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PRODID:-//Department of Art History, Visual Art &amp; Theory//NONSGML Events//EN
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BEGIN:VEVENT
UID:20260806T1227Z-1786019253.4827-EO-36185-37@10.19.146.23
STATUS:CONFIRMED
DTSTAMP:20260915T225800Z
CREATED:20260724T225848Z
LAST-MODIFIED:20260804T185544Z
DTSTART;VALUE=DATE:20260806
DTEND;VALUE=DATE:20261002
SUMMARY: PENDING
DESCRIPTION: PENDING Allysa Pierre\, Amanda Kachadoorian Jordi\, Dana Qadda
 h\, Deon Feng\, Sonny Assu August 6–October 1\, 2026 Opening reception: Thu
 rsday\, August 6\, 6:00-8:00 p.m. Public critique with Michael Turner: Wedn
 esday\, August 19\, 1:00 p.m. Access Gallery 222 E Georgia St. Tuesday–Frid
 ay: 12:00–5:00 p.m. Saturday: 12:00–5:00 p.m. Sunday–& Monday: Closed Curat
 ed by Cynthia MacMillan The term “pending” evokes a state of suspension\, a
 nticipation […]
X-ALT-DESC;FMTTYPE=text/html: <p><a href="https://ahva.cms.arts.ubc.ca/wp-c
 ontent/uploads/sites/37/2026/07/PENDING-Exhibition-Poster.jpg"><img class="
 alignnone wp-image-36184" src="https://ahva.cms.arts.ubc.ca/wp-content/uplo
 ads/sites/37/2026/07/PENDING-Exhibition-Poster-225x300.jpg" alt="" width="4
 51" height="601" /></a></p><p><em>PENDING</em><br />Allysa Pierre\, Amanda 
 Kachadoorian Jordi\, Dana Qaddah\, Deon Feng\, Sonny Assu</p><p>August 6–Oc
 tober 1\, 2026<br />Opening reception: Thursday\, August 6\, 6:00-8:00 p.m.
 <br />Public critique with Michael Turner: Wednesday\, August 19\, 1:00 p.m
 .</p><p>Access Gallery<br />222 E Georgia St.</p><p>Tuesday–Friday: 12:00–5
 :00 p.m.<br />Saturday: 12:00–5:00 p.m.<br />Sunday–& Monday: Closed</p><p>
 Curated by Cynthia MacMillan</p><hr /><p>The term “pending” evokes a state 
 of suspension\, anticipation and becoming. Across the exhibition\, the mate
 rial contradictions present in each of the artworks pose prompts and questi
 ons that are up in the air—pending.</p><p><em>What does it mean to cast a d
 iscarded wood offcut in bronze? </em><br /><em>Why does a fan direct me tow
 ard a study of a limestone quarry?</em><br /><em>Where are the mirrors made
 ? Where am I made or what have I been made into?</em><br /><em>What happens
  when the labour of the art preparator becomes an object of display?</em><b
 r /><em>Will our suitcases make it … filled with concrete? </em><br /><em>W
 hat does it mean to return home?</em></p><p>Works by Sonny Assu\, Deon Feng
  (BA Visual Art ‘23)\, Amanda Kachadoorian Jordi (current MFA Visual Art st
 udent)\, Allysa Pierre and Dana Qaddah each produce an affect of suspense t
 hat develops into a shared field of inquiry. Together\, the works open a di
 alogue about the entanglements of territory\, labour and the accumulation o
 f value\, approaching these questions from distinct points of departure. Th
 e exhibition examines an in-between: the latent suspended space or conditio
 n between state and capital. Placing the in-between on hold is to map point
 s of contact between the market and colonial structures\, and to then consi
 der concrete resistance through a reflection on belonging.</p><p><em>PENDIN
 G</em> attempts to map tension and study how potential forms of resistance 
 might emerge from considering the status of belonging at moments where cont
 radictions become legible.</p><p>Presented with support from the Audain End
 owment for Curatorial Studies through the Department of Art History\, Visua
 l Art and Theory in collaboration with the Morris and Helen Belkin Art Gall
 ery at the University of British Columbia.</p><p>[buttons][button link_text
 ="Visit Access Gallery for more information" link_url="https://accessgaller
 y.ca/#"][/buttons]</p>
LOCATION:Access Gallery
GEO:49.278474;-123.098805
URL;VALUE=URI:https://ahva.ubc.ca/events/event/pending/
ATTACH;FMTTYPE=image/jpeg:https://ahva.cms.arts.ubc.ca/wp-content/uploads/sites/37/2026/07/Allysa-Pierrejpg_0-scaled.jpg
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TZOFFSETFROM:-0800
TZOFFSETTO:-0700
DTSTART:20260308T100000
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