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UID:20211016T1650Z-1634403028.127-EO-19785-37@10.19.146.15
STATUS:CONFIRMED
DTSTAMP:20260309T230624Z
CREATED:20160603T230348Z
LAST-MODIFIED:20210816T192435Z
DTSTART;TZID=America/Vancouver:20150605T200000
DTEND;TZID=America/Vancouver:20150717T200000
SUMMARY: #saltandwater: The Palestinian-Israeli Conflict: Curated by CCST C
 andidate Margaret Stern
DESCRIPTION: Exhibition runs June 6 – July 17\, 2015. The Or Gallery is ple
 ased to present #saltandwater: The Palestinian-Israeli Conflict\, an exhibi
 tion of four Palestinian artists. In his 1981 book\, The Political Unconsci
 ous\, Fredric Jameson asserts the idea of Louis Althusser’s “absent cause” 
 within a structure. He posits that the structure itself is intrinsic to its
  effects\, […]
X-ALT-DESC;FMTTYPE=text/html: <h4>Exhibition runs June 6 - July 17\, 2015.<
 /h4><p>The Or Gallery is pleased to present <em>#saltandwater: The Palestin
 ian-Israeli Conflict</em>\, an exhibition of four Palestinian artists. In h
 is 1981 book\, The Political Unconscious\, Fredric Jameson asserts the idea
  of Louis Althusser’s “absent cause” within a structure. He posits that the
  structure itself is intrinsic to its effects\, that Jacques Lacan’s “real”
  and Louis Althusser’s “absent cause” can never be represented in their ent
 irety\, as the signifier will always take the place of the signified. In lo
 oking at the Palestinian-Israeli conflict\, Jameson’s argument can bring ne
 w light to the violence and unspeakable totality of the ongoing occupation.
  Seemingly innocuous substances\, salt and water\, can be viewed as materia
 ls which are inherently political. Palestinians now receive at most 73 litr
 es of water per capita\, lower than the World Health Organization’s recomme
 nded 100 litres for daily consumption. The seas are another space of contes
 tation\, as access to the Dead Sea and the Mediterranean Sea is not availab
 le to Palestinians without severe security restrictions.</p><p>The curator\
 , <strong>Margaret Stern</strong>\, selected four Palestinian artists who w
 ork within this theme. They use water and salt as signifiers of the industr
 ialization and politicization of resources with political ramifications for
  the human body. Rehab Nazzal’s <em>A Dead Sea</em>(2010)\, Noor Abuarafeh’
 s <em>A State Closer to Death Than it is to Life</em> (2012)\, Mais Darwaza
 h’s <em>My Love Awaits Me by the Sea</em> (2013) and Ayed Arafah’s <em>Hori
 zon</em> (2010) play with both salt and water to explore issues of boundari
 es and resources. Examining this conflict from the material realm of metaph
 or and bodily necessity allows questions to be asked of the occupation of t
 he Palestinian people\, their subsequent resistance\, and the issues of res
 ources within this area of conflict.</p><p><em>This exhibition is made poss
 ible with support from the Killy Foundation and the Audain Endowment for Cu
 ratorial Studies through the Department of Art History\, Visual Art and The
 ory in collaboration with the Morris and Helen Belkin Art Gallery at The Un
 iversity of British Columbia.</em></p><p>For further info please visit: <a 
 href="http://www.orgallery.org/saltandwater-the-palestinian-israeli-conflic
 t">http://www.orgallery.org/saltandwater-the-palestinian-israeli-conflict</
 a></p>
LOCATION:Or Gallery (Old)
GEO:49.281148;-123.112455
URL;VALUE=URI:https://ahva.ubc.ca/events/event/saltandwater-the-palestinian
 -israeli-conflict-curated-by-ccst-candidate-margaret-stern/
ATTACH;FMTTYPE=image/jpeg:https://ahva.cms.arts.ubc.ca/wp-content/uploads/sites/37/2021/05/1370.jpg
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TZOFFSETFROM:-0800
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DTSTART:20150308T100000
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