00 - 12:00 | |||||
L04 | 2 | Tutorial | T | 16:00 - 17:00 | |||||
L05 | 2 | Tutorial | W | 10:00 - 11:00 | |||||
L06 | 2 | Tutorial | W | 11:00 - 12:00 |
What is Modern Art?
ARTH 227
keyboard_arrow_downSelect issues in 20th-century art and the visual and built environment.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | T | 15:30 - 17:30 | Multiple instructors | InstructorsAdriasola Munoz, Ignacio Alberto | Onolaja, Titilope | |||
002 | 2 | Lecture | T | 14:00 - 16:00 | Smith, Tai | ||||
L03 | 1 | Discussion | Th | 13:00 - 14:00 | Multiple instructors | InstructorsAdriasola Munoz, Ignacio Alberto | Onolaja, Titilope | |||
L06 | 2 | Discussion | W | 10:00 - 11:00 | |||||
L02 | 1 | Discussion | Th | 12:00 - 13:00 | Multiple instructors | InstructorsAdriasola Munoz, Ignacio Alberto | Onolaja, Titilope | |||
L01 | 1 | Discussion | W | 13:00 - 14:00 | Multiple instructors | InstructorsAdriasola Munoz, Ignacio Alberto | Onolaja, Titilope | |||
L04 | 2 | Discussion | T | 16:00 - 17:00 | |||||
L05 | 2 | Discussion | W | 09:00 - 10:00 |
Art and Feminism(s): Histories, Lineages, Legacies
ARTH 230
keyboard_arrow_downFeminist art and visual culture, from the political activism of the feminist first wave to its intersections with present-day social justice movements.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | T, Th | 11:00 - 12:30 | Silver, Erin | ||||
01W | 2 | Waiting List | T, Th | 11:00 - 12:30 |
Asian Arts: From Chinese Warriors to Bollywood Posters
ARTH 251
keyboard_arrow_downA thematic examination of Asian arts, such as historic, religious, and secular painting and sculpture to contemporary visual culture.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | T, Th | 15:30 - 17:00 |
Asian Arts: From Chinese Warriors to Bollywood Posters
ARTH 251
keyboard_arrow_downA thematic examination of Asian arts, such as historic, religious, and secular painting and sculpture to contemporary visual culture.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | T, Th | 14:00 - 15:30 | Orell, Julia | ||||
01W | 2 | Waiting List | T, Th | 14:00 - 15:30 |
Asian Arts: From Chinese Warriors to Bollywood Posters
ARTH 251
keyboard_arrow_downA thematic examination of Asian arts, such as historic, religious, and secular painting and sculpture to contemporary visual culture.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | T, Th | 11:00 - 12:30 | Orell, Julia |
Asian Architecture: Sacred and Urban Spaces
ARTH 253
keyboard_arrow_downSelect built forms in Asia, such as temples, tombs, palaces, cities and gardens, and their relations to cultural, social and political systems.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | W | 14:00 - 17:00 | Adriasola Munoz, Ignacio Alberto |
Asian Architecture: Sacred and Urban Spaces
ARTH 253
keyboard_arrow_downSelect built forms in Asia, such as temples, tombs, palaces, cities and gardens, and their relations to cultural, social and political systems.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | M, W | 15:30 - 17:00 | Adriasola Munoz, Ignacio Alberto | ||||
01W | 2 | Waiting List | M, W | 15:30 - 17:00 |
Asian Architecture: Sacred and Urban Spaces
ARTH 253
keyboard_arrow_downSelect built forms in Asia, such as temples, tombs, palaces, cities and gardens, and their relations to cultural, social and political systems.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | Th | 15:30 - 18:30 | Adriasola Munoz, Ignacio Alberto |
Indigenous Arts of North America
ARTH 262
keyboard_arrow_downA survey of the artistic production by Indigenous peoples of North America from pre-contact times to the present.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | T, Th | 15:30 - 17:00 | Usher, Camille | ||||
01W | 1 | Waiting List | T, Th | 15:30 - 17:00 |
Indigenous Arts of North America
ARTH 262
keyboard_arrow_downA survey of the artistic production by Indigenous peoples of North America from pre-contact times to the present.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | T, Th | 14:00 - 15:30 | Multiple instructors | InstructorsAviles Garcia, Aurora | Georgeson-usher, Camille |
Seminar on Methods and Approaches in Art History
ARTH 300
keyboard_arrow_downTheories, problems, and literature in the study of art history. Required of all Major and Honours students in art history.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | M | 11:00 - 13:00 | Boate, Rachel | ||||
L01 | 2 | Tutorial | M | 10:00 - 11:00 | |||||
L02 | 2 | Tutorial | M | 13:00 - 14:00 | |||||
L03 | 2 | Tutorial | W | 14:00 - 15:00 | |||||
L04 | 2 | Tutorial | W | 15:00 - 16:00 |
Seminar on Methods and Approaches in Art History
ARTH 300
keyboard_arrow_downTheories, problems, and literature in the study of art history. Required of all Major and Honours students in art history.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | Th | 14:00 - 17:00 | Monteyne, Joseph | ||||
002 | 2 | Seminar | W | 9:00 - 12:00 | Smith, Tai | ||||
01W | 1 | Waiting List | Th | 14:00 - 17:00 | |||||
02W | 2 | Waiting List | W | 9:00 - 12:00 |
Seminar on Methods and Approaches in Art History
ARTH 300
keyboard_arrow_downTheories, problems, and literature in the study of art history. Required of all Major and Honours students in art history.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | W | 14:00 - 17:00 | Smith, Tai | ||||
002 | 2 | Seminar | Th | 14:00 - 17:00 | Lerner, Jillian | ||||
01W | 1 | Waiting List | W | 14:00 - 17:00 | |||||
02W | 2 | Waiting List | Th | 14:00 - 17:00 |
Seminar on Methods and Approaches in Art History
ARTH 300
keyboard_arrow_downTheories, problems, and literature in the study of art history. Required of all Major and Honours students in art history. This course is not eligible for Credit/D/Fail grading. Prerequisite: 3 credits of ARTH coursework at any level.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | W | 14:00 - 17:00 | Smith, Tai | ||||
002 | 2 | Seminar | Th | 14:00 - 17:00 | Lerner, Jillian |
Arts of Africa and the African Diasporas
ARTH 309
keyboard_arrow_downComparative exploration of art practices and their relationship to colonial and postcolonial histories. Credit will be granted for only one of ARTH 309 or AFST 309. Equivalency: AFST 309
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | T, Th | 11:00 - 12:30 | Porto, Nuno |
Early Medieval Art
ARTH 311
keyboard_arrow_downFrom pagan adornment to Christian devotion to service of Christian or Islamic rule (AD 500-1000). Art and architecture of the Early Medieval world's diverse and transforming social, political, cultural contexts.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | M, W | 9:30 - 11:00 | Multiple instructors | InstructorsMakris, Georgios | Makris, Georgios | |||
01W | 1 | Waiting List | M, W | 9:30 - 11:00 |
The Archaeology of Ancient Iraq and Syria: Babylon and Beyond
ARTH 319
keyboard_arrow_downAn overview of the archaeology of the ancient Near East, with special emphasis on the civilizations of Mesopotamia, from the appearance of the first cities (c. 3400 BCE) to the end of the Persian period (c. 330 BCE). AMNE 170 recommended as preparation. Credit will only be granted for one of ARTH 319, or NEST 319 or AMNE 372.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | T, Th | 9:30 - 11:00 | Cooper, Elisabeth |
The Archaeology of Ancient Iraq and Syria: Babylon and Beyond
ARTH 319
keyboard_arrow_downAn overview of the archaeology of the ancient Near East, with special emphasis on the civilizations of Mesopotamia, from the appearance of the first cities (c. 3400 BCE) to the end of the Persian period (c. 330 BCE). AMNE 170 recommended as preparation. Credit will only be granted for one of ARTH 319, NEST 319, or AMNE 372 Equivalency: AMNE 372
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | M, W, F | 13:00 - 14:00 | Fisher, Kevin |
Entangled Worlds: Spain and Colonial Latin America (1500-1700)
ARTH 320
keyboard_arrow_downRole of visual art and culture within Catholic Spain and colonial Latin America is surveyed, with emphasis on transculturation from mudejar to mestizaje.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | T, Th | 11:00 - 12:30 | Monteyne, Joseph | ||||
01W | 1 | Waiting List | T, Th | 11:00 - 12:30 |
Entangled Worlds: Spain and Colonial Latin America (1500-1700)
ARTH 320
keyboard_arrow_downRole of visual art and culture within Catholic Spain and colonial Latin America is surveyed, with emphasis on transculturation from mudejar to mestizaje.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | M, W | 11:00 - 12:30 | Monteyne, Joseph | ||||
01W | 2 | Waiting List | M, W | 11:00 - 12:30 |
Public and Private Bodies: Italian Renaissance Art and Culture
ARTH 321
keyboard_arrow_downVisual art and culture within the social, political, and religious contexts of the Papacy and the city-states ca. 1350-1550 (Siena, Florence, Venice, Mantua).
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | M, W | 11:00 - 12:30 | Monteyne, Joseph | ||||
01W | 1 | Waiting List | M, W | 11:00 - 12:30 |
Early Modern Italian Art and Culture (ca. 1550-1700)
ARTH 322
keyboard_arrow_downFocus primarily on Rome as the center of artistic, cultural, economic, and religious power in the seventeenth century.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | T, Th | 11:00 - 12:30 | Monteyne, Joseph |
Early Modern Italian Art and Culture (ca. 1550-1700)
ARTH 322
keyboard_arrow_downFocus primarily on Rome as the center of artistic, cultural, economic, and religious power in the seventeenth century.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | T, Th | 11:00 - 12:30 | Monteyne, Joseph | ||||
01W | 2 | Waiting List | T, Th | 11:00 - 12:30 |
Heaven and Earth: Renaissance Art and Culture in Northern Europe
ARTH 323
keyboard_arrow_downEarly Modern painting, sculpture, and the graphic arts from the great devotional triptychs, through the Reformation, to the emergence of a secular art (1400-1600).
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | M, W | 11:00 - 12:30 | Monteyne, Joseph | ||||
01W | 1 | Waiting List | M, W | 11:00 - 12:30 |
Heaven and Earth: Renaissance Art and Culture in Northern Europe
ARTH 323
keyboard_arrow_downEarly Modern painting, sculpture, and the graphic arts from the great devotional triptychs, through the Reformation, to the emergence of a secular art (1400-1600).
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | M, W | 11:00 - 12:30 | Multiple instructors | InstructorsCichan, Alex | Mccall, Timothy |
Urban and Courtly Arts in Early Modern Northern Europe (1600-1700)
ARTH 324
keyboard_arrow_downThe role of visual art in 17th century court cultures, commercial urban centres, and emergent nation states.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | T, Th | 11:00 - 12:30 | Monteyne, Joseph | ||||
01W | 2 | Waiting List | T, Th | 11:00 - 12:30 |
Ancient Egypt: The Archaeology of the Land of the Pharaohs
ARTH 325
keyboard_arrow_downThe material remains of the ancient Egyptians from monumental tombs and temples to the artifacts of daily life; the development of Egyptian civilization from the rise of the first rulers to its incorporation into the Roman Empire.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | T, Th | 11:00 - 12:30 | Fisher, Kevin |
Ancient Egypt: The Archaeology of the Land of the Pharaohs
ARTH 325
keyboard_arrow_downThe material remains of the ancient Egyptians from monumental tombs and temples to the artifacts of daily life; the development of Egyptian civilization from the rise of the first rulers to its incorporation into the Roman Empire. Credit will only be granted for one of ARTH 325, or NEST 304 or AMNE 371.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | M, W, F | 12:00 - 13:00 | Fisher, Kevin |
Greek Art and Architecture
ARTH 331
keyboard_arrow_downVisual culture of the ancient Greek world in the second and first millennia BCE, especially from c. 1000 to 30 BCE.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | M, W, F | 14:00 - 15:00 | Daniels, Megan |
Greek Art and Architecture
ARTH 331
keyboard_arrow_downVisual culture of the ancient Greek world in the second and first millennia BCE, especially from c. 1000 to 30 BCE. Credit will only be granted for one of ARTH 331, CLST 331 or AMNE 376.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | M, W, F | 10:00 - 11:00 | Daniels, Megan |
Greek Art and Architecture
ARTH 331
keyboard_arrow_downVisual culture of the ancient Greek world in the second and first millennia BCE, especially from c. 1000 to 30 BCE. Credit will only be granted for one of ARTH 331, CLST 331 or AMNE 376.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | M, W, F | 9:00 - 10:00 | Daniels, Megan |
Greek Art and Architecture
ARTH 331
keyboard_arrow_downVisual culture of the ancient Greek world in the second and first millennia BCE, especially from c. 1000 to 30 BCE. Credit will only be granted for one of ARTH 331, CLST 331, or AMNE 376. Equivalency: AMNE 376
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | T, Th | 11:00 - 12:30 | Daniels, Megan |
Roman Art and Architecture
ARTH 332
keyboard_arrow_downVisual culture of the ancient Roman world from the 8th century BCE to the 4th century CE.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | M, W, F | 10:00 - 11:00 | Mccarty, Matthew |
Roman Art and Architecture
ARTH 332
keyboard_arrow_downVisual culture of the ancient Roman world from the 8th century BCE to the 4th century CE. Credit will only be granted for one of ARTH 332, CLST 332 or AMNE 377.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | M, W, F | 14:00 - 15:00 | Mccarty, Matthew |
Roman Art and Architecture
ARTH 332
keyboard_arrow_downVisual culture of the ancient Roman world from the 8th century BCE to the 4th century CE. Credit will only be granted for one of ARTH 332, CLST 332 or AMNE 377.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | M, W, F | 11:00 - 12:00 | Mccarty, Matthew |
Roman Art and Architecture
ARTH 332
keyboard_arrow_downVisual culture of the ancient Roman world from the 8th century BCE to the 4th century CE. Credit will only be granted for one of ARTH 332, CLST 332, or AMNE 377. Equivalency: AMNE 377
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | M, W, F | 11:00 - 12:00 | Mccarty, Matthew |
Visual Culture in the Age of Enlightenment and Revolution (1715-1830)
ARTH 338
keyboard_arrow_downArt, architecture, and social space in Europe and America: redefining gender, identity and nation in the era of industrialization and political change.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | M, W | 9:30 - 11:00 | Georgopulos, Nicole | ||||
01W | 2 | Waiting List | M, W | 9:30 - 10:00 |
Visual Culture in the Age of Enlightenment and Revolution (1715-1830)
ARTH 338
keyboard_arrow_downArt, architecture, and social space in Europe and America: redefining gender, identity and nation in the era of industrialization and political change.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | T, Th | 15:30 - 17:00 | Georgopulos, Nicole |
19th-Century Art and Social Space
ARTH 339
keyboard_arrow_downIdeologies of gender, class, race, ethnicity, and economics in 19th-century European and American visual culture.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | T, Th | 9:30 - 11:00 | Boate, Rachel | ||||
01W | 1 | Waiting List | T, Th | 9:30 - 11:00 |
19th-Century Art and Social Space
ARTH 339
keyboard_arrow_downIdeologies of gender, class, race, ethnicity, and economics in 19th-century European and American visual culture.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | M, W | 15:30 - 17:00 | Georgopulos, Nicole |
19th-Century Art and Social Space
ARTH 339
keyboard_arrow_downIdeologies of gender, class, race, ethnicity, and economics in 19th-century European and American visual culture.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | M, W | 14:00 - 15:30 | Georgopulos, Nicole |
20th Century Art and Culture: The Triumph and Demise of Modernism
ARTH 340
keyboard_arrow_downA critical survey of western art and cultural production from the turn of the century to the development of Pop Art.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | T, Th | 11:00 - 12:30 | Smith, Tai | ||||
01W | 1 | Waiting List | T, Th | 11:00 - 12:30 |
20th Century Art and Culture: The Triumph and Demise of Modernism
ARTH 340
keyboard_arrow_downA critical survey of western art and cultural production from the turn of the century to the development of Pop Art.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | T, Th | 11:00 - 12:30 | Smith, Tai | ||||
01W | 1 | Waiting List | T, Th | 11:00 - 12:30 |
20th Century Art and Culture: The Triumph and Demise of Modernism
ARTH 340
keyboard_arrow_downA critical survey of western art and cultural production from the turn of the century to the development of Pop Art.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | M, W | 15:30 - 17:00 | Multiple instructors | InstructorsGeorgopulos, Nicole | Shen, Cheng |
20th Century Art and Culture: The Postmodern
ARTH 341
keyboard_arrow_downA critical examination of international visual art and culture from the 1950s to the present; the role of art in consumerist society and the emergence of postmodernism.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | T, Th | 15:30 - 17:00 | Mansoor, Jaleh | ||||
01W | 2 | Waiting List | T, Th | 15:30 - 17:00 |
20th Century Art and Culture: The Postmodern
ARTH 341
