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UID:20211016T2336Z-1634427391.2628-EO-22468-37@10.19.146.15
STATUS:CONFIRMED
DTSTAMP:20260410T153942Z
CREATED:20170127T025724Z
LAST-MODIFIED:20210816T192249Z
DTSTART;TZID=America/Vancouver:20110521T140000
DTEND;TZID=America/Vancouver:20110521T180000
SUMMARY: Poste Restante
DESCRIPTION: Conversation with Gareth James and Eric Fredericksen – Saturda
 y\, May 21\, 2pm What are the outcomes of an exhibition that “refuses to de
 liver”? Gareth James\, in conversation with curator Eric Fredericksen\, wil
 l examine ideas of refusal\, denial\, and the strategies of exhibition-maki
 ng. What is the status of the object within current art practices? How does
  […]
X-ALT-DESC;FMTTYPE=text/html: <h4>Conversation with Gareth James and Eric F
 redericksen - Saturday\, May 21\, 2pm</h4><p>What are the outcomes of an ex
 hibition that "refuses to deliver"? <strong>Gareth James</strong>\, in conv
 ersation with curator Eric Fredericksen\, will examine ideas of refusal\, d
 enial\, and the strategies of exhibition-making. What is the status of the 
 object within current art practices? How does this relate to recent texts o
 n the sociology of objects\, such as "The Berlin Key: Or How to Do Words wi
 th Things\," by Bruno Latour? What are our expectations for exhibitions\, a
 nd what do we expect in return? What does this reveal about the mechanisms 
 of exhibition production and institutional communication? What is the role 
 of the curator in an exhibition of this nature? What is being withheld\, an
 d is it of relevance?</p><p>Gareth James is an internationally exhibited ar
 tist\, previously based in London and New York. He is currently an Assistan
 t Professor at The University of British Columbia. His work has been exhibi
 ted widely in the United States and Europe\, including Portikus (Frankfurt)
 \, Kunstwerke (Berlin)\, The Institute of Contemporary Art (London)\, PS1 C
 enter for Contemporary Art and the Museum of Modern Art (New York). He has 
 had recent solo exhibitions at Galerie Christian Nagel\, Köln\; Franco Soff
 iantino Arte Contemporanea\, Torino\; and Elizabeth Dee Gallery\, New York.
 </p><p>Eric Fredericksen is a curator and writer\, and director of Western 
 Bridge\, Seattle. He has curated shows in Vancouver at Artspeak\, the Conte
 mporary Art Gallery\, the Or Gallery\, and the Bodgers' and Kludgers' Co-op
 erative Art Parlour. His writing has appeared in Fillip\, Metropolis\, Arch
 itecture\, Nest\, and The Stranger. He has taught at the University of Wash
 ington and the Sommerakademie\, Zentrum Paul Klee\, Bern.</p><p><strong>Pos
 te Restante<br />April 9 - May 28\, 2011</strong></p><p>Jason Dodge (Berlin
 )\, Hadley+Maxwell (Berlin)\, Allison Hrabluik (Vancouver)\, Aaron Flint Ja
 mison (Portland)\, Sam Lewitt (New York)\, Heather and Ivan Morison (Bright
 on\, UK)\, Avigail Moss (Maastricht\, NL)\, Pamela Rosenkranz (Amsterdam/Zu
 rich)\, Dexter Sinister (New York/Los Angeles)\, Matt Sheridan Smith (New Y
 ork)\, Oscar Tuazon (Paris)</p><p>Presenting the work of eleven artists and
  collaborators\, this exhibition refuses to deliver. It offers artworks sen
 t via national postal systems addressed to the gallery as "Poste Restante".
  Typically relied upon by travelers and lovers\, "Poste Restante" is a requ
 est for a post office to hold a letter or package until picked up by its re
 cipient. The works are exhibited as received\, in unopened envelopes or par
 cels\, accompanied by any paperwork generated during transit\, including cu
 stoms forms\, bills of lading\, and pro forma invoices. Delivery is deferre
 d as the packages wait\, held by the gallery for a recipient whose identity
  is unknown.</p><p>Objects are shaped by various encounters with systems of
  commerce\, information\, publicity and transportation. Stubbornly resistan
 t to dematerialization\, the art object remains local\, specific and visibl
 e only in certain spaces\, while operating in far-flung networks\, both phy
 sical and immaterial. Guarantors of the exhibition as an exhibition\, the a
 rt objects in Poste Restante serve as ground for exchanges of immaterial se
 rvices\, writings\, and conversations. Through the suspension of delivery w
 e remove the object-in-itself from scrutiny and see in clearer relief the s
 ystems the object both calls to life and circulates within.</p><p>The exhib
 ition will travel to further destinations\, including both commercial galle
 ries and non-profit spaces\, marking out a geographical network of communic
 ation and interests analogous to those of the participating artists and org
 anizations. Parallel events\, including talks\, performances\, and publicat
 ions\, will accompany the exhibition at each location.</p><p><em>Image: Pos
 te Restante installation\, 2011 Photo: Blaine Campbell</em></p><p><img src=
 "https://ahva.cms.arts.ubc.ca/wp-content/uploads/sites/37/2021/05/artspeak-
 small.gif" alt="" width="71" height="10" />233 Carrall Street<br />Vancouve
 r\, BC<br />V6B 2J2 Canada<br /><a href="mailto:info@artspeak.ca">info@arts
 peak.ca</a><br />Tel. 604.688.0051<br />Fax 604.685.1912<br />Tuesday – Sat
 urday\, 12-5pm<br />Admission is free</p>
LOCATION:Artspeak
GEO:49.282775;-123.104441
URL;VALUE=URI:https://ahva.ubc.ca/events/event/poste-restante/
ATTACH;FMTTYPE=image/jpeg:https://ahva.cms.arts.ubc.ca/wp-content/uploads/sites/37/2021/05/1001.jpg
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TZOFFSETFROM:-0800
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DTSTART:20110313T100000
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