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BEGIN:VEVENT
UID:20211015T0826Z-1634286384.52-EO-23055-37@10.19.146.2
STATUS:CONFIRMED
DTSTAMP:20260309T232337Z
CREATED:20170307T002137Z
LAST-MODIFIED:20210816T192510Z
DTSTART;TZID=America/Vancouver:20170309T180000
DTEND;TZID=America/Vancouver:20170401T160000
SUMMARY: Under Super Vision: 40th Annual Graduate Exhibition
DESCRIPTION: Exhibition (March 10 – April 1\, 2017) Opening Reception Thurs
 day\, March 9\, 2017 6 – 8 pm AHVA Gallery Audain Art Centre 6398 Universit
 y Blvd. Gallery Hours Tuesday – Saturday 12 – 4 pm Artists cMAS Antonia Hir
 sch Public Studio Grayson Richards Terri Te Tau Co-curated by Laurie White\
 , Sherena Razek\, Whitney Brennan\, and Paula Booker The […]
X-ALT-DESC;FMTTYPE=text/html: <h2>Exhibition (March 10 – April 1\, 2017)</h
 2><h3><strong>Opening Reception</strong></h3><p>Thursday\, March 9\, 2017<b
 r />6 – 8 pm</p><p>AHVA Gallery<br />Audain Art Centre<br />6398 University
  Blvd.</p><h4>Gallery Hours</h4><p>Tuesday – Saturday<br />12 – 4 pm</p><h4
 ><u></u><u><br /></u>Artists</h4><p>cMAS<br />Antonia Hirsch<br />Public St
 udio<br />Grayson Richards<br />Terri Te Tau</p><p>Co-curated by Laurie Whi
 te\, Sherena Razek\, Whitney Brennan\, and Paula Booker</p><p>The exhibitio
 n <em>Under Super Vision</em> addresses surveillance as an increasingly nor
 malized strategy of institutional power and as an artistic methodology with
  the potential to subvert\, re-appropriate and manipulate the politics of b
 eing watched. The exhibition invites viewers to reconsider the banal survei
 llance rhetoric of hyper-visibility\, to focus on what and who have been re
 ndered hyper-visible under invisible structures. Which subjects are most st
 renuously scrutinized under state-controlled surveillance\, and to what deg
 ree are such marginalized communities able to respond\, resist and reclaim 
 their stolen image? The participating artists in this exhibition draw on me
 thods of imposed surveillance and medicalized control of bodies\, while que
 stioning the future of counter-surveillance methods\, even suggesting the r
 eturn to analogue methods of communication and technology avoidance. A tens
 ion between the viewer and the surveilling entities emerges\, a paranoia ev
 en\, as we are at once aware that we are observed and yet by whom remains e
 lusive\, even illegible. Negotiating these structures of observation and pa
 nopticonic watching call for further counter-surveillance\, masking and ide
 ntity protection. How do we fight the new normal of everyday surveillance p
 olitics?</p><p> </p><p><em>We thank our donors for their generous contribut
 ions:</em></p><p>Audain Endowment for Curatorial Studies<br />Museum of Ant
 hropology<br />Department of Art History\, Visual Art and Theory<br />Depar
 tment of Asian Studies<br />Department of Classical\, Near Eastern and Reli
 gious Studies<br />Department of History<br />Faculty of Arts HSS Grant<br 
 />Faculty of Graduate Studies Dean’s Office<br />Provost and Vice President
  Academic<br />Liu Institute for Global Issues</p><p> </p><p>[gallery link=
 "file" ids="23616\,23617\,23618\,23620\,23621\,23622\,23623\,23624\,23625\,
 23619"]</p>
LOCATION:AHVA Gallery\, Audain Art Centre
GEO:49.263869;-123.254735
URL;VALUE=URI:https://ahva.ubc.ca/events/event/under-super-vision-40th-annu
 al-graduate-exhibition/
ATTACH;FMTTYPE=image/jpeg:https://ahva.cms.arts.ubc.ca/wp-content/uploads/sites/37/2021/05/40th_grad_symposium_poster_final_550px_20170301.jpg
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DTSTART:20161106T090000
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