keyboard_arrow_downA critical examination of international visual art and culture from the 1950s to the present; the role of art in consumerist society and the emergence of postmodernism.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | T, Th | 9:30 - 11:00 | Mansoor, Jaleh | ||||
01W | 2 | Waiting List | T, Th | 9:30 - 11:00 |
20th Century Art and Culture: The Postmodern
ARTH 341
keyboard_arrow_downA critical examination of international visual art and culture from the 1950s to the present; the role of art in consumerist society and the emergence of postmodernism.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | T, Th | 14:00 - 15:30 | Mansoor, Jaleh | ||||
01W | 2 | Waiting List | T, Th | 14:00 - 15:30 |
20th Century Art and Culture: The Postmodern
ARTH 341
keyboard_arrow_downA critical examination of international visual art and culture from the 1950s to the present; the role of art in consumerist society and the emergence of postmodernism.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | T, Th | 14:00 - 15:30 | Mansoor, Jaleh |
Latin American Art: Modern and Contemporary
ARTH 342
keyboard_arrow_downAnalyses of specific works and texts will emphasize visual inventions and meaning in the light of recent theoretical debates
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | T, Th | 9:30 - 11:00 | Boate, Rachel |
Inventing Canada Through Art
ARTH 343
keyboard_arrow_downThe institutions and art movements that constructed a view to the country now known as Canada, from colonial contact, to Confederation, through the mid-1900s. Emphasis on the significance of locality and situated approaches to understanding the land.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | T, Th | 14:00 - 15:30 | Silver, Erin |
Inventing Canada Through Art
ARTH 343
keyboard_arrow_downThe institutions and art movements that constructed a view to the country now known as Canada, from colonial contact, to Confederation, through the mid-1900s. Emphasis on the significance of locality and situated approaches to understanding the land.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | T, Th | 15:30 - 17:00 | Multiple instructors | InstructorsSilver, Erin | Yildiz, Turhan |
Contemporary Conversations about Art in Kanata/Canada
ARTH 344
keyboard_arrow_downRadical shifts in thinking about Canadian art and culture since the mid-20th century. The art movements, debates, and institutions that contribute to the complexity of artistic approaches to representing "Canada" today.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | T, Th | 15:30 - 17:00 | Silver, Erin |
History of Photography: Archive, Spectacle, Reality
ARTH 345
keyboard_arrow_downHistory and theory of photography, from the competitive context of invention in the 1830s to contemporary uses in social media.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | T, Th | 12:30 - 14:00 | |||||
01W | 1 | Waiting List | T, Th | 12:30 - 14:00 |
History of Photography: Archive, Spectacle, Reality
ARTH 345
keyboard_arrow_downHistory and theory of photography, from the competitive context of invention in the 1830s to contemporary uses in social media.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | M, W | 11:00 - 12:30 | Lerner, Jillian | ||||
01W | 2 | Waiting List | M, W | 11:00 - 12:30 |
History of Photography: Archive, Spectacle, Reality
ARTH 345
keyboard_arrow_downHistory and theory of photography, from the competitive context of invention in the 1830s to contemporary uses in social media.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | M, W | 15:30 - 17:00 | Lerner, Jillian | ||||
01W | 2 | Waiting List | M, W | 15:30 - 17:00 |
History of Photography: Archive, Spectacle, Reality
ARTH 345
keyboard_arrow_downHistory and theory of photography, from the competitive context of invention in the 1830s to contemporary uses in social media.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | T, Th | 09:30 - 11:00 | Multiple instructors | InstructorsLerner, Jillian | Mccall, Timothy |
Grounding the Islamic Image
ARTH 350
keyboard_arrow_downContextualizing the complex language of images in the Islamic world.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | T, Th | 14:00 - 15:30 | Salgirli, Saygin |
Art and Urban Culture in the Islamic World
ARTH 351
keyboard_arrow_downA thematic and comparative study of visual arts and architecture in their urban contexts.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | W | 9:00 - 12:00 | Salgirli, Saygin |
Art and Urban Culture in the Islamic World
ARTH 351
keyboard_arrow_downA thematic and comparative study of visual arts and architecture in their urban contexts.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | M, W | 9:30 - 11:00 | Salgirli, Saygin | ||||
01W | 2 | Waiting List | M, W | 9:30 - 11:00 |
Historic India: Images, Temples and the Construction of Indian Art History
ARTH 352
keyboard_arrow_downNorth and South Indian art and architecture with an emphasis on Buddhism and Hinduism.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | T, Th | 9:30 - 11:00 |
Modern and Contemporary India: Art in Colonial and Independent India
ARTH 355
keyboard_arrow_downThe development of a new Indian art during the colonial period and nationalist movement; the construction of India's contemporary visual culture.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | T, Th | 9:30 - 11:00 |
Chinese Art for the Afterlife
ARTH 358
keyboard_arrow_downClose analyses of Chinese tomb objects and tombs as spatial constructs in their historical, ritual, and social context.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | T, Th | 14:00 - 15:30 | Orell, Julia |
Chinese Art for the Afterlife
ARTH 358
keyboard_arrow_downClose analyses of Chinese tomb objects and tombs as spatial constructs in their historical, ritual, and social context.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | M, W | 09:30 - 11:00 | Orell, Julia |
Chinese Painting: Word and Image
ARTH 360
keyboard_arrow_downAnalyses visual narratives and relationships between painting, calligraphy, and poetry in court and literati painting.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | T, Th | 14:00 - 15:30 | Orell, Julia | ||||
01W | 1 | Waiting List | T, Th | 14:00 - 14:30 |
Art in Japan: Objects and Spaces
ARTH 362
keyboard_arrow_downChanging relationship between art objects and the built environment in the Japanese archipelago, in its social and historical context.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | W | 15:30 - 18:30 | Adriasola Munoz, Ignacio Alberto |
Art in Japan: Print Media
ARTH 368
keyboard_arrow_downHistorical and theoretical questions concerning the development of print media in Japan, from Edo period woodcuts to the advent of digital technologies.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | T, Th | 15:30 - 17:00 | Adriasola Munoz, Ignacio Alberto |
Art in Japan: Modern Visual Culture
ARTH 369
keyboard_arrow_downSelf and community in the art and visual culture of modern Japan.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | T, Th | 15:30 - 17:00 | Adriasola Munoz, Ignacio Alberto | ||||
01W | 1 | Waiting List | T, Th | 15:30 - 17:00 |
Arts of the Northwest Coast Peoples: The South
ARTH 377
keyboard_arrow_downThe histories, historiography and cultural diversity of the Southern Northwest Coast region; persistence and innovation in the arts in communities, and in cross-cultural and market spheres.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | T, Th | 9:30 - 11:00 | Peck, Alexandra | ||||
01W | 1 | Waiting List | T, Th | 9:30 - 11:00 |
Arts of the Northwest Coast Peoples: The South
ARTH 377
keyboard_arrow_downThe histories, historiography and cultural diversity of the Southern Northwest Coast region; persistence and innovation in the arts in communities, and in cross-cultural and market spheres.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | T, Th | 09:30 - 11:00 | Peck, Alexandra |
Art as Technology
ARTH 380
keyboard_arrow_downRelationship between artistic practice and media, examined through a history of paradigm shifts in technology.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | T | 15:30 - 17:30 | Mansoor, Jaleh | ||||
01W | 1 | Waiting List | T | 15:30 - 17:30 | |||||
L01 | 1 | Tutorial | W | 14:00 - 15:00 | |||||
L02 | 1 | Tutorial | W | 15:00 - 16:00 | |||||
L03 | 1 | Tutorial | Th | 12:00 - 13:00 | |||||
L04 | 1 | Tutorial | Th | 13:00 - 14:00 |
Art as Technology
ARTH 380
keyboard_arrow_downRelationship between artistic practice and media, examined through a history of paradigm shifts in technology.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | T | 14:00 - 16:00 | Mansoor, Jaleh | ||||
01W | 1 | Waiting List | T | 14:00 - 16:00 | |||||
L01 | 1 | Tutorial | W | 14:00 - 15:00 | |||||
L02 | 1 | Tutorial | W | 15:00 - 16:00 | |||||
L03 | 1 | Tutorial | Th | 12:00 - 13:00 | |||||
L04 | 1 | Tutorial | Th | 13:00 - 14:00 |
Art as Technology
ARTH 380
keyboard_arrow_downRelationship between artistic practice and media, examined through a history of paradigm shifts in technology.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | T | 16:00 - 18:00 | Lerner, Jillian | ||||
01W | 1 | Waiting List | T | 16:00 - 18:00 | |||||
L01 | 1 | Tutorial | W | 14:00 - 15:00 | |||||
L02 | 1 | Tutorial | W | 15:00 - 16:00 | |||||
L03 | 1 | Tutorial | Th | 12:00 - 13:00 | |||||
L04 | 1 | Tutorial | Th | 13:00 - 14:00 |
Art as Technology
ARTH 380
keyboard_arrow_downRelationship between artistic practice and media, examined through a history of paradigm shifts in technology.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | T | 16:00 - 18:00 | Multiple instructors | InstructorsCrable, Connor | Mansoor, Jaleh | Park, Yerang | |||
L02 | 1 | Discussion | W | 15:00 - 16:00 | Mansoor, Jaleh | ||||
L03 | 1 | Discussion | Th | 12:00 - 13:00 | Mansoor, Jaleh | ||||
L04 | 1 | Discussion | Th | 13:00 - 14:00 | Mansoor, Jaleh | ||||
L01 | 1 | Discussion | W | 14:00 - 15:00 | Mansoor, Jaleh |
The Artist in the World
ARTH 381
keyboard_arrow_downCritical approach to the figure of the artist in art, film and texts, from the Early Modern period to the present.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | T, Th | 14:00 - 15:30 | Mansoor, Jaleh | ||||
01W | 1 | Waiting List | T, Th | 14:00 - 15:30 |
Is Art History Queer?
ARTH 382
keyboard_arrow_downIssues in the history of art through the lens of queer theory.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Lecture | T, Th | 15:30 - 17:00 | Silver, Erin | ||||
01W | 2 | Waiting List | T, Th | 15:30 - 17:00 |
Seminar in African Art
ARTH 410
keyboard_arrow_downKey debates in the art of Africa and the African diaspora
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | Th | 14:00 - 17:00 |
Seminar in African Art
ARTH 410
keyboard_arrow_downKey debates in the art of Africa and the African diaspora
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | M | 14:00 - 17:00 | Porto, Nuno |
Seminar in the Art of the Middle Ages
ARTH 432
keyboard_arrow_down
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | T | 14:00 - 17:00 | Makris, Georgios | ||||
01W | 1 | Waiting List | T | 14:00 - 17:00 |
Seminar in the Art of the Middle Ages
ARTH 432
keyboard_arrow_downThis course is not eligible for Credit/D/Fail grading. Equivalency: ARTH431, ARTH433
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
941 | Seminar |
Seminar in the Art of the Middle Ages
ARTH 432
keyboard_arrow_downThis course is not eligible for Credit/D/Fail grading. Credit will be granted for only one of ARTH 432, ARTH 431, ARTH 433. Equivalency: ARTH 431, ARTH 433
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | T | 14:00 - 17:00 |
Seminar in Early Modern Art
ARTH 436
keyboard_arrow_down
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | M | 14:00 - 17:00 | Monteyne, Joseph | ||||
01W | 2 | Waiting List | M | 14:00 - 17:00 |
Seminar in 18th and 19th-Century Visual Culture
ARTH 439
keyboard_arrow_down
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | W | 14:00 - 17:00 | Boate, Rachel | ||||
01W | 1 | Waiting List | W | 14:00 - 17:00 |
Seminar in 18th and 19th-Century Visual Culture
ARTH 439
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | Th | 14:00 - 17:00 | Georgopulos, Nicole | ||||
01W | 1 | Waiting List | Th | 14:00 - 17:00 |
Seminar in Modern and Contemporary Art - MOD & CONTEM ART
ARTH 440A
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | W | 14:00 - 17:00 | Mansoor, Jaleh | ||||
01W | 2 | Waiting List | W | 14:00 - 17:00 |
Seminar in Modern and Contemporary Art - MOD & CONTEM ART
ARTH 440B
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | W | 14:00 - 17:00 | Mansoor, Jaleh | ||||
01W | 2 | Waiting List | W | 14:00 - 17:00 |
Seminar in Modern and Contemporary Art - Seminar in Modern and Contemporary Art
ARTH 440B
keyboard_arrow_downThis course is not eligible for Credit/D/Fail grading.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
B_001 | 2 | Seminar | W | 14:00 - 17:00 | Mansoor, Jaleh |
Seminar in Modern and Contemporary Art - MOD & CONTEM ART
ARTH 440C
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | W | 14:00 - 17:00 | Mansoor, Jaleh | ||||
01W | 2 | Waiting List | W | 14:00 - 17:00 |
Seminar in Canadian Art
ARTH 443
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | Th | 14:00 - 17:00 | Silver, Erin | ||||
01W | 2 | Waiting List | Th | 14:00 - 17:00 |
Film and the City
ARTH 445
keyboard_arrow_downThe complex interrelations between film and the city; dominant urban theories, film technologies and viewing practices and the intersections between them.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | T | 14:00 - 17:00 | Lerner, Jillian | ||||
01W | 2 | Waiting List | T | 14:00 - 17:00 |
Film and the City
ARTH 445
keyboard_arrow_downThe complex interrelations between film and the city; dominant urban theories, film technologies and viewing practices and the intersections between them. This course is not eligible for Credit/D/Fail grading.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | M | 14:00 - 17:00 | Lerner, Jillian |
Seminar in Art in the Islamic World
ARTH 450
keyboard_arrow_downKey debates in the field of art and architecture in the Islamic World.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | T | 14:00 - 17:00 | Salgirli, Saygin |
Seminar in Art in the Islamic World
ARTH 450
keyboard_arrow_downKey debates in the field of art and architecture in the Islamic World.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | T | 14:00 - 17:00 | Salgirli, Saygin | ||||
01W | 1 | Waiting List | T | 14:00 - 17:00 |
Seminar in Art in the Islamic World
ARTH 450
keyboard_arrow_downKey debates in the field of art and architecture in the Islamic World.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | W | 14:00 - 17:00 | Salgirli, Saygin |
Seminar in the Art of South Asia
ARTH 455
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | T | 14:00 - 17:00 |
Seminar in Chinese Art
ARTH 459
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | M | 14:00 - 17:00 |
Seminar in Chinese Art
ARTH 459
keyboard_arrow_downThis course is not eligible for Credit/D/Fail grading. Credit will be granted for only one of ARTH 459, ARTH 451, ARTH 452. Equivalency: ARTH 451, ARTH 452
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | T | 14:00 - 17:00 | Orell, Julia |
Seminar in Japanese Art
ARTH 464
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | T | 14:00 - 17:00 | Adriasola Munoz, Ignacio Alberto | ||||
01W | 2 | Waiting List | T | 14:00 - 17:00 |
Seminar in North American Indigenous Art
ARTH 476
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | M | 14:00 - 17:00 | Claxton, Dana |
Seminar in North American Indigenous Art
ARTH 476
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | W | 14:00 - 17:00 | Peck, Alexandra | ||||
01W | 1 | Waiting List | W | 14:00 - 17:00 |
Seminar in North American Indigenous Art
ARTH 476
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | Th | 14:00 - 17:00 | Peck, Alexandra | ||||
01W | 2 | Waiting List | Th | 14:00 - 17:00 |
Seminar in North American Indigenous Art
ARTH 476
keyboard_arrow_downThis course is not eligible for Credit/D/Fail grading. Credit will be granted for only one of ARTH 476, ARTH 469. Equivalency: ARTH 469
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | Th | 14:00 - 17:00 | Peck, Alexandra |
Performance Actions and Approaches
ARTH 479
keyboard_arrow_downAdvanced performance art practices and research methodologies. Credit will be granted for only one of ARTH 479 or VISA 479. This course is not eligible for Credit/D/Fail grading. Equivalency: VISA 479
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | Th | 09:00 - 12:00 | Georgeson-usher, Camille |
Visual and Digital Media Theory
ARTH 480
keyboard_arrow_downA thematic examination of key arguments in visual and digital media theory, focusing on developments in lens-based and digital media in relationship to twentieth-century and contemporary artistic practice.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | M | 9:00 - 12:00 | |||||
002 | 2 | Seminar | W | 9:00 - 12:00 | Smith, Tai |
Visual and Digital Media Theory
ARTH 480
keyboard_arrow_downA thematic examination of key arguments in visual and digital media theory, focusing on developments in lens-based and digital media in relationship to twentieth-century and contemporary artistic practice.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | M | 14:00 - 17:00 | Lerner, Jillian | ||||
002 | 2 | Seminar | T | 14:00 - 17:00 | Ewe, Tobias Linnemann |
Visual and Digital Media Theory
