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BEGIN:VEVENT
UID:20211027T0553Z-1635314004.7001-EO-21925-37@10.19.146.1
STATUS:CONFIRMED
DTSTAMP:20260309T235635Z
CREATED:20170116T232108Z
LAST-MODIFIED:20210816T202228Z
DTSTART;VALUE=DATE:20080904
DTEND;VALUE=DATE:20080922
SUMMARY: The Sooner the Better Late Than Never: UBC Master of Fine Arts Gra
 duate Exhibition 2008
DESCRIPTION: September 5 – 21\, 2008\, Opening reception: Thursday Septembe
 r 4\, 7 to 10pm The Belkin Art Gallery is pleased to present an exhibition 
 of work by the 2008 graduates of UBC’s two-year Master of Fine Art program.
  Raymond Boisjoly’s focus is the equivocal status of materiality in the act
 ive pursuit of meaning made manifest through […]
X-ALT-DESC;FMTTYPE=text/html: <h4>September 5 - 21\, 2008\, Opening recepti
 on: Thursday September 4\, 7 to 10pm</h4><p>The Belkin Art Gallery is pleas
 ed to present an exhibition of work by the 2008 graduates of UBC's two-year
  Master of Fine Art program.</p><p><strong>Raymond Boisjoly's</strong> focu
 s is the equivocal status of materiality in the active pursuit of meaning m
 ade manifest through cultural phenomena. The transposition of a seasonal ob
 ject onto an indigenous form provides an opportunity to negotiate their cum
 ulative connotative potential.</p><p><strong>Melanie Bond</strong> explores
  the relationship between physical geography and personal memory.  Her seri
 es of photographs portray artists from Vancouver\, Canada\, and Chongqing\,
  China\, at a place with which they feel a connection.</p><p><strong>Natali
 e Doonan </strong>employs a range of strategies including performance\, vid
 eo\, social networking and print media to playfully engage in productions o
 f subjectivity.  The work that she has prepared for this exhibition is an h
 omage to the artist Veronika Martz\, who recently disappeared in the midst 
 of research into a creation myth for an upcoming film.</p><p><strong>Jesse 
 Gray</strong> engages in the act of collecting—scavenging\, foraging\, garb
 age-picking\, alley-scrounging—and the practice of recombination\, as an in
 vestigation into the hidden meanings and secret histories of discarded obje
 cts and things.</p><p><strong>Josh Hite's</strong> video work looks at how 
 spaces and their arrangement are transformed by those who use them.  Influe
 nced by Michel de Certeau\, Hite optimistically investigates potential and 
 real confrontation between those who move through spaces\, and the physical
  structures designed to make them move.</p><p><strong>Ryan Peter'</strong>s
  paintings borrow from the history of photography—the daguerreotype\, aspec
 ts of Pictorialism\, and more recent phenomena such as x-ray and satellite 
 photography. The techniques Peter employs in the application of paint\, suc
 h as pouring\, pooling\, and spraying\, create the potential for multiple r
 eadings of his work.  This slippery representation undermines the apparent 
 aspirations of the work to photographic distance and mimesis\, re-situating
  the work in the sphere of bodily and lived experience.</p><p><em>For more 
 information contact Julie Bevan at julie.bevan@ubc.ca or 604 822 3640.</em>
 </p><p>Morris and Helen Belkin Art Gallery<br /><a href="http://www.belkin.
 ubc.ca" target="blank" rel="noopener noreferrer">http://www.belkin.ubc.ca</
 a></p>
URL;VALUE=URI:https://ahva.ubc.ca/events/event/the-sooner-the-better-late-t
 han-never-ubc-master-of-fine-arts-graduate-exhibition-2008/
ATTACH;FMTTYPE=image/jpeg:https://ahva.cms.arts.ubc.ca/wp-content/uploads/sites/37/2021/05/561.jpg
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TZID:America/Vancouver
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TZOFFSETFROM:-0800
TZOFFSETTO:-0700
DTSTART:20080309T100000
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