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UID:20211026T1052Z-1635245550.2989-EO-27784-37@10.19.146.14
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DTSTAMP:20260309T230848Z
CREATED:20201113T183621Z
LAST-MODIFIED:20210816T202154Z
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SUMMARY: The Fabulatory Function of the Curatorial
DESCRIPTION: You are warmly invited to the CCST public lecture\, The Fabula
 tory Function of the Curatorial\, to be held on Tuesday\, November 24 at 5:
 15pm PST. This event is hosted by the Critical and Curatorial Studies progr
 am at UBC. The Fabulatory Function of the Curatorial A public lecture by Em
 elie Chhangur 5:15p.m.\, Tuesday\, November 24\, 2020 […]
X-ALT-DESC;FMTTYPE=text/html: <p>You are warmly invited to the CCST public 
 lecture\, <strong>The Fabulatory Function of the Curatorial</strong>\, to b
 e held on <strong>Tuesday\, November 24 at 5:15pm PST</strong>. This event 
 is hosted by the Critical and Curatorial Studies program at UBC.</p><p><str
 ong>The Fabulatory Function of the Curatorial<br /></strong>A public lectur
 e by Emelie Chhangur</p><p>5:15p.m.\, Tuesday\, November 24\, 2020<br />Thi
 s event is free and open to the public.<br /><strong>Please register for th
 e talk at: <a href="https://ubc.zoom.us/webinar/register/WN_sMbVdNfESHqhvra
 Gu9sUmw">https://ubc.zoom.us/webinar/register/WN_sMbVdNfESHqhvraGu9sUmw</a>
 </strong></p><p> </p><p>Considering the larger concept of “curating on a co
 ntinuum\,” Chhangur simultaneously looks backwards and forwards with a view
  of her practice as a portal of multi-directional transformation and change
 . Considering key projects along the way—in particular those staged at the 
 Art Gallery of York University (AGYU) in Toronto—and how they informed her 
 concept of <em>In-Reach</em>\, she turns her attention to thinking about <e
 m>In-Reach</em> as a curatorially-engaged practice that has bearing on her 
 upcoming work at the Agnes Etherington Art Centre. If at AGYU\, Chhangur co
 nceived of her work in institutional transformation as an artist’s project\
 , at Agnes\, she considers her directorship as a curatorial one. Underlinin
 g this thinking is a true belief in the fabulatory nature of artistic pract
 ice and its ability to have real consequence on social imaginaries\, instit
 utional structures\, and cultural traditions. Here we consider the curatori
 al as a medium whose forces are relational and whose material encompasses t
 he entire apparatus of institutional mattering—from its civic function to i
 ts social role—all of which is also operating along a continuum and can alw
 ays thus be subject to transformation and change.</p><p><strong>Emelie Chha
 ngur</strong> is a curator\, writer\, and an artist. She is the newly appoi
 nted Director and Curator of the Agnes Etherington Art Centre. This appoint
 ment follows a significant curatorial career at the Art Gallery of York Uni
 versity (AGYU). At AGYU\, she led the reorientation of the gallery to becom
 e a civic\, community-facing\, ethical space driven by social process and i
 ntersectional collaboration\, she founded the gallery’s residency program\,
  and she received 25 OAAG awards for her contributions in writing\, publish
 ing\, exhibition-making\, and public and education programming.</p><p>Disti
 nguishing herself as a cultural worker dedicated to questioning the social 
 and civic role of the public institutions of art\, Chhangur has developed a
  curatorially-engaged approach to working across cultural\, aesthetic\, and
  social differences through a practice she calls “in-reach”—a concept that 
 has since transformed engaged institutional practice in the arts across Can
 ada. In 2019\, she won the Ontario Association of Art Galleries’ inaugural 
 BIPOC (Black\, Indigenous\, People of Colour) Changemaker Award and in 2020
 \, she won the prestigious Hnatyshyn Foundation Award for Curatorial Excell
 ence. She holds a Master of Visual Studies from the Daniels Faculty of Arch
 itecture\, Landscape\, and Design\, University of Toronto.</p><p>This visit
  is made possible by the generous support of the Audain Endowment for Curat
 orial Studies.</p><p> </p>
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