ARTH 480
keyboard_arrow_downA thematic examination of key arguments in visual and digital media theory, focusing on developments in lens-based and digital media in relationship to twentieth-century and contemporary artistic practice.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | M | 14:00 - 17:00 | Lerner, Jillian | ||||
002 | 2 | Seminar | T | 14:00 - 17:00 | Ewe, Tobias Linnemann |
Visual and Digital Media Theory
ARTH 480
keyboard_arrow_downA thematic examination of key arguments in visual and digital media theory, focusing on developments in lens-based and digital media in relationship to twentieth-century and contemporary artistic practice.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | T | 14:00 - 17:00 | Lerner, Jillian | ||||
002 | 2 | Seminar | T | 14:00 - 17:00 | Lerner, Jillian |
Art History Internship
ARTH 490
keyboard_arrow_downThis course is not eligible for Credit/D/Fail grading. Prerequisite: ARTH 300. and departmental approval. Interested students may contact the department for details on how to proceed.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
941 | Experiential |
Honours Essay
ARTH 499
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | Essay/Report |
Honours Essay
ARTH 499
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | Essay/Report |
Honours Essay
ARTH 499
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | Essay/Report |
Honours Essay
ARTH 499
keyboard_arrow_downThis course is not eligible for Credit/D/Fail grading.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | Thesis |
Studies in Medieval Art - MEDEVAL ART
ARTH 533B
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | T | 9:00 - 12:00 | Makris, Georgios |
Early Modern: Renaissance - RENAISSANCE ART
ARTH 535A
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | M | 14:00 - 17:00 | Monteyne, Joseph |
Early Modern: 17th Century
ARTH 537
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | T | 14:00 - 17:00 | Monteyne, Joseph |
Studies in 19th-Century Art - 19TH CENT ART
ARTH 539A
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | Th | 14:00 - 17:00 | Georgopulos, Nicole |
Studies in 19th-Century Art - Studies in 19th-Century Art
ARTH 539A
keyboard_arrow_downThis course is not eligible for Credit/D/Fail grading.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
A_001 | 1 | Seminar | T | 14:00 - 17:00 | Georgopulos, Nicole |
Studies in 20th Century Art - Studies in 20th Century Art
ARTH 540A
keyboard_arrow_downThis course is not eligible for Credit/D/Fail grading.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
A_001 | 2 | Seminar | Th | 14:00 - 17:00 | Smith, Tai |
Studies in 20th Century Art - 20TH CENT ART
ARTH 540B
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | M | 14:00 - 17:00 | Smith, Tai |
Studies in 20th Century Art - 20TH CENT ART
ARTH 540C
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | Th | 14:00 - 17:00 | Mansoor, Jaleh |
Studies in 20th Century Art - 20TH CENT ART
ARTH 540C
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | M | 14:00 - 17:00 | Mansoor, Jaleh | ||||
01W | 1 | Waiting List | M | 14:00 - 17:00 |
Studies in Canadian Art - CAN ART
ARTH 543B
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | Th | 14:00 - 17:00 | Silver, Erin |
Studies in Art in the Islamic World
ARTH 550
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | M | 14:00 - 17:00 | Salgirli, Saygin |
Studies in Chinese Art - CHN ART
ARTH 551A
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | Th | 14:00 - 17:00 | Orell, Julia |
Studies in Japanese Art - JAPANESE ART
ARTH 553A
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | T | 14:00 - 17:00 | Adriasola Munoz, Ignacio Alberto |
Studies in Japanese Art - Studies in Japanese Art
ARTH 553A
keyboard_arrow_downThis course is not eligible for Credit/D/Fail grading.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
A_001 | 1 | Seminar | Th | 14:00 - 17:00 | Adriasola Munoz, Ignacio Alberto |
Studies in South and Southeast Asian Art - Studies in South and Southeast Asian Art
ARTH 555A
keyboard_arrow_downThis course is not eligible for Credit/D/Fail grading.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
A_001 | 2 | Seminar | T | 14:00 - 17:00 |
Studies in the Indigenous Arts of the Americas - AMER INDIG ART
ARTH 561A
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | T | 14:00 - 17:00 | Shelton, Anthony |
Studies in the Indigenous Arts of the Americas - AMER INDIG ART
ARTH 561A
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | T | 14:00 - 17:00 | Usher, Camille |
Studies in the Indigenous Arts of the Americas - Studies in the Indigenous Arts of the Americas
ARTH 561A
keyboard_arrow_downThis course is not eligible for Credit/D/Fail grading.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
A_001 | 2 | Seminar | T | 09:00 - 12:00 | Georgeson-usher, Camille |
Studies in the Indigenous Arts of the Americas - AMER INDIG ART
ARTH 561B
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | T | 14:00 - 17:00 | Peck, Alexandra |
Studies in the Indigenous Arts of the Americas - AMER INDIG ART
ARTH 561B
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | T | 9:30 - 12:30 | Shelton, Anthony |
The Methodology of Art History
ARTH 571
keyboard_arrow_downRequired of all art history graduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1-2 | Seminar | W | 14:00 - 17:00 | Multiple instructors | InstructorsMonteyne, Joseph | Salgirli, Saygin |
The Methodology of Art History
ARTH 571
keyboard_arrow_downRequired of all art history graduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1-2 | Seminar | W | 14:00 - 17:00 | Multiple instructors | InstructorsMansoor, Jaleh | Orell, Julia |
The Methodology of Art History
ARTH 571
keyboard_arrow_downRequired of all art history graduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1-2 | Seminar | W | 14:00 - 17:00 | Multiple instructors | InstructorsAdriasola Munoz, Ignacio Alberto | Smith, Tai |
The Methodology of Art History
ARTH 571
keyboard_arrow_downRequired of all art history graduate students. This course is not eligible for Credit/D/Fail grading.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1-2 | Seminar | W | 14:00 - 17:00 | Multiple instructors | InstructorsMakris, Georgios | Peck, Alexandra |
Directed Reading - DIR READING
ARTH 577A
keyboard_arrow_downArt History Description
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
941 | 1-2 | Directed Studies | Section DescriptionMore DDescription for the section Required TextsHarry Potter EvaluationFinal Exam |
Directed Reading - DIR READING
ARTH 577A
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Tutorial |
Directed Reading - DIR READING
ARTH 577A
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Tutorial |
Directed Reading - DIR READING
ARTH 577A
keyboard_arrow_downThis course is not eligible for Credit/D/Fail grading.
The credit value for this course will be determined in consultation with the student prior to the registrationSection | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
A_941 | Independent Study |
Directed Reading - DIR READING
ARTH 577B
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Tutorial |
Directed Reading - DIR READING
ARTH 577B
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Tutorial |
Directed Reading - DIR READING
ARTH 577B
keyboard_arrow_downThis course is not eligible for Credit/D/Fail grading.
The credit value for this course will be determined in consultation with the student prior to the registrationSection | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
B_971 | Independent Study |
Directed Reading - DIR READING
ARTH 577C
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
943 | 1-2 | Directed Studies |
Directed Reading - DIR READING
ARTH 577C
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1-2 | Tutorial |
Directed Reading - DIR READING
ARTH 577C
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1-2 | Tutorial |
Directed Reading - DIR READING
ARTH 577C
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1-2 | Tutorial |
Master's Thesis
ARTH 599
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
941 | 1-2 | Thesis | |||||||
942 | 1 | Thesis |
Master's Thesis
ARTH 599
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1-2 | Thesis | |||||||
002 | Thesis | ||||||||
003 | 2 | Thesis |
Master's Thesis
ARTH 599
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1-2 | Thesis | |||||||
002 | Thesis | ||||||||
003 | 2 | Thesis |
Master's Thesis
ARTH 599
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1-2 | Thesis | |||||||
002 | Thesis | ||||||||
003 | 2 | Thesis |
Master's Thesis
ARTH 599
keyboard_arrow_downThis course is not eligible for Credit/D/Fail grading.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
941 | Thesis |
Master's Thesis
ARTH 599
keyboard_arrow_downThis course is not eligible for Credit/D/Fail grading.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | Thesis | ||||||||
003 | Thesis | ||||||||
002 | Thesis |
Doctoral Dissertation
ARTH 649
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
941 | 1-2 | Thesis | |||||||
942 | 1-2 | Thesis |
Doctoral Dissertation
ARTH 649
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1-2 | Thesis | |||||||
002 | Thesis | ||||||||
003 | 2 | Thesis |
Doctoral Dissertation
ARTH 649
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1-2 | Thesis | |||||||
002 | Thesis | ||||||||
003 | 2 | Thesis |
Doctoral Dissertation
ARTH 649
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1-2 | Thesis | |||||||
002 | Thesis | ||||||||
003 | 2 | Thesis |
Doctoral Dissertation
ARTH 649
keyboard_arrow_downThis course is not eligible for Credit/D/Fail grading. Equivalency: ARTH431, ARTH433
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
941 | Thesis | ||||||||
942 | Thesis |
Doctoral Dissertation
ARTH 649
keyboard_arrow_downDrawing on examples from across history and around the world, this course deals with the role of the visual in society, culture, and everyday experience.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
003 | Thesis | ||||||||
001 | Thesis | ||||||||
002 | Thesis |
Seminar in Interdisciplinary Frameworks in Museum and Curatorial Studies
CCST 500
keyboard_arrow_downTheoretical and historical foundations of visual representations and expressive culture. It explores the history of museums and galleries, and changes in the meaning of art and material culture as debates about cultural property intensify.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | M | 14:00 - 17:00 | Smith, Tai |
Seminar in Interdisciplinary Frameworks in Museum and Curatorial Studies
CCST 500
keyboard_arrow_downTheoretical and historical foundations of visual representations and expressive culture. It explores the history of museums and galleries, and changes in the meaning of art and material culture as debates about cultural property intensify.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | Th | 9:30 - 12:30 | Silver, Erin |
Seminar in Interdisciplinary Frameworks in Museum and Curatorial Studies
CCST 500
keyboard_arrow_downTheoretical and historical foundations of visual representations and expressive culture. It explores the history of museums and galleries, and changes in the meaning of art and material culture as debates about cultural property intensify.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | Th | 14:00 - 17:00 | Silver, Erin |
Seminar in Interdisciplinary Frameworks in Museum and Curatorial Studies
CCST 500
keyboard_arrow_downTheoretical and historical foundations of visual representations and expressive culture. It explores the history of museums and galleries, and changes in the meaning of art and material culture as debates about cultural property intensify. This course is not eligible for Credit/D/Fail grading.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | M | 14:00 - 17:00 | Mansoor, Jaleh |
Seminar in Contemporary Contextual Issues for Museums and Curatorial Practice
CCST 501
keyboard_arrow_downAn examination of broad social and political issues that confront curators and museum professionals who construct representations in museums, art galleries and other sites of public display.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | T | 9:00 - 12:00 | Silver, Erin |
Seminar in Contemporary Contextual Issues for Museums and Curatorial Practice
CCST 501
keyboard_arrow_downAn examination of broad social and political issues that confront curators and museum professionals who construct representations in museums, art galleries and other sites of public display.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | T | 9:30 - 12:30 | Georgopulos, Nicole |
Seminar in Contemporary Contextual Issues for Museums and Curatorial Practice
CCST 501
keyboard_arrow_downAn examination of broad social and political issues that confront curators and museum professionals who construct representations in museums, art galleries and other sites of public display. This course is not eligible for Credit/D/Fail grading.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | M | 14:00 - 17:00 | Georgopulos, Nicole |
Case Studies in Museum and Gallery Exhibitions
CCST 502
keyboard_arrow_downA case study approach to analyzing museum and gallery exhibitions that are historically significant either because they raised issues and stimulated public debate, or because of radical features that proved influential on subsequent exhibitions. Course not offered every year.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | M | 14:00 - 17:00 | Shelton, Anthony |
Graduate Practicum and Major Paper in Curatorial Studies
CCST 503
keyboard_arrow_downPractical on-site teamwork to produce exhibitions or other public displays in a museum, gallery, or alternative situation, offering opportunities for comparison, collaboration, and interdisciplinarity. Students concurrently produce a major paper from the ideas and research which generate the exhibition.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
941 | 1-2 | Practicum |
Graduate Practicum and Major Paper in Curatorial Studies
CCST 503
keyboard_arrow_downPractical on-site teamwork to produce exhibitions or other public displays in a museum, gallery, or alternative situation, offering opportunities for comparison, collaboration, and interdisciplinarity. Students concurrently produce a major paper from the ideas and research which generate the exhibition.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1-2 | Seminar | W | 9:00 - 12:00 | |||||
002 | 1 | Seminar | M |
Graduate Practicum and Major Paper in Curatorial Studies
CCST 503
keyboard_arrow_downPractical on-site teamwork to produce exhibitions or other public displays in a museum, gallery, or alternative situation, offering opportunities for comparison, collaboration, and interdisciplinarity. Students concurrently produce a major paper from the ideas and research which generate the exhibition.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1-2 | Seminar | W | 9:30 - 12:30 | Porto, Nuno |
Graduate Practicum and Major Paper in Curatorial Studies
CCST 503
keyboard_arrow_downPractical on-site teamwork to produce exhibitions or other public displays in a museum, gallery, or alternative situation, offering opportunities for comparison, collaboration, and interdisciplinarity. Students concurrently produce a major paper from the ideas and research which generate the exhibition.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1-2 | Seminar | W | 9:30 - 12:30 | Shelton, Anthony |
Graduate Practicum and Major Paper in Curatorial Studies
CCST 503
keyboard_arrow_downPractical on-site teamwork to produce exhibitions or other public displays in a museum, gallery, or alternative situation, offering opportunities for comparison, collaboration, and interdisciplinarity. Students concurrently produce a major paper from the ideas and research which generate the exhibition. This course is not eligible for Credit/D/Fail grading.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
941 | Experiential | Shelton, Anthony |
Graduate Practicum and Major Paper in Curatorial Studies
CCST 503
keyboard_arrow_downPractical on-site teamwork to produce exhibitions or other public displays in a museum, gallery, or alternative situation, offering opportunities for comparison, collaboration, and interdisciplinarity. Students concurrently produce a major paper from the ideas and research which generate the exhibition. This course is not eligible for Credit/D/Fail grading.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Experiential | Th | 09:00 - 12:00 | Silver, Erin |
BFA Studio Practice
VISA 101
keyboard_arrow_downIntroduction to a broad range of contemporary studio practice. Intended for first year Bachelor of Fine Arts VISA students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | W | 14:00 - 17:00 | Mccrum, Phillip |
BFA Studio Practice
VISA 101
keyboard_arrow_downIntroduction to a broad range of contemporary studio practice. Intended for first year Bachelor of Fine Arts VISA students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | W | 14:00 - 17:00 | Mitchell, Karice |
Foundation Studio: Digital Media
VISA 110
keyboard_arrow_downFoundation instruction in techniques and approaches to digital practice. The nature of digital technologies and their role in contemporary culture will be examined. (This course is open to all UBC students, regardless of prior experience.)
