A FREE EVENT OPEN TO THE P
UBLIC
A symposium devoted to examining how oil painting
has served the social and political needs of China’s ruling parties and go
vernments over a period of more than one hundred years.
Pheno
menology and Oil Painting
Xu Jiang\, Director\, School of Fin
e Arts\, Central Academy of Art\, Hangzhou\, China
Chinese Ca
lligraphy in Oil Painting
Zhu Naizheng\, Director of the Rese
arch Committee for Oil Painting\, National Artists’ Association\, China
Wang Huaiqing’s Art and Career: Two Sides of Modern Chinese Art
History
Josh Yiu\, Associate Curator of Chinese Art\, Seattle
Art Museum\, Seattle\, USA
Tracing the Origin and Visualizin
g the Present: On the Development of Oil Painting and Art
Education
Yang Canjun\, Vice-chair\, Department of Oil Painting\, Central
Academy of Art\, Hangzhou\, China
Artists in War: the Kangzh
an
Diana Lary\, Professor Emerita\, Department of History\, U
BC\, Vancouver\, Canada
'Follow the Path of the Russians!' So
viet Influence on China’s Arts
Richard King\, Department of P
acific and Asian Studies\, University of Victoria\, Victoria\, Canada
A Step Towards Contemporary International Art: Max Ernst\, Lévi-St
rauss\, Boas and Westcoast
Indian Art
Claude Imbert\, Em
erius Professor\, Département de Philosophie\, Ecole Normale
Supérieur
e\, Paris\, France\; Associate Professor\, Fudan University\, Shanghai\, Ch
ina
Chinese Oil Painting Outside China
Ralph Cr
oizier\, Professor Emeritus\, University of Victoria\, Victoria\, Canada
Dancing with North American Cultural Practices
Hs
ingyuan Tsao\, Assistant Professor\, Department of Art History\, Visual Art
and Theory\, UBC\, Vancouver\, Canada
Symposium Co-sponsors:
Canadian-China Cultural Exchange Ltd.
The Research Committee for Oil
Painting\, National Artists’ Association\, China
Office of the Vice P
resident\, Research International\, UBC
Centre for Chinese Research\,
UBC
Image: Misty Rivers and Myriad Mountains by Zhu Naizheng
Post
er Design: Jean Kares © 2011