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UID:20211014T0343Z-1634182984.8375-EO-21492-37@10.19.146.2
STATUS:CONFIRMED
DTSTAMP:20260412T164803Z
CREATED:20161101T233322Z
LAST-MODIFIED:20210816T192943Z
DTSTART;VALUE=DATE:20070318
DTEND;VALUE=DATE:20070319
SUMMARY: The Backlot: Curator talk with Sophie Brodovitch
DESCRIPTION: The Backlot Exhibition continues to April 1. Corey Adams\, Roy
  Arden\, Geoffrey Farmer\, Angus Ferguson\, Jacob Gleeson\, Mark Lewis\, An
 ne Ramsden\, Matthew Robertson The title of the exhibition\, The Backlot\, 
 makes reference to the false façades typically found on the lots at major H
 ollywood studios. Consisting of two or three walls and sometimes a roof\, [
 …]
X-ALT-DESC;FMTTYPE=text/html: <p><strong>The Backlot</strong></p><p>Exhibit
 ion continues to April 1.</p><p>Corey Adams\, Roy Arden\, Geoffrey Farmer\,
  Angus Ferguson\, Jacob Gleeson\,<br />Mark Lewis\, Anne Ramsden\, Matthew 
 Robertson</p><p>The title of the exhibition\, The Backlot\, makes reference
  to the false façades typically found on the lots at major Hollywood studio
 s. Consisting of two or three walls and sometimes a roof\, the façades on t
 he backlot are essentially shells of what is imagined to exist inside—they 
 provide the viewer with minimum visual information and little more. Though 
 it does not actually have a true backlot of its own\, Vancouver can be unde
 rstood as having many of the same qualities of the traditional backlot. Cre
 ating illusion through the concealing and revealing of selected elements of
  a location is central to the filmmaking process\, and in the many films th
 at Vancouver has appeared as a backdrop\, it is rarely represented as itsel
 f\, but rather\, is used almost exclusively as a stand-in for any other cit
 y.</p><p>The artwork in this exhibition considers the ways in which the Van
 couver film industry disrupts and interrupts space within the city and aims
  to examine how the film industry's dependence on the fictional constructio
 n of places and locations is embedded in Vancouver's understanding (or misu
 nderstanding) of itself. Through video\, film\, photography\, and installat
 ion\, eight artists who have at some point lived in Vancouver explore how t
 he city is marketed and sold as a series of locations and services\, how it
  is presented as fictitious or generic\, and how this contributes to the ab
 sence of a sense of place in what is one of the most filmed cities in the w
 orld.</p><p>This project is curated by Sophie Brodovitch\, a candidate to t
 he Masters Degree in Critical and Curatorial Studies at The University of B
 ritish Columbia.<br />We gratefully acknowledge the support of the Alvin Ba
 lkind Fund for Student Curatorial Initiatives\, the Department of Art Histo
 ry\, Visual Art\, and Theory\, the Faculty of Arts\, and the Museum of Anth
 ropology at The University of British Columbia.<br /><a href="http://www.be
 lkin/" target="blank" rel="noopener noreferrer">http://www.belkin</a>-galle
 ry.ubc.ca</p>
LOCATION:Belkin Satellite
GEO:49.281494;-123.112140
URL;VALUE=URI:https://ahva.ubc.ca/events/event/the-backlot-curator-talk-wit
 h-sophie-brodovitch/
ATTACH;FMTTYPE=image/gif:https://ahva.cms.arts.ubc.ca/wp-content/uploads/sites/37/2021/05/301.gif
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DTSTART:20061029T090000
TZNAME:PST
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TZOFFSETFROM:-0800
TZOFFSETTO:-0700
DTSTART:20070311T100000
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