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | M | 10:00 - 11:00 | |||||
002 | 2 | Lecture | M | 10:00 - 11:00 | Thauberger, Althea | ||||
227 | 2 | Lecture | M | 13:30 - 14:30 | |||||
L01 | 1 | Laboratory | M | 12:00 - 14:00 | |||||
L02 | 1 | Laboratory | M | 14:00 - 16:00 | |||||
L03 | 1 | Laboratory | T | 9:00 - 11:00 | |||||
L04 | 1 | Laboratory | T | 11:00 - 13:00 | |||||
L05 | 1 | Laboratory | T | 13:00 - 15:00 | |||||
L06 | 1 | Laboratory | T | 15:00 - 17:00 | |||||
L07 | 1 | Laboratory | T | 17:00 - 19:00 | |||||
L08 | 1 | Laboratory | Th | 9:00 - 11:00 | |||||
L09 | 1 | Laboratory | Th | 11:00 - 13:00 | |||||
L10 | 1 | Laboratory | Th | 15:00 - 17:00 | |||||
L11 | 1 | Laboratory | Th | 17:00 - 19:00 | |||||
L12 | 2 | Laboratory | T | 9:00 - 11:00 | |||||
L13 | 2 | Laboratory | T | 11:00 - 13:00 | |||||
L14 | 2 | Laboratory | Th | 9:00 - 11:00 | |||||
L15 | 2 | Laboratory | T | 13:00 - 15:00 | |||||
L16 | 2 | Laboratory | Th | 11:00 - 13:00 | |||||
L17 | 2 | Laboratory | T | 15:00 - 17:00 | |||||
L18 | 2 | Laboratory | Th | 9:00 - 11:00 | |||||
L19 | 2 | Laboratory | Th | 11:00 - 13:00 | |||||
L21 | 2 | Laboratory | M | 14:30 - 16:30 | |||||
L22 | 2 | Laboratory | T | 9:00 - 11:00 | |||||
L23 | 2 | Laboratory | T | 11:00 - 13:00 | |||||
L24 | 2 | Laboratory | Th | 16:00 - 18:00 | |||||
L25 | 2 | Laboratory | Th | 18:00 - 20:00 |
Foundation Studio: Digital Media
VISA 110
keyboard_arrow_downFoundation instruction in techniques and approaches to digital practice. The nature of digital technologies and their role in contemporary culture will be examined. (This course is open to all UBC students, regardless of prior experience.)
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | M | 10:00 - 11:00 | Hite, Joshua | ||||
002 | 2 | Lecture | M | 10:00 - 11:00 | D'onofrio, Christine | ||||
227 | 2 | Lecture | M | 14:00 - 15:00 | D'onofrio, Christine | ||||
L01 | 1 | Laboratory | M | 12:00 - 14:00 | |||||
L02 | 1 | Laboratory | M | 14:00 - 16:00 | |||||
L03 | 1 | Laboratory | T | 10:00 - 12:00 | |||||
L04 | 1 | Laboratory | T | 12:00 - 14:00 | |||||
L05 | 1 | Laboratory | T | 14:00 - 16:00 | |||||
L06 | 1 | Laboratory | T | 16:00 - 18:00 | |||||
L07 | 1 | Laboratory | T | 18:00 - 20:00 | |||||
L08 | 1 | Laboratory | Th | 10:00 - 12:00 | |||||
L09 | 1 | Laboratory | Th | 12:00 - 14:00 | |||||
L10 | 1 | Laboratory | Th | 14:00 - 16:00 | |||||
L11 | 1 | Laboratory | Th | 16:00 - 18:00 | |||||
L12 | 2 | Laboratory | T | 10:00 - 12:00 | |||||
L13 | 2 | Laboratory | T | 12:00 - 14:00 | |||||
L14 | 2 | Laboratory | Th | 10:00 - 12:00 | |||||
L15 | 2 | Laboratory | T | 14:00 - 16:00 | |||||
L16 | 2 | Laboratory | Th | 12:00 - 14:00 | |||||
L17 | 2 | Laboratory | T | 16:00 - 18:00 | |||||
L18 | 2 | Laboratory | Th | 10:00 - 12:00 | |||||
L19 | 2 | Laboratory | Th | 12:00 - 14:00 | |||||
L21 | 2 | Laboratory | M | 16:00 - 18:00 | |||||
L22 | 2 | Laboratory | W | 11:00 - 13:00 | |||||
L23 | 2 | Laboratory | T | 12:00 - 14:00 | |||||
L24 | 2 | Laboratory | Th | 16:00 - 18:00 | |||||
L25 | 2 | Laboratory | Th | 18:00 - 20:00 |
Foundation Studio: Digital Media
VISA 110
keyboard_arrow_downFoundation instruction in techniques and approaches to digital practice. The nature of digital technologies and their role in contemporary culture will be examined. (This course is open to all UBC students, regardless of prior experience.)
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | M | 14:00 - 15:00 | Hite, Joshua | ||||
002 | 2 | Lecture | T | 9:00 - 10:00 | Thauberger, Althea | ||||
227 | 2 | Lecture | M | 14:00 - 15:00 | Hite, Joshua | ||||
L01 | 1 | Laboratory | M | 16:00 - 18:00 | |||||
L02 | 1 | Laboratory | M | 18:00 - 20:00 | |||||
L03 | 1 | Laboratory | T | 10:00 - 12:00 | |||||
L04 | 1 | Laboratory | T | 12:00 - 14:00 | |||||
L05 | 1 | Laboratory | T | 14:00 - 16:00 | |||||
L06 | 1 | Laboratory | T | 16:00 - 18:00 | |||||
L08 | 1 | Laboratory | Th | 10:00 - 12:00 | |||||
L09 | 1 | Laboratory | Th | 12:00 - 14:00 | |||||
L10 | 1 | Laboratory | Th | 14:00 - 16:00 | |||||
L11 | 1 | Laboratory | Th | 16:00 - 18:00 | |||||
L12 | 2 | Laboratory | T | 10:00 - 12:00 | |||||
L13 | 2 | Laboratory | T | 12:00 - 14:00 | |||||
L14 | 2 | Laboratory | T | 14:00 - 16:00 | |||||
L15 | 2 | Laboratory | T | 16:00 - 18:00 | |||||
L16 | 2 | Laboratory | Th | 10:00 - 12:00 | |||||
L17 | 2 | Laboratory | Th | 12:00 - 14:00 | |||||
L18 | 2 | Laboratory | Th | 10:00 - 12:00 | |||||
L19 | 2 | Laboratory | Th | 12:00 - 14:00 | |||||
L21 | 2 | Laboratory | T | 14:00 - 16:00 | |||||
L22 | 2 | Laboratory | M | 16:00 - 18:00 | |||||
L23 | 2 | Laboratory | T | 12:00 - 14:00 | |||||
L24 | 2 | Laboratory | Th | 16:00 - 18:00 | |||||
L25 | 2 | Laboratory | Th | 18:00 - 20:00 |
Foundation Studio: Digital Media
VISA 110
keyboard_arrow_downFoundation instruction in techniques and approaches to digital practice. The nature of digital technologies and their role in contemporary culture will be examined. (This course is open to all UBC students, regardless of prior experience.)
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | M | 14:00 - 15:00 | Hite, Joshua | ||||
002 | 2 | Lecture | T | 09:00 - 10:00 | Hite, Joshua | ||||
227 | 2 | Lecture | M | 14:00 - 15:00 | D'onofrio, Christine | ||||
L22 | 2 | Studio | T | 12:00 - 14:00 | D'onofrio, Christine | ||||
L21 | 2 | Studio | M | 16:00 - 18:00 | D'onofrio, Christine | ||||
L24 | 2 | Studio | Th | 14:00 - 16:00 | D'onofrio, Christine | ||||
L19 | 2 | Studio | Th | 12:00 - 14:00 | |||||
L23 | 2 | Studio | T | 14:00 - 16:00 | D'onofrio, Christine | ||||
L18 | 2 | Studio | Th | 10:00 - 12:00 | |||||
L03 | 1 | Studio | T | 10:00 - 12:00 | Hite, Joshua | ||||
L05 | 1 | Studio | T | 14:00 - 16:00 | Hite, Joshua | ||||
L06 | 1 | Studio | T | 16:00 - 18:00 | Hite, Joshua | ||||
L04 | 1 | Studio | T | 12:00 - 14:00 | Hite, Joshua | ||||
L01 | 1 | Studio | M | 16:00 - 18:00 | Hite, Joshua | ||||
L02 | 1 | Studio | M | 18:00 - 20:00 | Hite, Joshua | ||||
L09 | 1 | Studio | Th | 14:00 - 16:00 | Hite, Joshua | ||||
L07 | 1 | Studio | Th | 10:00 - 12:00 | Hite, Joshua | ||||
L08 | 1 | Studio | Th | 12:00 - 14:00 | Hite, Joshua | ||||
L10 | 1 | Studio | Th | 16:00 - 18:00 | Hite, Joshua | ||||
L12 | 2 | Studio | T | 10:00 - 12:00 | |||||
L14 | 2 | Studio | T | 14:00 - 16:00 | |||||
L16 | 2 | Studio | Th | 10:00 - 12:00 | |||||
L17 | 2 | Studio | Th | 12:00 - 14:00 | |||||
L15 | 2 | Studio | T | 16:00 - 18:00 | |||||
L13 | 2 | Studio | T | 12:00 - 14:00 |
Foundation Studio: Approaches to Media
VISA 180
keyboard_arrow_downDrawing, painting, and related media in an introduction to studio practice. (This course is open to all UBC students, regardless of prior experience.)
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | M | 12:00 - 13:00 | Roy, Marina | ||||
002 | 2 | Lecture | M | 12:00 - 13:00 | Roy, Marina | ||||
L01 | 1 | Studio | M | 17:00 - 20:00 | |||||
L02 | 1 | Studio | T | 14:00 - 17:00 | |||||
L03 | 1 | Studio | T | 17:00 - 20:00 | |||||
L04 | 1 | Studio | W | 9:00 - 12:00 | |||||
L05 | 1 | Studio | Th | 9:30 - 12:30 | |||||
L06 | 1 | Studio | Th | 14:00 - 17:00 | |||||
L07 | 1 | Studio | F | 9:00 - 12:00 | |||||
L08 | 2 | Studio | M | 14:00 - 17:00 | |||||
L09 | 2 | Studio | M | 14:00 - 17:00 | |||||
L10 | 2 | Studio | M | 17:00 - 20:00 | |||||
L11 | 2 | Studio | T | 17:00 - 20:00 | |||||
L12 | 2 | Studio | Th | 14:00 - 17:00 | |||||
L13 | 2 | Studio | Th | 14:00 - 17:00 |
Foundation Studio: Approaches to Media
VISA 180
keyboard_arrow_downDrawing, painting, and related media in an introduction to studio practice. (This course is open to all UBC students, regardless of prior experience.)
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | M | 12:00 - 13:00 | Purschwitz, Natalie | ||||
002 | 2 | Lecture | M | 12:00 - 13:00 | Purschwitz, Natalie | ||||
L01 | 1 | Studio | M | 17:00 - 20:00 | |||||
L02 | 1 | Studio | T | 14:00 - 17:00 | |||||
L03 | 1 | Studio | T | 17:00 - 20:00 | |||||
L04 | 1 | Studio | W | 9:00 - 12:00 | |||||
L05 | 1 | Studio | Th | 9:30 - 12:30 | |||||
L06 | 1 | Studio | Th | 14:00 - 17:00 | |||||
L07 | 1 | Studio | F | 9:00 - 12:00 | |||||
L08 | 2 | Studio | M | 14:00 - 17:00 | |||||
L09 | 2 | Studio | M | 14:00 - 17:00 | |||||
L10 | 2 | Studio | M | 17:00 - 20:00 | |||||
L11 | 2 | Studio | T | 17:00 - 20:00 | |||||
L12 | 2 | Studio | Th | 14:00 - 17:00 | |||||
L13 | 2 | Studio | Th | 14:00 - 17:00 |
Foundation Studio: Approaches to Media
VISA 180
keyboard_arrow_downDrawing, painting, and related media in an introduction to studio practice. (This course is open to all UBC students, regardless of prior experience.)
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | M | 12:00 - 13:00 | Roy, Marina | ||||
002 | 2 | Lecture | M | 12:00 - 13:00 | Roy, Marina | ||||
L01 | 1 | Studio | M | 14:00 - 17:00 | |||||
L02 | 1 | Studio | T | 14:00 - 17:00 | |||||
L03 | 1 | Studio | T | 17:00 - 20:00 | |||||
L04 | 1 | Studio | W | 9:00 - 12:00 | |||||
L05 | 1 | Studio | Th | 9:30 - 12:30 | |||||
L06 | 1 | Studio | Th | 17:00 - 20:00 | |||||
L07 | 1 | Studio | F | 9:00 - 12:00 | |||||
L08 | 2 | Studio | M | 14:00 - 17:00 | |||||
L09 | 2 | Studio | M | 14:00 - 17:00 | |||||
L10 | 2 | Studio | M | 17:00 - 20:00 | |||||
L11 | 2 | Studio | T | 17:00 - 20:00 | |||||
L12 | 2 | Studio | Th | 14:00 - 17:00 | |||||
L13 | 2 | Studio | Th | 14:00 - 17:00 |
Foundation Studio: Approaches to Media
VISA 180
keyboard_arrow_downDrawing, painting, and related media in an introduction to studio practice. (This course is open to all UBC students, regardless of prior experience.)
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
L01 | 1 | Studio | M | 14:00 - 17:00 | Multiple instructors | InstructorsRoy, Marina | Wen, Yuan | |||
L08 | 2 | Studio | M | 14:00 - 17:00 | |||||
L05 | 1 | Studio | Th | 09:00 - 12:00 | Multiple instructors | InstructorsLynn, Nevada | Roy, Marina | |||
L09 | 2 | Studio | M | 14:00 - 17:00 | |||||
L10 | 2 | Studio | M | 17:00 - 20:00 | |||||
L02 | 1 | Studio | T | 14:00 - 17:00 | Multiple instructors | InstructorsFarzi, Mahsa | Roy, Marina | |||
L11 | 2 | Studio | T | 17:00 - 20:00 | |||||
L12 | 2 | Studio | Th | 14:00 - 17:00 | |||||
L13 | 2 | Studio | Th | 14:00 - 17:00 | |||||
L04 | 1 | Studio | W | 09:00 - 12:00 | Multiple instructors | InstructorsLynn, Nevada | Roy, Marina | |||
L06 | 1 | Studio | Th | 17:00 - 20:00 | Multiple instructors | InstructorsRoy, Marina | Wen, Yuan | |||
001 | 1 | Lecture | M | 12:00 - 13:00 | Multiple instructors | InstructorsFarzi, Mahsa | Lynn, Nevada | Roy, Marina | Wen, Yuan | |||
002 | 2 | Lecture | M | 12:00 - 13:00 | Roy, Marina | ||||
L03 | 1 | Studio | T | 17:00 - 20:00 | Multiple instructors | InstructorsFarzi, Mahsa | Roy, Marina |
Foundation Studio: Ideas as Practice I
VISA 183
keyboard_arrow_downContemporary art practices, emphasizing the relationship between meanings and materials, art historical contexts and concepts, and non-traditional materials. (This course is open to all UBC students, regardless of prior experience.)
