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UID:20231025T1827Z-1698258454.6368-EO-34002-37@10.19.146.14
STATUS:CONFIRMED
DTSTAMP:20260916T000929Z
CREATED:20231023T220824Z
LAST-MODIFIED:20231031T214449Z
DTSTART;TZID=America/Vancouver:20231102T120000
DTEND;TZID=America/Vancouver:20231202T160000
SUMMARY: Reflection Point: A Barbara Zeigler Retrospective
DESCRIPTION: Please join us at the AHVA Gallery for AHVA Emerita Professor 
 Barbara Zeigler’s retrospective exhibition Reflection Point
X-ALT-DESC;FMTTYPE=text/html: <p> </p><p><a href="https://ahva.cms.arts.ubc
 .ca/wp-content/uploads/sites/37/2023/10/REFLECTION_POINT_Poster-1.jpg"><img
  class="aligncenter wp-image-34021" src="https://ahva.cms.arts.ubc.ca/wp-co
 ntent/uploads/sites/37/2023/10/REFLECTION_POINT_Poster-1-768x1187.jpg" alt=
 "" width="472" height="729" /></a><br />Please join us at the AHVA Gallery 
 for AHVA Emerita Professor Barbara Zeigler’s retrospective exhibition <em>R
 eflection Point</em>\, opening November 1 at 5:00 p.m.</p><p>This exhibitio
 n presents a selection of work Zeigler completed over the past five decades
  broadly focused on the ever-shifting relations between ecosystems and huma
 n cultural structures. Early works from the 1970s dealt with Zeigler’s init
 ial recognition of issues related to environmental degradation. As Zeigler 
 began to more profoundly understand the precariousness of human existence\,
  the importance of appreciating the interrelatedness of all life forms and 
 human actions\, and the delicate balance that must be maintained\, the earl
 y 1980s brought in a more introspective print and drawing phase. Assuming a
  different vantage point to contemplate the many related issues\, the <em>E
 arthmakers</em> project during the 1990s involved a large-scale study and c
 ollaborative print installation undertaken with Joan Smith\, focused on the
  soil fauna inhabiting one square metre of old-growth forest soil on northe
 rn Vancouver Island. These works were followed in the 2000s and 2010s by fu
 rther excursions on land in the interior of BC and by water up the coast. P
 rinted works from this period may be seen in the <em>Fraser River\, Adams R
 iver\, Journey’s Junction\, </em>and the <em>Past Desire Catches the Cloake
 d Present </em>series<em>. </em>More recent works have dealt with concerns 
 such as time and change\, as evidenced in the three-channel video <em>Passa
 ges </em>and the print <em>Change. </em>Both works function somewhat as mes
 merizing metronomes\, setting intervals of time\, reflection points regardi
 ng climate change\, the insufficient proactive action of humanity\, and the
  need for equitable structural change.</p><p> </p><p>Zeigler received her B
 FA in painting and her MFA in printmaking from the University of Illinois. 
 She taught at UBC for forty-one years\, mentoring generations of student ar
 tists at the undergraduate and graduate levels\, and was central to keeping
  the practice of printmaking vital through establishing the Print Media Res
 earch Centre in the department in 2003. Although her main area of expertise
  is printmaking\, over the years she also taught courses focused on drawing
 \, painting\, photography\, and installation and designed the first digital
 -imaging course in the department\, all of which often interfaced in some w
 ay with print media.</p><p>Zeigler’s artworks have been widely exhibited in
 ternationally including recent invitational exhibitions such as the Third a
 nd Fourth International IAPA Printmaking Biennales\, Kunming Museum\, Yunna
 n Province (China)\, 2020 and 2022\; II international Triennial of Contempo
 rary Graphic Art\, Novosibirsk State Art Museum\, Novosibirsk (Russia)\, 20
 18\; <em>International Print Exhibition: Canada and Japan\,</em> exhibited 
 in 2016–17 in Kyoto and Tokushima (Japan)\, Edmonton (Alberta)\, and Regina
  (Saskatchewan)\; <em>Circumference and Radius\, </em>a traveling exhibitio
 n of international artists\, 2015–17\; <em>Ritual and Change</em>\, a 2015 
 solo exhibition at the Renke Art Gallery\, Hangzhou (China)\; and the 2013 
 International Print Triennial Kraków <em>interfaces-istanbul </em>(Turkey)\
 , and <em>In.Print.Out\, </em>Vienna (Austria).</p><p>Learn more about <a h
 ref="https://ahva.ubc.ca/profile/barbara-zeigler/">Barbara Zeigler</a> and 
 <a href="https://www.barbarazeigler.com/">her work</a>.</p><p> </p><p>Novem
 ber 2–December 1\, 2023</p><p>Opening reception: Wednesday\, November 1\, 5
 :00–8:00 p.m.</p><p>AHVA Gallery<br />Audain Art Centre\, 6398 University B
 oulevard\, Vancouver<br />Gallery hours: Monday–Saturday\, 12:00–4:00 p.m.<
 br />Gallery will be closed from November 11 to 15\, 2023 for reading break
 </p><p>The artist will be present at the opening and Saturdays\, November 4
 \, 18\, and 25\, 1:00–4:00 p.m.</p><p>We acknowledge that the UBC Vancouver
  campus is situated on the traditional\, ancestral\, and unceded territory 
 of the xʷməθkʷəy̓əm (Musqueam).</p><p>Image: <em>The Melt</em>\, 2015\, dig
 ital archival pigment print</p>
LOCATION:AHVA Gallery\, Audain Art Centre
GEO:49.263869;-123.254735
URL;VALUE=URI:https://ahva.ubc.ca/events/event/reflection-point-a-barbara-z
 eigler-retrospective/
ATTACH;FMTTYPE=image/jpeg:https://ahva.cms.arts.ubc.ca/wp-content/uploads/sites/37/2023/10/Barbara-Zeigler_Event-featured-image-715x402.jpg
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DTSTART:20230312T100000
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