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X-WR-CALDESC:Department of Art History, Visual Art &amp; Theory - Events
BEGIN:VEVENT
UID:20211010T0238Z-1633833484.6047-EO-22182-37@10.19.146.1
STATUS:CONFIRMED
DTSTAMP:20260607T134309Z
CREATED:20170120T011322Z
LAST-MODIFIED:20210529T091625Z
DTSTART;TZID=America/Vancouver:20091119T183000
DTEND;TZID=America/Vancouver:20091119T203000
SUMMARY: SHAHEEN MERALI: Fear in the Transnational Community: A Response by
  Artists and Curators
DESCRIPTION: The University of British Columbia’s Critical and Curatorial S
 tudies Program\, in conjunction with the Morris and Helen Belkin Art Galler
 y and Centre A present Fear in the Transnational Community: A Response by A
 rtists and Curators a talk by Shaheen Merali as part of the Curatorial Lect
 ure Series. Shaheen Merali is a curator and writer based […]
X-ALT-DESC;FMTTYPE=text/html: <p>The University of British Columbia’s Criti
 cal and Curatorial Studies Program\, in conjunction with the Morris and Hel
 en Belkin Art Gallery and Centre A present <em>Fear in the Transnational Co
 mmunity: A Response by Artists and Curators</em> a talk by Shaheen Merali a
 s part of the Curatorial Lecture Series.</p><p>Shaheen Merali is a curator 
 and writer based in Berlin and London. Between 2003 and 2008 he was the Hea
 d of Department for Exhibitions\, Film and New Media at the Haus der Kultur
 en der Welt in Berlin\; in 2008\, he was the Artistic Director of the Bodhi
  Galleries in New York\, Mumbai\, Berlin and Singapore\; and in 2006\, he w
 as the Co-curator of the 2006 6th Gwangju Biennale of Korea. His recent cur
 atorial project consisted of a large-scale historical show\, <em>The Untold
  (the rise of) Schisms\,</em> held at Alcala 31 in Madrid.</p><p><em>Fear i
 n the Transnational Community: A Response by Artists and Curators</em> will
  examine issues and commentators who use language specific to the arts to a
 ddress a major shift in perspectives taking place in the new millennium. Th
 is shift is marked by a desire to engage with the notion of reality\, which
  has become complex and entangled\, as have all other global concepts and b
 eliefs.</p><p>The rubric “fine art” no longer refers primarily to a series 
 of catalogued works or objects but also to a set of practices. Despite this
 \, the language of art practice continues to express specific concepts and 
 beliefs\, which are entangled within a system where potential spectators ar
 e not necessarily included. In the new century\, artists and curators are c
 harting the efficacy of adopted methods of curation in the condensed visual
 ity of the globe. In trying to understand these concerns\, questions are ra
 ised about diminishing resources\, the role of diplomacy\, and the move awa
 y from the notion of an abundant Earth and toward the notion of a world in 
 constant provocation.</p><p>The talk will be concluded by an examination of
  Merali’s recent exhibition at the Kunsthalle Brot\, Vienna\, <em>The Promi
 se of Loss\, An Index of Contemporary Iran.<br /></em><br />The Curatorial 
 Lecture Series presents lectures on contemporary curatorial practice. It is
  organized by the Morris and Helen Belkin Art Gallery in collaboration with
  the Department of Art History\, Visual Art and Theory\, the Museum of Anth
 ropology\, and the Department of Anthropology\, with the support of the Aud
 ain Endowment for Curatorial Studies\; and the Faculty of Arts at The Unive
 rsity of British Columbia. This lecture is organized in collaboration with 
 Centre A: Vancouver International Centre for Contemporary Asian Art.</p>
LOCATION:Museum of Anthropology
GEO:49.269469;-123.259415
URL;VALUE=URI:https://ahva.ubc.ca/events/event/shaheen-merali-fear-in-the-t
 ransnational-community-a-response-by-artists-and-curators/
ATTACH;FMTTYPE=image/jpeg:https://ahva.cms.arts.ubc.ca/wp-content/uploads/sites/37/2021/05/829.jpg
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BEGIN:VTIMEZONE
TZID:America/Vancouver
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0800
DTSTART:20091101T090000
TZNAME:PST
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