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | Th | 11:00 - 12:00 | James, Gareth | ||||
002 | 2 | Lecture | T | 12:30 - 13:30 | |||||
L01 | 1 | Studio | M | 9:00 - 12:00 | |||||
L02 | 1 | Studio | M | 14:00 - 17:00 | |||||
L03 | 1 | Studio | M | 17:00 - 20:00 | |||||
L04 | 1 | Studio | W | 17:00 - 20:00 | |||||
L05 | 2 | Studio | T | 14:00 - 17:00 | |||||
L06 | 2 | Studio | T | 17:00 - 20:00 | |||||
L07 | 2 | Studio | W | 9:00 - 12:00 | |||||
L08 | 2 | Studio | Th | 9:30 - 12:30 |
Foundation Studio: Ideas as Practice I
VISA 183
keyboard_arrow_downContemporary art practices, emphasizing the relationship between meanings and materials, art historical contexts and concepts, and non-traditional materials. (This course is open to all UBC students, regardless of prior experience.)
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | Th | 11:00 - 12:00 | |||||
002 | 2 | Lecture | Th | 14:00 - 15:00 | James, Gareth | ||||
L01 | 1 | Studio | M | 9:00 - 12:00 | |||||
L02 | 1 | Studio | M | 14:00 - 17:00 | |||||
L03 | 1 | Studio | M | 17:00 - 20:00 | |||||
L04 | 1 | Studio | W | 17:00 - 20:00 | |||||
L05 | 2 | Studio | T | 14:00 - 17:00 | |||||
L06 | 2 | Studio | T | 17:00 - 20:00 | |||||
L07 | 2 | Studio | W | 9:00 - 12:00 | |||||
L08 | 2 | Studio | Th | 9:30 - 12:30 |
Foundation Studio: Ideas as Practice I
VISA 183
keyboard_arrow_downContemporary art practices, emphasizing the relationship between meanings and materials, art historical contexts and concepts, and non-traditional materials. (This course is open to all UBC students, regardless of prior experience.)
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | Th | 11:00 - 12:00 | James, Gareth | ||||
002 | 2 | Lecture | Th | 14:00 - 15:00 | James, Gareth | ||||
L01 | 1 | Studio | M | 9:00 - 12:00 | |||||
L02 | 1 | Studio | M | 14:00 - 17:00 | |||||
L03 | 1 | Studio | T | 9:30 - 12:30 | |||||
L04 | 1 | Studio | T | 17:00 - 20:00 | |||||
L05 | 2 | Studio | M | 9:00 - 12:00 | |||||
L06 | 2 | Studio | T | 14:00 - 17:00 | |||||
L07 | 2 | Studio | T | 17:00 - 20:00 | |||||
L08 | 2 | Studio | W | 9:00 - 12:00 |
Foundation Studio: Ideas as Practice I
VISA 183
keyboard_arrow_downContemporary art practices, emphasizing the relationship between meanings and materials, art historical contexts and concepts, and non-traditional materials. (This course is open to all UBC students, regardless of prior experience.)
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
L03 | 1 | Studio | T | 09:00 - 12:00 | James, Gareth | ||||
L06 | 2 | Studio | T | 14:00 - 17:00 | |||||
L04 | 1 | Studio | T | 17:00 - 20:00 | James, Gareth | ||||
L05 | 2 | Studio | M | 09:00 - 12:00 | |||||
L01 | 1 | Studio | M | 09:00 - 12:00 | James, Gareth | ||||
L08 | 2 | Studio | W | 09:00 - 12:00 | |||||
L07 | 2 | Studio | T | 17:00 - 20:00 | |||||
002 | 2 | Lecture | Th | 14:00 - 15:00 | James, Gareth | ||||
001 | 1 | Lecture | Th | 09:00 - 10:00 | James, Gareth | ||||
L02 | 1 | Studio | M | 14:00 - 17:00 | James, Gareth | ||||
L09 | 2 | Studio | M | 14:00 - 17:00 |
Digital Arts
VISA 210
keyboard_arrow_downExamination of current art practices and issues related to digital technologies and contemporary culture, with an emphasis on the theoretical conceptualization of digital artistic media.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | T | 9:30 - 12:30 | |||||
002 | 1 | Studio | W | 9:00 - 12:00 | Pina Baldoquin, Manuel | ||||
003 | 2 | Studio | T | 9:30 - 12:30 | Pina Baldoquin, Manuel | ||||
004 | 2 | Studio | M | 9:00 - 12:00 | |||||
01W | 1 | Waiting List | T | 9:30 - 12:30 | |||||
02W | 1 | Waiting List | W | 9:00 - 12:00 | |||||
03W | 2 | Waiting List | T | 9:30 - 12:30 | |||||
04W | 2 | Waiting List | M | 9:00 - 12:00 | |||||
227 | 1 | Studio | M | 9:00 - 12:00 | |||||
228 | 1 | Studio | F | 13:00 - 16:00 |
Digital Arts
VISA 210
keyboard_arrow_downExamination of current art practices and issues related to digital technologies and contemporary culture, with an emphasis on the theoretical conceptualization of digital artistic media.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | T | 14:00 - 17:00 | Ahadi, Mohammad Ali | ||||
002 | 1 | Studio | T | 9:30 - 12:30 | Pina Baldoquin, Manuel | ||||
003 | 2 | Studio | T | 9:30 - 12:30 | Pina Baldoquin, Manuel | ||||
004 | 2 | Studio | M | 11:00 - 14:00 | Hite, Joshua | ||||
01W | 1 | Waiting List | T | 14:00 - 17:00 | |||||
02W | 1 | Waiting List | T | 9:30 - 12:30 | |||||
03W | 2 | Waiting List | T | 9:30 - 12:30 | |||||
04W | 2 | Waiting List | M | 11:00 - 14:00 | |||||
227 | 1 | Studio | T | 11:00 - 14:00 | |||||
228 | 1 | Studio | F | 14:00 - 17:00 | Day, Kevin |
Digital Arts
VISA 210
keyboard_arrow_downExamination of current art practices and issues related to digital technologies and contemporary culture, with an emphasis on the theoretical conceptualization of digital artistic media.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | T | 14:00 - 17:00 | Pina Baldoquin, Manuel | ||||
002 | 1 | Studio | W | 9:00 - 12:00 | Peters, Byron | ||||
003 | 2 | Studio | M | 9:00 - 12:00 | Radon, Lisa | ||||
004 | 2 | Studio | T | 9:30 - 12:30 | Pina Baldoquin, Manuel | ||||
01W | 1 | Waiting List | T | 14:00 - 17:00 | |||||
02W | 1 | Waiting List | W | 9:00 - 12:00 | |||||
03W | 2 | Waiting List | M | 9:00 - 12:00 | |||||
04W | 2 | Waiting List | T | 9:30 - 12:30 | |||||
227 | 1 | Studio | M | 9:00 - 12:00 | Ahadi, Mohammad Ali | ||||
228 | 1 | Studio | F | 14:00 - 17:00 | Day, Kevin |
Digital Arts
VISA 210
keyboard_arrow_downExamination of current art practices and issues related to digital technologies and contemporary culture, with an emphasis on the theoretical conceptualization of digital artistic media. Prerequisite: A score of 72% or higher in two of VISA 110, VISA 180, VISA 183; or BMS student and VISA 110.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
227 | 1 | Studio | M | 09:00 - 12:00 | Ahadi, Mohammad Ali | ||||
228 | 1 | Studio | F | 14:00 - 17:00 | Day, Kevin | ||||
003 | 2 | Studio | T | 09:00 - 12:00 | Pina Baldoquin, Manuel | ||||
001 | 1 | Studio | T | 14:00 - 17:00 | Ahadi, Mohammad Ali |
Drawing
VISA 220
keyboard_arrow_downDevelopment of skills in drawing including life drawing. Introduction to the development of personal style and concepts.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | T | 14:00 - 17:00 | Roy, Marina | ||||
002 | 1 | Studio | W | 14:00 - 17:00 | |||||
003 | 2 | Studio | W | 9:00 - 12:00 | Gu, Xiong | ||||
01W | 1 | Waiting List | T | 14:00 - 17:00 | |||||
02W | 1 | Waiting List | W | 14:00 - 17:00 | |||||
03W | 2 | Waiting List | W | 9:00 - 12:00 |
Drawing
VISA 220
keyboard_arrow_downDevelopment of skills in drawing including life drawing. Introduction to the development of personal style and concepts.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | W | 9:00 - 12:00 | Gu, Xiong | ||||
002 | 2 | Studio | T | 9:30 - 12:30 | Baluta, Damla | ||||
003 | 2 | Studio | W | 9:00 - 12:00 | Fernandez Rodriguez, Antonio | ||||
01W | 1 | Waiting List | W | 9:00 - 12:00 | |||||
02W | 2 | Waiting List | T | 9:30 - 12:30 | |||||
03W | 2 | Waiting List | W | 9:00 - 12:00 |
Drawing
VISA 220
keyboard_arrow_downDevelopment of skills in drawing including life drawing. Introduction to the development of personal style and concepts.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | T | 9:30 - 12:30 | Gu, Xiong | ||||
002 | 1 | Studio | W | 14:00 - 17:00 | Roy, Marina | ||||
003 | 2 | Studio | T | 9:30 - 12:30 | Fernandez Rodriguez, Antonio | ||||
004 | 2 | Studio | W | 9:00 - 12:00 | Gu, Xiong | ||||
01W | 1 | Waiting List | T | 9:30 - 12:30 | |||||
02W | 1 | Waiting List | W | 14:00 - 17:00 | |||||
03W | 2 | Waiting List | T | 9:30 - 12:30 | |||||
04W | 2 | Waiting List | W | 9:00 - 12:00 |
Drawing
VISA 220
keyboard_arrow_downDevelopment of skills in drawing including life drawing. Introduction to the development of personal style and concepts. Prerequisite: A score of 72% or higher in two of VISA 110, VISA 180, VISA 183.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | T | 09:00 - 12:00 | Gu, Xiong | ||||
002 | 1 | Studio | W | 14:00 - 17:00 | Fernandez Rodriguez, Antonio | ||||
003 | 2 | Studio | T | 09:00 - 12:00 | Roy, Marina | ||||
004 | 2 | Studio | W | 09:00 - 12:00 | Gu, Xiong |
Painting
VISA 230
keyboard_arrow_downDevelopment of a variety of techniques and approaches to painting. Emphasis on developing a strong paint vocabulary as well as acquiring knowledge of historical and contemporary issues in painting.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | T | 9:30 - 12:30 | |||||
002 | 1 | Studio | W | 9:00 - 12:00 | |||||
003 | 2 | Studio | W | 14:00 - 17:00 | Mccrum, Phillip | ||||
01W | 1 | Waiting List | T | ||||||
02W | 1 | Waiting List | W | 9:00 - 12:00 | |||||
03W | 2 | Waiting List | W |
Painting
VISA 230
keyboard_arrow_downDevelopment of a variety of techniques and approaches to painting. Emphasis on developing a strong paint vocabulary as well as acquiring knowledge of historical and contemporary issues in painting.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | T | 14:00 - 17:00 | Stockbridge, Carolyn | ||||
002 | 1 | Studio | W | 14:00 - 17:00 | Stockbridge, Carolyn | ||||
003 | 2 | Studio | W | 14:00 - 17:00 | Mccrum, Phillip | ||||
01W | 1 | Waiting List | T | 14:00 - 17:00 | |||||
02W | 1 | Waiting List | W | 14:00 - 17:00 | |||||
03W | 2 | Waiting List | W | 14:00 - 17:00 |
Painting
VISA 230
keyboard_arrow_downDevelopment of a variety of techniques and approaches to painting. Emphasis on developing a strong paint vocabulary as well as acquiring knowledge of historical and contemporary issues in painting.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | W | 9:00 - 12:00 | Stockbridge, Carolyn | ||||
002 | 1 | Studio | Th | 14:00 - 17:00 | Mccrum, Phillip | ||||
003 | 2 | Studio | Th | 9:30 - 12:30 | Stockbridge, Carolyn | ||||
004 | 2 | Studio | W | 14:00 - 17:00 | Mccrum, Phillip | ||||
01W | 1 | Waiting List | W | 9:00 - 12:00 | |||||
02W | 1 | Waiting List | Th | 14:00 - 17:00 | |||||
03W | 2 | Waiting List | Th | 9:30 - 12:30 | |||||
04W | 2 | Waiting List | W | 14:00 - 17:00 |
Painting
VISA 230
keyboard_arrow_downDevelopment of a variety of techniques and approaches to painting. Emphasis on developing a strong paint vocabulary as well as acquiring knowledge of historical and contemporary issues in painting. Prerequisite: A score of 72% or higher in two of VISA 110, VISA 180, VISA 183.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | T | 14:00 - 17:00 | Mccrum, Phillip | ||||
002 | 1 | Studio | W | 09:00 - 12:00 | Stockbridge, Carolyn | ||||
004 | 2 | Studio | W | 14:00 - 17:00 | Smith, Dion | ||||
003 | 2 | Studio | T | 14:00 - 17:00 | Mccrum, Phillip |
Photography
VISA 240
keyboard_arrow_downIntroduction to photography techniques and image-making. Emphasis on camera techniques and film and darkroom production. Only one of VISA 240 or VISA 241 may be used toward requirements for Major, Minor, or Honours programs in Visual Art.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | M | 14:00 - 17:00 | |||||
01W | 2 | Waiting List | M | 14:00 - 17:00 |
Photography
VISA 240
keyboard_arrow_downIntroduction to photography techniques and image-making. Emphasis on camera techniques and film and darkroom production. Only one of VISA 240 or VISA 241 may be used toward requirements for Major, Minor, or Honours programs in Visual Art.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | Th | 9:30 - 12:30 | Mitchell, Karice | ||||
01W | 2 | Waiting List | Th | 9:30 - 12:30 |
Photography
VISA 240
keyboard_arrow_downIntroduction to photography techniques and image-making. Emphasis on camera techniques and film and darkroom production. Only one of VISA 240 or VISA 241 may be used toward requirements for Major, Minor, or Honours programs in Visual Arts. Prerequisite: A score of 72% or higher in two of VISA 110, VISA 180, VISA 183.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | Th | 09:00 - 12:00 | Mitchell, Karice |
Digital Photography
VISA 241
keyboard_arrow_downIntroduction to digital photography image creation in relation to contemporary art. Emphasis on digital camera use, file management, and digital print production. Only one of VISA 240 or VISA 241 may be used toward requirements for Major, Minor, or Honours programs in Visual Art.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | W | 9:00 - 12:00 | |||||
002 | 1 | Studio | T | 14:00 - 17:00 | |||||
003 | 2 | Studio | W | 9:00 - 12:00 | |||||
01W | 1 | Waiting List | W | 9:00 - 12:00 | |||||
02W | 1 | Waiting List | T | 14:00 - 17:00 | |||||
03W | 2 | Waiting List | W | 9:00 - 12:00 | |||||
227 | 1 | Studio | M | 14:00 - 17:00 | |||||
228 | 1 | Studio | Th | 14:00 - 17:00 |
Digital Photography
VISA 241
keyboard_arrow_downIntroduction to digital photography image creation in relation to contemporary art. Emphasis on digital camera use, file management, and digital print production. Only one of VISA 240 or VISA 241 may be used toward requirements for Major, Minor, or Honours programs in Visual Art.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | W | 9:00 - 12:00 | Baluta, Damla | ||||
002 | 2 | Studio | W | 9:00 - 12:00 | Mitchell, Karice | ||||
003 | 1 | Studio | T | 9:30 - 12:30 | Mitchell, Karice | ||||
01W | 1 | Waiting List | W | 9:00 - 12:00 | |||||
02W | 2 | Waiting List | W | 9:00 - 12:00 | |||||
03W | 1 | Waiting List | T | 9:30 - 12:30 | |||||
227 | 1 | Studio | M | 14:00 - 17:00 | |||||
228 | 1 | Studio | Th | 14:00 - 17:00 | Ahadi, Mohammad Ali |
Digital Photography
VISA 241
keyboard_arrow_downIntroduction to digital photography image creation in relation to contemporary art. Emphasis on digital camera use, file management, and digital print production. Only one of VISA 240 or VISA 241 may be used toward requirements for Major, Minor, or Honours programs in Visual Art.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | Th | 9:30 - 12:30 | Mitchell, Karice | ||||
002 | 2 | Studio | T | 14:00 - 17:00 | Baluta, Damla | ||||
01W | 1 | Waiting List | Th | 9:30 - 12:30 | |||||
02W | 2 | Waiting List | T | 14:00 - 17:00 | |||||
227 | 1 | Studio | M | 14:00 - 17:00 | Baluta, Damla | ||||
228 | 1 | Studio | Th | 14:00 - 17:00 | Brons, Dustin |
Digital Photography
VISA 241
keyboard_arrow_downIntroduction to digital photography image creation in relation to contemporary art. Emphasis on digital camera use, file management, and digital print production. Only one of VISA 240 or VISA 241 may be used toward requirements for Major, Minor, or Honours programs in Visual Arts. Prerequisite: A score of 72% or higher in two of VISA 110, VISA 180, VISA 183; or BMS student and VISA 110.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
002 | 2 | Studio | T | 14:00 - 17:00 | Barbosa, Alejandro | ||||
001 | 1 | Studio | T | 09:00 - 12:00 | Baluta, Damla | ||||
228 | 2 | Studio | W | 14:00 - 17:00 | Baluta, Damla | ||||
227 | 2 | Studio | M | 09:00 - 12:00 | Brons, Dustin |
Print Media
VISA 250
keyboard_arrow_downVisual print culture, and contemporary and historical technical print practices. Emphasis on hand-drawn intaglio, relief, screen and/or stencil printing, and graphic digital applications.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | M | 14:00 - 17:00 | Starling, Dan | ||||
002 | 2 | Studio | Th | 9:30 - 12:30 | |||||
01W | 1 | Waiting List | M | 14:00 - 17:00 | |||||
02W | 2 | Waiting List | Th | 9:30 - 12:30 |
Print Media
VISA 250
keyboard_arrow_downVisual print culture, and contemporary and historical technical print practices. Emphasis on hand-drawn intaglio, relief, screen and/or stencil printing, and graphic digital applications.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | M | 14:00 - 17:00 | Katzoff, Martin | ||||
002 | 2 | Studio | Th | 9:30 - 12:30 | Starling, Dan | ||||
003 | 1 | Studio | W | 14:00 - 17:00 | |||||
01W | 1 | Waiting List | M | 14:00 - 17:00 | |||||
02W | 2 | Waiting List | Th | 9:30 - 12:30 | |||||
03W | 1 | Waiting List | W | 14:00 - 17:00 |
Print Media
VISA 250
keyboard_arrow_downVisual print culture, and contemporary and historical technical print practices. Emphasis on hand-drawn intaglio, relief, screen and/or stencil printing, and graphic digital applications.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | M | 14:00 - 17:00 | Starling, Dan | ||||
002 | 1 | Studio | W | 14:00 - 17:00 | Bordo, Rosamunde | ||||
003 | 2 | Studio | Th | 9:30 - 12:30 | Bordo, Rosamunde | ||||
01W | 1 | Waiting List | M | 14:00 - 17:00 | |||||
02W | 1 | Waiting List | W | 14:00 - 17:00 | |||||
03W | 2 | Waiting List | Th | 9:30 - 12:30 |
Print Media
VISA 250
keyboard_arrow_downVisual print culture, and contemporary and historical technical print practices. Emphasis on hand-drawn intaglio, relief, screen and/or stencil printing, and graphic digital applications. Prerequisite: A score of 72% or higher in two of VISA 110, VISA 180, VISA 183.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
002 | 1 | Studio | W | 14:00 - 17:00 | Peacock, Kitt | ||||
001 | 1 | Studio | M | 14:00 - 17:00 | Bordo, Rosamunde | ||||
003 | 2 | Studio | Th | 09:00 - 12:00 | Bordo, Rosamunde |
Sculpture
VISA 260
keyboard_arrow_downContemporary sculpture practice and theory. Various sculpture materials and technologies including machinery use.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | M | 9:00 - 12:00 | |||||
002 | 2 | Studio | W | 14:00 - 17:00 | |||||
01W | 1 | Waiting List | M | ||||||
02W | 2 | Waiting List | W |
Sculpture
VISA 260
keyboard_arrow_downContemporary sculpture practice and theory. Various sculpture materials and technologies including machinery use.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | M | 9:00 - 12:00 | Colin Moreno, Carlos | ||||
002 | 2 | Studio | T | 14:00 - 17:00 | Frei Njootli, Jeneen | ||||
01W | 1 | Waiting List | M | 9:00 - 12:00 | |||||
02W | 2 | Waiting List | T | 14:00 - 17:00 |
Sculpture
VISA 260
keyboard_arrow_downContemporary sculpture practice and theory. Various sculpture materials and technologies including machinery use.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | Th | 14:00 - 17:00 | Colin Moreno, Carlos | ||||
002 | 2 | Studio | M | 9:00 - 12:00 | Purschwitz, Natalie | ||||
003 | 2 | Studio | T | 14:00 - 17:00 | Lycan, Kelly | ||||
01W | 1 | Waiting List | Th | 14:00 - 17:00 | |||||
02W | 2 | Waiting List | M | 9:00 - 12:00 | |||||
03W | 2 | Waiting List | T | 14:00 - 17:00 |
Sculpture
VISA 260
keyboard_arrow_downContemporary sculpture practice and theory. Various sculpture materials and technologies including machinery use. Prerequisite: A score of 72% or higher in two of VISA 110, VISA 180, VISA 183.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | W | 14:00 - 17:00 | Colin Moreno, Carlos | ||||
002 | 1 | Studio | Th | 14:00 - 17:00 | Lycan, Kelly | ||||
003 | 2 | Studio | M | 09:00 - 12:00 | Purschwitz, Natalie |
Contemporary Art: Ideas as Practice II
VISA 280
keyboard_arrow_downDevelopment and history of contemporary art practice, with a focus on how artists realize and exchange ideas. Intended for second year BFA VISA students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | M | 9:00 - 12:00 | Thauberger, Althea |
Contemporary Art: Ideas as Practice II
VISA 280
keyboard_arrow_downDevelopment and history of contemporary art practice, with a focus on how artists realize and exchange ideas. Intended for second year BFA VISA students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | M | 10:00 - 13:00 | Thauberger, Althea |
Contemporary Art: Ideas as Practice II
VISA 280
keyboard_arrow_downDevelopment and history of contemporary art practice, with a focus on how artists realize and exchange ideas. Intended for second year BFA VISA students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | M | 9:30 - 12:30 | Thauberger, Althea |
Contemporary Art: Ideas as Practice II
VISA 280
keyboard_arrow_downDevelopment and history of contemporary art practice, with a focus on how artists realize and exchange ideas. Intended for second year BFA VISA students. Prerequisite: A score of 72% or higher in VISA 183.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | F | 09:00 - 12:00 | Roy, Marina |
Intermediate Digital Arts I
VISA 310
keyboard_arrow_downExploring issues and topics in interactive digital media and culture through the creation of critical contemporary art. Includes technical instruction with a focus on the development of individual and group projects.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | M | 14:00 - 17:00 | |||||
002 | 2 | Studio | W | 9:00 - 12:00 | Pina Baldoquin, Manuel | ||||
01W | 1 | Waiting List | M | 14:00 - 17:00 | |||||
02W | 2 | Waiting List | W | 9:00 - 12:00 |
Intermediate Digital Arts I
VISA 310
keyboard_arrow_downExploring issues and topics in interactive digital media and culture through the creation of critical contemporary art. Includes technical instruction with a focus on the development of individual and group projects.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | Th | 14:00 - 17:00 | Billings, Scott | ||||
002 | 2 | Studio | W | 9:00 - 12:00 | Pina Baldoquin, Manuel | ||||
01W | 1 | Waiting List | Th | 14:00 - 17:00 | |||||
02W | 2 | Waiting List | W | 9:00 - 12:00 |
Intermediate Digital Arts I
VISA 310
keyboard_arrow_downExploring issues and topics in interactive digital media and culture through the creation of critical contemporary art. Includes technical instruction with a focus on the development of individual and group projects.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | Th | 9:30 - 12:30 | Pina Baldoquin, Manuel | ||||
002 | 2 | Studio | W | 9:00 - 12:00 | Billings, Scott | ||||
01W | 1 | Waiting List | Th | 9:30 - 12:30 | |||||
02W | 2 | Waiting List | W | 9:00 - 12:00 |
Intermediate Digital Arts I
VISA 310
keyboard_arrow_downExploring issues and topics in interactive digital media and culture through the creation of critical contemporary art. Includes technical instruction with a focus on the development of individual and group projects. Prerequisite: One of VISA 210, VISA 287, FINA 287.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | Th | 09:00 - 12:00 | Billings, Scott |
Intermediate Digital Arts II
VISA 311
keyboard_arrow_downInvestigation of issues and topics in digital media and visual culture through the production of contemporary video art. Technical instruction in video manipulation software. Individual and/or group projects.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | W | 14:00 - 17:00 | |||||
002 | 2 | Studio | M | 9:00 - 12:00 | |||||
01W | 1 | Waiting List | W | 14:00 - 17:00 | |||||
02W | 2 | Waiting List | M | 9:00 - 12:00 |
Intermediate Digital Arts II
VISA 311
keyboard_arrow_downInvestigation of issues and topics in digital media and visual culture through the production of contemporary video art. Technical instruction in video manipulation software. Individual and/or group projects.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | W | 14:00 - 17:00 | D'onofrio, Christine | ||||
002 | 2 | Studio | Th | 14:00 - 17:00 | D'onofrio, Christine | ||||
01W | 1 | Waiting List | W | 14:00 - 17:00 | |||||
02W | 2 | Waiting List | Th | 14:00 - 17:00 |
Intermediate Digital Arts II
VISA 311
keyboard_arrow_downInvestigation of issues and topics in digital media and visual culture through the production of contemporary video art. Technical instruction in video manipulation software. Individual and/or group projects.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | W | 14:00 - 17:00 | D'onofrio, Christine | ||||
002 | 2 | Studio | Th | 14:00 - 17:00 | D'onofrio, Christine | ||||
01W | 1 | Waiting List | W | 14:00 - 17:00 | |||||
02W | 2 | Waiting List | Th | 14:00 - 17:00 |
Intermediate Digital Arts II
VISA 311
keyboard_arrow_downInvestigation of issues and topics in digital media and visual culture through the production of contemporary video art. Technical instruction in video manipulation software. Individual and/or group projects. Prerequisite: One of VISA 240, VISA 241.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | Th | 14:00 - 17:00 | D'onofrio, Christine |
Intermediate Drawing I
VISA 320
keyboard_arrow_downInvestigation of drawing as a discipline in the context of contemporary art. Emphasis on expanding definitions of the drawing practice while focusing on technical and conceptual development.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | T | 9:30 - 12:30 | |||||
01W | 1 | Waiting List | T |
Intermediate Drawing I
VISA 320
keyboard_arrow_downInvestigation of drawing as a discipline in the context of contemporary art. Emphasis on expanding definitions of the drawing practice while focusing on technical and conceptual development.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | T | 9:30 - 12:30 | Gu, Xiong | ||||
01W | 1 | Waiting List | T | 9:30 - 12:30 |
Intermediate Drawing I
VISA 320
keyboard_arrow_downInvestigation of drawing as a discipline in the context of contemporary art. Emphasis on expanding definitions of the drawing practice while focusing on technical and conceptual development.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | Th | 9:30 - 12:30 | Gu, Xiong | ||||
01W | 1 | Waiting List | Th | 9:30 - 12:30 |
Intermediate Drawing I
VISA 320
keyboard_arrow_downInvestigation of drawing as a discipline in the context of contemporary art. Emphasis on expanding definitions of the drawing practice while focusing on technical and conceptual development. Prerequisite: One of VISA 220, VISA 281, FINA 281.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | Th | 09:00 - 12:00 | Gu, Xiong |
Intermediate Drawing II
VISA 321
keyboard_arrow_downInvestigation of drawing as a discipline in the context of contemporary art and theory. Emphasis on self-directed projects in consultation with the instructor.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | T | 9:30 - 12:30 | Gu, Xiong | ||||
01W | 2 | Waiting List | T | 9:30 - 12:30 |
Intermediate Drawing II
VISA 321
keyboard_arrow_downInvestigation of drawing as a discipline in the context of contemporary art and theory. Emphasis on self-directed projects in consultation with the instructor.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | T | 9:30 - 12:30 | Gu, Xiong | ||||
01W | 2 | Waiting List | T | 9:30 - 12:30 |
Intermediate Drawing II
VISA 321
keyboard_arrow_downInvestigation of drawing as a discipline in the context of contemporary art and theory. Emphasis on self-directed projects in consultation with the instructor.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | T | 9:30 - 12:30 | Gu, Xiong | ||||
01W | 2 | Waiting List | T | 9:30 - 12:30 |
Intermediate Drawing II
VISA 321
keyboard_arrow_downInvestigation of drawing as a discipline in the context of contemporary art and theory. Emphasis on self-directed projects in consultation with the instructor. Prerequisite: One of VISA 220, VISA 281, FINA 281.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | T | 09:00 - 12:00 | Gu, Xiong |
Intermediate Painting I
VISA 330
keyboard_arrow_downDevelopment of techniques and personal style in relation to ideas. History and contemporary issues in painting will be introduced to assist students in conceptualizing their painting practice.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | Th | 14:00 - 17:00 | Mccrum, Phillip | ||||
01W | 1 | Waiting List | Th | 14:00 - 17:00 |
Intermediate Painting I
VISA 330
keyboard_arrow_downDevelopment of techniques and personal style in relation to ideas. History and contemporary issues in painting will be introduced to assist students in conceptualizing their painting practice.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | Th | 9:30 - 12:30 | Gu, Xiong | ||||
01W | 1 | Waiting List | Th | 9:30 - 12:30 |
Intermediate Painting I
VISA 330
keyboard_arrow_downDevelopment of techniques and personal style in relation to ideas. History and contemporary issues in painting will be introduced to assist students in conceptualizing their painting practice.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | W | 14:00 - 17:00 | Mccrum, Phillip | ||||
002 | 2 | Studio | T | 14:00 - 17:00 | Mccrum, Phillip | ||||
01W | 1 | Waiting List | W | 14:00 - 17:00 | |||||
02W | 2 | Waiting List | T | 14:00 - 17:00 |
Intermediate Painting I
VISA 330
keyboard_arrow_downDevelopment of techniques and personal style in relation to ideas. History and contemporary issues in painting will be introduced to assist students in conceptualizing their painting practice. Prerequisite: One of VISA 230, VISA 282, FINA 282.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | Th | 14:00 - 17:00 | Mccrum, Phillip | ||||
002 | 2 | Studio | W | 09:00 - 12:00 | Stockbridge, Carolyn |
Intermediate Painting II
VISA 331
keyboard_arrow_downFurther investigation of painting in the context of contemporary art. Emphasis on self directed projects in consultation with the instructor.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | Th | 14:00 - 17:00 | Mccrum, Phillip | ||||
01W | 2 | Waiting List | Th | 14:00 - 17:00 |
Intermediate Painting II
VISA 331
keyboard_arrow_downFurther investigation of painting in the context of contemporary art. Emphasis on self directed projects in consultation with the instructor.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | Th | 14:00 - 17:00 | Mccrum, Phillip | ||||
01W | 2 | Waiting List | Th | 14:00 - 17:00 |
Intermediate Painting II
VISA 331
keyboard_arrow_downFurther investigation of painting in the context of contemporary art. Emphasis on self directed projects in consultation with the instructor.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | Th | 14:00 - 17:00 | Mccrum, Phillip | ||||
01W | 2 | Waiting List | Th | 14:00 - 17:00 |
Intermediate Painting II
VISA 331
keyboard_arrow_downFurther investigation of painting in the context of contemporary art. Emphasis on self directed projects in consultation with the instructor. Prerequisite: One of VISA 230, VISA 282, FINA 282.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | Th | 14:00 - 17:00 | Mccrum, Phillip |
Intermediate Photography I
VISA 340
keyboard_arrow_downAn investigation of approaches to photography and its meaning in the context of contemporary art. The term theme will be determined by the instructor. B and W, colour and digital production.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | T | 9:30 - 12:30 | Pina Baldoquin, Manuel | ||||
002 | 2 | Studio | T | 14:00 - 17:00 | |||||
01W | 1 | Waiting List | T | 9:30 - 12:30 | |||||
02W | 2 | Waiting List | T | 14:00 - 17:00 |
Intermediate Photography I
VISA 340
keyboard_arrow_downAn investigation of approaches to photography and its meaning in the context of contemporary art. The term theme will be determined by the instructor. B and W, colour and digital production.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | W | 9:00 - 12:00 | Pina Baldoquin, Manuel | ||||
002 | 2 | Studio | T | 14:00 - 17:00 | Mitchell, Karice | ||||
01W | 1 | Waiting List | W | 9:00 - 12:00 | |||||
02W | 2 | Waiting List | T | 14:00 - 17:00 |
Intermediate Photography I
VISA 340
keyboard_arrow_downAn investigation of approaches to photography and its meaning in the context of contemporary art. The term theme will be determined by the instructor. B and W, colour and digital production.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | W | 9:00 - 12:00 | Pina Baldoquin, Manuel | ||||
002 | 2 | Studio | W | 9:00 - 12:00 | D'onofrio, Christine | ||||
01W | 1 | Waiting List | W | 9:00 - 12:00 | |||||
02W | 2 | Waiting List | W | 9:00 - 12:00 |
Intermediate Photography I
VISA 340
keyboard_arrow_downAn investigation of approaches to photography and its meaning in the context of contemporary art. The term theme will be determined by the instructor. B & W, colour and digital production. Prerequisite: One of VISA 240, VISA 241.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | W | 09:00 - 12:00 | Pina Baldoquin, Manuel | ||||
002 | 2 | Studio | M | 14:00 - 17:00 | Pina Baldoquin, Manuel |
Intermediate Photography II
VISA 341
keyboard_arrow_downAn investigation of contemporary photography production and approaches to the constructed image with emphasis on medium and large format camera use and studio lighting techniques.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | Th | 9:30 - 12:30 | |||||
01W | 2 | Waiting List | Th | 9:30 - 12:30 |
Intermediate Photography II
VISA 341
keyboard_arrow_downAn investigation of contemporary photography production and approaches to the constructed image with emphasis on medium and large format camera use and studio lighting techniques.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | T | 14:00 - 17:00 | Thauberger, Althea | ||||
01W | 1 | Waiting List | T | 14:00 - 17:00 |
Intermediate Photography II
VISA 341
keyboard_arrow_downAn investigation of contemporary photography production and approaches to the constructed image with emphasis on medium and large format camera use and studio lighting techniques.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | T | 14:00 - 17:00 | Mitchell, Karice | ||||
01W | 1 | Waiting List | T | 14:00 - 17:00 |
Intermediate Photography II
VISA 341
keyboard_arrow_downAn investigation of contemporary photography production and approaches to the constructed image with emphasis on medium and large format camera use and studio lighting techniques. Prerequisite: One of VISA 240, VISA 241.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | Th | 09:00 - 12:00 | Mitchell, Karice |
Intermediate Print Media I: Interdisciplinary Approaches to Image Production
VISA 350
keyboard_arrow_downIntaglio and relief print applications (i.e., etching, wood and/or lino cut, and collagraph) in combination with digital and photographic technologies, and drawing; discussion of contemporary and historical visual print culture.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | W | 14:00 - 17:00 | Starling, Dan | ||||
01W | 2 | Waiting List | W | 14:00 - 17:00 |
Intermediate Print Media I: Interdisciplinary Approaches to Image Production
VISA 350
keyboard_arrow_downIntaglio and relief print applications (i.e., etching, wood and/or lino cut, and collagraph) in combination with digital and photographic technologies, and drawing; discussion of contemporary and historical visual print culture.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | Th | 9:30 - 12:30 | Starling, Dan | ||||
01W | 1 | Waiting List | Th | 9:30 - 12:30 |
Intermediate Print Media I: Interdisciplinary Approaches to Image Production
VISA 350
keyboard_arrow_downIntaglio and relief print applications (i.e., etching, wood and/or lino cut, and collagraph) in combination with digital and photographic technologies, and drawing; discussion of contemporary and historical visual print culture. Prerequisite: Either (a) VISA 250 or (b) one of VISA 290, VISA 283, VISA 284, FINA 290, FINA 283, FINA 284.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | Th | 14:00 - 17:00 | Starling, Dan |
Intermediate Print Media II: Interdisciplinary Approaches to Image Production
VISA 351
keyboard_arrow_downScreen printing and other print applications in combination with digital and photographic technologies, and drawing, explored within the context of contemporary art.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | Th | 9:30 - 12:30 | Starling, Dan | ||||
01W | 1 | Waiting List | Th | 9:30 - 12:30 |
Intermediate Print Media II: Interdisciplinary Approaches to Image Production
VISA 351
keyboard_arrow_downScreen printing and other print applications in combination with digital and photographic technologies, and drawing, explored within the context of contemporary art.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | T | 14:00 - 17:00 | Katzoff, Martin | ||||
01W | 2 | Waiting List | T | 14:00 - 17:00 |
Intermediate Print Media II: Interdisciplinary Approaches to Image Production
VISA 351
keyboard_arrow_downScreen printing and other print applications in combination with digital and photographic technologies, and drawing, explored within the context of contemporary art.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | T | 14:00 - 17:00 | Starling, Dan | ||||
01W | 2 | Waiting List | T | 14:00 - 17:00 |
Intermediate Print Media II: Interdisciplinary Approaches to Image Production
VISA 351
keyboard_arrow_downScreen printing and other print applications in combination with digital and photographic technologies, and drawing, explored within the context of contemporary art. Prerequisite: Either(a) VISA 250 or (b) one of VISA 283, VISA 284, VISA 290, FINA 283, FINA 284, FINA 290.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | T | 14:00 - 17:00 | Starling, Dan |
Intermediate Print Media III: Interdisciplinary Approaches to Image Production
VISA 352
keyboard_arrow_downLithographic printing; suitable for students interested in drawing and print media interface in context of contemporary art; related digital and photographic technologies employed.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | Th | 14:00 - 17:00 | Starling, Dan | ||||
01W | 1 | Waiting List | Th | 14:00 - 14:30 |
Intermediate Sculpture I
VISA 360
keyboard_arrow_downInvestigation of contemporary practices in sculpture and the use of scale. Emphasis on public sculpture.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | Th | 9:30 - 12:30 | |||||
01W | 1 | Waiting List | Th | 9:30 - 12:30 |
Intermediate Sculpture I
VISA 360
keyboard_arrow_downInvestigation of contemporary practices in sculpture and the use of scale. Emphasis on public sculpture.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | Th | 14:00 - 17:00 | Koh, Germaine | ||||
01W | 1 | Waiting List | Th | 14:00 - 17:00 |
Intermediate Sculpture I
VISA 360
keyboard_arrow_downInvestigation of contemporary practices in sculpture and the use of scale. Emphasis on public sculpture.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | T | 14:00 - 17:00 | Koh, Germaine | ||||
01W | 1 | Waiting List | T | 14:00 - 17:00 |
Intermediate Sculpture I
VISA 360
keyboard_arrow_downInvestigation of contemporary practices in sculpture and the use of scale. Emphasis on public sculpture. Prerequisite: One of VISA 260, VISA 285, VISA 286, FINA 285, FINA 286.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | T | 09:00 - 12:00 | Koh, Germaine |
Special Studies I
VISA 370
keyboard_arrow_downIntermediate tutorial. Not offered every year.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | Th | 14:00 - 17:00 | Frei Njootli, Jeneen | ||||
01W | 2 | Waiting List | Th | 14:00 - 17:00 |
Special Studies I
VISA 370
keyboard_arrow_downIntermediate tutorial. Not offered every year.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | W | 14:00 - 17:00 | Starling, Dan | ||||
01W | 2 | Waiting List | W | 14:00 - 17:00 |
Special Studies I
VISA 370
keyboard_arrow_downIntermediate tutorial. Not offered every year.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | W | 14:00 - 17:00 | Starling, Dan | ||||
01W | 2 | Waiting List | W | 14:00 - 17:00 |
Special Studies I - Special Studies I
VISA 370A
keyboard_arrow_downIntermediate tutorial. Not offered every year. Prerequisite: 6 credits of 200-level VISA.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
A_001 | 2 | Studio | T | 09:00 - 12:00 | Koh, Germaine |
Artists in Society
VISA 375
keyboard_arrow_downExploring artistic practice through community-engaged partnerships and critical study.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | T | 9:30 - 12:30 | Thauberger, Althea |
Artist Books as Form and Idea
VISA 376
keyboard_arrow_downApproaches to book creation from the perspective of contemporary art and exploration of the artist book as an expansion of both art and books. Prerequisite: 3 credits of any 200-level VISA course.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | W | 14:00 - 17:00 | Starling, Dan |
Studio Theory
VISA 380
keyboard_arrow_downA seminar in problems in contemporary art practice and related theory. Preference given to Visual Art students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | F | 9:00 - 10:00 | |||||
01W | 1 | Waiting List | F | ||||||
L01 | 1 | Tutorial | F | 10:00 - 12:00 | |||||
L02 | 1 | Tutorial | F | 10:00 - 12:00 | |||||
L03 | 1 | Tutorial | F | 10:00 - 12:00 |
Studio Theory
VISA 380
keyboard_arrow_downA seminar in problems in contemporary art practice and related theory. Preference given to Visual Art students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | F | 9:00 - 10:00 | Mitchell, Karice | ||||
L01 | 1 | Tutorial | F | 10:00 - 12:00 | |||||
L02 | 1 | Tutorial | F | 10:00 - 12:00 | |||||
L03 | 1 | Tutorial | F | 10:00 - 12:00 |
Studio Theory
VISA 380
keyboard_arrow_downA seminar in problems in contemporary art practice and related theory. Preference given to Visual Art students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | F | 9:00 - 10:00 | Mitchell, Karice | ||||
L01 | 1 | Tutorial | F | 10:00 - 12:00 | |||||
L02 | 1 | Tutorial | F | 10:00 - 12:00 | |||||
L03 | 1 | Tutorial | F | 10:00 - 12:00 |
Studio Theory
VISA 380
keyboard_arrow_downA seminar in problems in contemporary art practice and related theory. Preference given to Visual Art students. This course is not eligible for Credit/D/Fail grading.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Lecture | F | 09:00 - 10:00 | Mitchell, Karice | ||||
L03 | 1 | Discussion | F | 10:00 - 12:00 | Mitchell, Karice | ||||
L02 | 1 | Discussion | F | 10:00 - 12:00 | Mitchell, Karice | ||||
L01 | 1 | Discussion | F | 10:00 - 12:00 | Mitchell, Karice |
Performance Art
VISA 390
keyboard_arrow_downSeminar-based studio focusing on performance and actions in the field of contemporary art.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | W | 14:00 - 17:00 | |||||
01W | 1 | Waiting List | W | 14:00 - 17:00 |
Performance Art
VISA 390
keyboard_arrow_downSeminar-based studio focusing on performance and actions in the field of contemporary art.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | M | 9:00 - 12:00 | Martinez, Guadalupe | ||||
01W | 2 | Waiting List | M | 9:00 - 12:00 |
Performance Art
VISA 390
keyboard_arrow_downSeminar-based studio focusing on performance and actions in the field of contemporary art.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | M | 9:00 - 12:00 | Martinez, Guadalupe | ||||
002 | 2 | Studio | Th | 9:30 - 12:30 | Martinez, Guadalupe | ||||
01W | 1 | Waiting List | M | 9:00 - 12:00 | |||||
02W | 2 | Waiting List | Th | 9:30 - 12:30 |
Performance Art
VISA 390
keyboard_arrow_downSeminar-based studio focusing on performance and actions in the field of contemporary art. Prerequisite: 6 credits of 200-level VISA with an average of at least 72%.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
002 | 2 | Studio | W | 09:00 - 12:00 | Martinez, Guadalupe | ||||
001 | 1 | Studio | M | 09:00 - 12:00 | Martinez, Guadalupe |
Advanced Open Studio - ADV OPEN STUDIO
VISA 401A
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | M | 14:00 - 17:00 | Mccrum, Phillip | ||||
01W | 1 | Waiting List | M | 14:00 - 17:00 |
Advanced Open Studio - ADV OPEN STUDIO
VISA 401A
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | M | 14:00 - 17:00 | Pina Baldoquin, Manuel | ||||
01W | 1 | Waiting List | M | 14:00 - 17:00 |
Advanced Open Studio - ADV OPEN STUDIO
VISA 401A
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | T | 9:30 - 12:30 | D'onofrio, Christine | ||||
01W | 1 | Waiting List | T | 9:30 - 12:30 |
Advanced Open Studio - Advanced Open Studio
VISA 401A
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students. This course is not eligible for Credit/D/Fail grading. Prerequisite: Three of VISA 310, VISA 311, VISA 320, VISA 321, VISA 330, VISA 331, VISA 340, VISA 341, VISA 350, VISA 351, VISA 352, VISA 360, VISA 361, VISA 370, VISA 375, VISA 390.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
A_001 | 1 | Studio | M | 14:00 - 17:00 | Mccrum, Phillip |
Advanced Open Studio - ADV OPEN STUDIO
VISA 401B
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | T | 14:00 - 17:00 | James, Gareth | ||||
01W | 1 | Waiting List | T | 14:00 - 17:00 |
Advanced Open Studio - ADV OPEN STUDIO
VISA 401B
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | T | 9:30 - 12:30 | D'onofrio, Christine | ||||
01W | 1 | Waiting List | T | 9:30 - 12:30 |
Advanced Open Studio - ADV OPEN STUDIO
VISA 401B
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | T | 14:00 - 17:00 | Mccrum, Phillip | ||||
01W | 1 | Waiting List | T | 14:00 - 17:00 |
Advanced Open Studio - Advanced Open Studio
VISA 401B
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students. This course is not eligible for Credit/D/Fail grading. Prerequisite: Three of VISA 310, VISA 311, VISA 320, VISA 321, VISA 330, VISA 331, VISA 340, VISA 341, VISA 350, VISA 351, VISA 352, VISA 360, VISA 361, VISA 370, VISA 375, VISA 390.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
B_001 | 1 | Studio | T | 09:00 - 12:00 | Pina Baldoquin, Manuel |
Advanced Open Studio - ADV OPEN STUDIO
VISA 401C
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | Th | 9:30 - 12:30 | |||||
01W | 1 | Waiting List | Th | 9:30 - 12:30 |
Advanced Open Studio - ADV OPEN STUDIO
VISA 401C
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | T | 14:00 - 17:00 | Claxton, Dana | ||||
01W | 1 | Waiting List | T | 14:00 - 17:00 |
Advanced Open Studio - ADV OPEN STUDIO
VISA 401C
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | W | 9:00 - 12:00 | Gu, Xiong | ||||
01W | 1 | Waiting List | W | 9:00 - 12:00 |
Advanced Open Studio - Advanced Open Studio
VISA 401C
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students. This course is not eligible for Credit/D/Fail grading. Prerequisite: Three of VISA 310, VISA 311, VISA 320, VISA 321, VISA 330, VISA 331, VISA 340, VISA 341, VISA 350, VISA 351, VISA 352, VISA 360, VISA 361, VISA 370, VISA 375, VISA 390.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
C_001 | 1 | Studio | T | 14:00 - 17:00 | D'onofrio, Christine |
Advanced Open Studio - ADV OPEN STUDIO
VISA 401D
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | Th | 14:00 - 17:00 | Pina Baldoquin, Manuel | ||||
01W | 1 | Waiting List | Th | 14:00 - 17:00 |
Advanced Open Studio - ADV OPEN STUDIO
VISA 401D
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | Th | 14:00 - 17:00 | |||||
01W | 1 | Waiting List | Th | 14:00 - 17:00 |
Advanced Open Studio - ADV OPEN STUDIO
VISA 401D
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | Th | 14:00 - 17:00 | James, Gareth | ||||
01W | 1 | Waiting List | Th | 14:00 - 17:00 |
Advanced Open Studio - Advanced Open Studio
VISA 401D
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students. This course is not eligible for Credit/D/Fail grading. Prerequisite: Three of VISA 310, VISA 311, VISA 320, VISA 321, VISA 330, VISA 331, VISA 340, VISA 341, VISA 350, VISA 351, VISA 352, VISA 360, VISA 361, VISA 370, VISA 375, VISA 390.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
D_001 | 1 | Studio | W | 09:00 - 12:00 | Gu, Xiong |
Advanced Open Studio - ADV OPEN STUDIO
VISA 401E
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | M | 9:00 - 12:00 | Gu, Xiong | ||||
01W | 2 | Waiting List | M | 9:00 - 12:00 |
Advanced Open Studio - ADV OPEN STUDIO
VISA 401E
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | M | 9:00 - 12:00 | Gu, Xiong | ||||
01W | 2 | Waiting List | M | 9:00 - 12:00 |
Advanced Open Studio - ADV OPEN STUDIO
VISA 401E
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | M | 9:00 - 12:00 | Pina Baldoquin, Manuel | ||||
01W | 2 | Waiting List | M | 9:00 - 12:00 |
Advanced Open Studio - Advanced Open Studio
VISA 401E
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students. This course is not eligible for Credit/D/Fail grading. Prerequisite: Three of VISA 310, VISA 311, VISA 320, VISA 321, VISA 330, VISA 331, VISA 340, VISA 341, VISA 350, VISA 351, VISA 352, VISA 360, VISA 361, VISA 370, VISA 375, VISA 390.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
E_001 | 1 | Studio | Th | 14:00 - 17:00 | James, Gareth |
Advanced Open Studio - ADV OPEN STUDIO
VISA 401F
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | T | 14:00 - 17:00 | Frei Njootli, Jeneen | ||||
01W | 2 | Waiting List | T | 14:00 - 17:00 |
Advanced Open Studio - ADV OPEN STUDIO
VISA 401F
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | T | 14:00 - 17:00 | Mccrum, Phillip | ||||
01W | 2 | Waiting List | T | 14:00 - 17:00 |
Advanced Open Studio - ADV OPEN STUDIO
VISA 401F
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | T | 14:00 - 17:00 | Mitchell, Karice | ||||
01W | 2 | Waiting List | T | 14:00 - 17:00 |
Advanced Open Studio - Advanced Open Studio
VISA 401F
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students. This course is not eligible for Credit/D/Fail grading. Prerequisite: Three of VISA 310, VISA 311, VISA 320, VISA 321, VISA 330, VISA 331, VISA 340, VISA 341, VISA 350, VISA 351, VISA 352, VISA 360, VISA 361, VISA 370, VISA 375, VISA 390.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
F_001 | 2 | Studio | M | 09:00 - 12:00 | Koh, Germaine |
Advanced Open Studio - ADV OPEN STUDIO
VISA 401G
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | W | 14:00 - 17:00 | Thauberger, Althea | ||||
01W | 2 | Waiting List | W | 14:00 - 17:00 |
Advanced Open Studio - ADV OPEN STUDIO
VISA 401G
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | W | 9:00 - 12:00 | Thauberger, Althea | ||||
01W | 2 | Waiting List | W | 9:00 - 12:00 |
Advanced Open Studio - ADV OPEN STUDIO
VISA 401G
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | Th | 9:30 - 12:30 | Roy, Marina | ||||
01W | 2 | Waiting List | Th | 9:30 - 12:30 |
Advanced Open Studio - Advanced Open Studio
VISA 401G
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students. This course is not eligible for Credit/D/Fail grading. Prerequisite: Three of VISA 310, VISA 311, VISA 320, VISA 321, VISA 330, VISA 331, VISA 340, VISA 341, VISA 350, VISA 351, VISA 352, VISA 360, VISA 361, VISA 370, VISA 375, VISA 390.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
G_001 | 2 | Studio | T | 14:00 - 17:00 | Mitchell, Karice |
Advanced Open Studio - ADV OPEN STUDIO
VISA 401H
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | Th | 9:30 - 12:30 | Roy, Marina | ||||
01W | 2 | Waiting List | Th | 9:30 - 12:30 |
Advanced Open Studio - ADV OPEN STUDIO
VISA 401H
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | Th | 9:30 - 12:30 | Frei Njootli, Jeneen | ||||
01W | 2 | Waiting List | Th | 9:30 - 12:30 |
Advanced Open Studio - ADV OPEN STUDIO
VISA 401H
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | Th | 14:00 - 17:00 | Starling, Dan | ||||
01W | 2 | Waiting List | Th | 14:00 - 17:00 |
Advanced Open Studio - Advanced Open Studio
VISA 401H
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students. This course is not eligible for Credit/D/Fail grading. Prerequisite: Three of VISA 310, VISA 311, VISA 320, VISA 321, VISA 330, VISA 331, VISA 340, VISA 341, VISA 350, VISA 351, VISA 352, VISA 360, VISA 361, VISA 370, VISA 375, VISA 390.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
H_001 | 2 | Studio | Th | 09:00 - 12:00 | Starling, Dan |
Advanced Open Studio - ADV OPEN STUDIO
VISA 401I
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | Th | 14:00 - 17:00 | Starling, Dan | ||||
01W | 2 | Waiting List | Th | 14:00 - 17:00 |
Advanced Open Studio - ADV OPEN STUDIO
VISA 401I
keyboard_arrow_downResearch-based studio with thematic or disciplinary focus. Intended for senior Visual Art undergraduate students.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | Th | 14:00 - 17:00 | Mitchell, Karice | ||||
01W | 2 | Waiting List | Th | 14:00 - 17:00 |
Advanced Photography I
VISA 440
keyboard_arrow_downPhotography practice in the context of contemporary art. Interdisciplinary connections to other media will be encouraged.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | M | 14:00 - 17:00 | Thauberger, Althea | ||||
01W | 2 | Waiting List | M | 14:00 - 17:00 |
Interdisciplinary Projects
VISA 469
keyboard_arrow_downGroup projects and workshops with students majoring in other creative arts.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
943 | 1 | Seminar |
Interdisciplinary Projects - INTERDIS PROJECT
VISA 469A
keyboard_arrow_downGroup projects and workshops with students majoring in other creative arts.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | T | 10:00 - 13:00 | Robinson, Dylan |
Advanced Special Studies I - Advanced Special Studies I
VISA 470A
keyboard_arrow_downAdvanced work in contemporary and historical aspects of studio practice. Not offered every year. This course is not eligible for Credit/D/Fail grading. Prerequisite: 6 credits of 300-level VISA
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
A_941 | Studio | Thauberger, Althea |
Exhibition Theory and Practice
VISA 475
keyboard_arrow_downExhibition course focusing on current curatorial practices and theories with an emphasis on contemporary visual art with the aim of preparing students to engage in the active organization of a large exhibition. Restricted to 4th year Majors in either VISA or ARTH, or permission of the instructor.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1-2 | Seminar | F | 10:00 - 11:30 | Thauberger, Althea |
Exhibition Theory and Practice
VISA 475
keyboard_arrow_downExhibition course focusing on current curatorial practices and theories with an emphasis on contemporary visual art with the aim of preparing students to engage in the active organization of a large exhibition. Restricted to 4th year Majors in either VISA or ARTH, or permission of the instructor.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | F | 9:00 - 12:00 | Thauberger, Althea |
Exhibition Theory and Practice
VISA 475
keyboard_arrow_downExhibition course focusing on current curatorial practices and theories with an emphasis on contemporary visual art with the aim of preparing students to engage in the active organization of a large exhibition. Restricted to 4th year Majors in either VISA or ARTH, or permission of the instructor.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | F | 9:00 - 12:00 | Mitchell, Karice |
Exhibition Theory and Practice
VISA 475
keyboard_arrow_downExhibition course focusing on current curatorial practices and theories with an emphasis on contemporary visual art with the aim of preparing students to engage in the active organization of a large exhibition. Restricted to 4th year Majors in either VISA or ARTH, or permission of the instructor. This course is not eligible for Credit/D/Fail grading.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | F | 09:00 - 12:00 | Mccrum, Phillip |
Performance Actions and Approaches
VISA 479
keyboard_arrow_downAdvanced performance art practices and research methodologies.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | M | 9:00 - 12:00 | Martinez, Guadalupe |
Performance Actions and Approaches
VISA 479
keyboard_arrow_downAdvanced performance art practices and research methodologies. Credit will be granted for only one of VISA 479 or ARTH 479. This course is not eligible for Credit/D/Fail grading. Equivalency: ARTH479
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Studio | Th | 09:00 - 12:00 | Georgeson-usher, Camille |
Advanced Seminar I
VISA 480
keyboard_arrow_downReadings in art theory and criticism.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | W | 9:00 - 12:00 | Thauberger, Althea |
Advanced Seminar I
VISA 480
keyboard_arrow_downReadings in art theory and criticism.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | W | 14:00 - 17:00 | Thauberger, Althea |
Advanced Seminar I
VISA 480
keyboard_arrow_downReadings in art theory and criticism.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | W | 14:00 - 17:00 | Radon, Lisa |
Advanced Seminar I
VISA 480
keyboard_arrow_downReadings in art theory and criticism. This course is not eligible for Credit/D/Fail grading. Prerequisite: VISA 380.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar | W | 14:00 - 17:00 | Koh, Germaine |
Advanced Seminar II
VISA 481
keyboard_arrow_downReadings in art theory and criticism.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | W | 9:00 - 12:00 |
Advanced Seminar II
VISA 481
keyboard_arrow_downReadings in art theory and criticism.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | W | 14:00 - 17:00 | Colin Moreno, Carlos |
Advanced Seminar II
VISA 481
keyboard_arrow_downReadings in art theory and criticism.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | W | 14:00 - 17:00 | Claxton, Dana |
Advanced Seminar II
VISA 481
keyboard_arrow_downReadings in art theory and criticism. This course is not eligible for Credit/D/Fail grading. Prerequisite: VISA 480.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | W | 14:00 - 17:00 | Pina Baldoquin, Manuel |
Advanced Tutorial in Studio I
VISA 490
keyboard_arrow_downAdvanced work in contemporary and historical aspects of studio practice. Permission of instructor required. Not offered every year. This course is not eligible for Credit/D/Fail grading. Prerequisite: 6 credits of 300-level VISA and 3 credits of 400-level VISA.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
002 | Studio | ||||||||
001 | Studio |
Advanced Tutorial in Studio II
VISA 491
keyboard_arrow_downAdvanced work in contemporary and historical aspects of studio practice. Permission of instructor required. This course is not eligible for Credit/D/Fail grading. Prerequisite: 6 credits of 300-level VISA and 3 credits of 400-level VISA.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | Studio | ||||||||
002 | 2 | Studio | M | 08:00 - 09:00 |
Major Essay
VISA 580
keyboard_arrow_downM.F.A. only.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
941 | 1-2 | Essay/Report |
Major Essay
VISA 580
keyboard_arrow_downM.F.A. only.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1-2 | Essay/Report | |||||||
002 | 1 | Essay/Report |
Major Essay
VISA 580
keyboard_arrow_downM.F.A. only.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1-2 | Essay/Report | |||||||
002 | 1 | Essay/Report |
Major Essay
VISA 580
keyboard_arrow_downM.F.A. only.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1-2 | Essay/Report | |||||||
002 | 1 | Essay/Report |
Major Essay
VISA 580
keyboard_arrow_downM.F.A. only.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
941 | Lecture |
Major Essay
VISA 580
keyboard_arrow_downM.F.A. only.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | Independent Study | ||||||||
002 | Independent Study |
MFA Studio V
VISA 581
keyboard_arrow_down
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1-2 | Seminar | W | 14:00 - 17:00 | Multiple instructors | InstructorsFrei Njootli, Jeneen | James, Gareth |
MFA Studio V
VISA 581
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1-2 | Seminar | W | 14:00 - 17:00 | Multiple instructors | InstructorsFrei Njootli, Jeneen | Starling, Dan |
MFA Studio V
VISA 581
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1-2 | Seminar | W | 14:00 - 17:00 | Multiple instructors | InstructorsJames, Gareth | Thauberger, Althea |
MFA Studio V
VISA 581
keyboard_arrow_downThis course is not eligible for Credit/D/Fail grading.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | W | 14:00 - 17:00 | Multiple instructors | InstructorsRoy, Marina | Starling, Dan |
MFA Studio VI
VISA 582
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1-2 | Seminar | W | 14:00 - 17:00 | Multiple instructors | InstructorsFrei Njootli, Jeneen | James, Gareth |
MFA Studio VI
VISA 582
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1-2 | Seminar | W | 14:00 - 17:00 | Multiple instructors | InstructorsFrei Njootli, Jeneen | Starling, Dan |
MFA Studio VI
VISA 582
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1-2 | Seminar | W | 14:00 - 17:00 | Multiple instructors | InstructorsJames, Gareth | Thauberger, Althea |
MFA Studio VI
VISA 582
keyboard_arrow_downThis course is not eligible for Credit/D/Fail grading.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Studio | W | 14:00 - 17:00 | Multiple instructors | InstructorsRoy, Marina | Starling, Dan |
MFA Research Seminar - MFA RSRCH SEMINR
VISA 583A
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | F | 9:00 - 12:00 | Roy, Marina |
MFA Research Seminar - MFA RSRCH SEMINR
VISA 583A
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | F | 9:00 - 12:00 | James, Gareth |
MFA Research Seminar - MFA RSRCH SEMINR
VISA 583A
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | F | 9:00 - 12:00 | Roy, Marina |
MFA Research Seminar - MFA Research Seminar
VISA 583A
keyboard_arrow_downThis course is not eligible for Credit/D/Fail grading.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
A_001 | 2 | Seminar | F | 09:00 - 12:00 | James, Gareth |
MFA Research Seminar - MFA RSRCH SEMINR
VISA 583B
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | F | 9:00 - 12:00 | Roy, Marina |
MFA Research Seminar - MFA RSRCH SEMINR
VISA 583B
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | F | 9:00 - 12:00 | James, Gareth |
MFA Research Seminar - MFA RSRCH SEMINR
VISA 583B
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Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 2 | Seminar | F | 9:00 - 12:00 |
MFA Research Seminar - MFA Research Seminar
VISA 583B
keyboard_arrow_downThis course is not eligible for Credit/D/Fail grading.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
B_001 | 2 | Seminar | F | 09:00 - 12:00 |
Directed Studies in Visual Art - DIR STDS VIS ART
VISA 590A
keyboard_arrow_downTutorial work in visual arts and theory arranged by permission with an individual faculty member. Not available to students enrolled in the M.F.A. program in Visual Arts.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
944 | Directed Studies |
Directed Studies in Visual Art - DIR STDS VIS ART
VISA 590A
keyboard_arrow_downTutorial work in visual arts and theory arranged by permission with an individual faculty member. Not available to students enrolled in the M.F.A. program in Visual Arts.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar |
Directed Studies in Visual Art - DIR STDS VIS ART
VISA 590A
keyboard_arrow_downTutorial work in visual arts and theory arranged by permission with an individual faculty member. Not available to students enrolled in the M.F.A. program in Visual Arts.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar |
Directed Studies in Visual Art - DIR STDS VIS ART
VISA 590A
keyboard_arrow_downTutorial work in visual arts and theory arranged by permission with an individual faculty member. Not available to students enrolled in the M.F.A. program in Visual Arts.
Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
001 | 1 | Seminar |
Directed Studies in Visual Art - Directed Studies in Visual Art
VISA 590A
keyboard_arrow_downTutorial work in visual arts and theory arranged by permission with an individual faculty member. Not available to students enrolled in the M.F.A. program in Visual Arts. This course is not eligible for Credit/D/Fail grading.
The credit value for this course will be determined in consultation with the student prior to the registrationSection | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
---|---|---|---|---|---|---|---|---|---|
A_002 | Independent Study | ||||||||
A_001 | Independent Study |