Date: November 26\, 2009<
br />Time: 6:30 PM
Location: Lassere
Building\, Room 104\, 6333 Memorial Road
CANCELLED
Th e University of British Columbia’s Critical and Curatorial Studies Program in conjunction with the Morris and Helen Belkin Art Gallery\; the Walter Ph illips Gallery\; Visual Arts at The Banff Centre\; and the Curatorial Pract ice MA Program at the California College of the Arts\, present Curating in Front of a Local Backdrop a talk by Nicolaus Schafhausen\, as part of the Curatorial Lecture Series.
Nicolaus Schafhausen is Artistic a nd Managing Director of Witte de With Centre for Contemporary Art in Rotter dam\, The Netherlands. He was curator of the German Pavilion at both the 52 nd and 53rd Venice Biennial in 2007 and 2009. As Director of Frankfurter Ku nstverein\, from 1998 to 2005\, he curated many thematic exhibitions on con temporary social issues\, such as the “local”\, migration\, and a trilogy o n the phenomenon of globalization. In 2003 he curated an exhibition to mark the 100th anniversary of the birth of Theodor W. Adorno\, titled Adorno. T he Possibility of the Impossible.
This talk will focus on the traditi onal European art centre. Operating before a local backdrop\, these centres are internationally oriented and address a heterogeneous public often made up of tourists. Although cities are increasingly integrating them into the ir marketing strategies\, when it comes to financing\, they are being left more and more to fend for themselves. While contemporary art deals with the many challenges in politics\, society and economy in a productive and refl ective way\, art institutions have to face these challenges directly. This includes diminishing financial support and general changes within a city’s citizens. Art centres continue to assume that they have a relationship with the local citizenry\, though none of the demographic factors seem to favou r the continuance of this traditional alliance.
As part of this lectu re\, Schafhausen will survey his curatorial practice since the 1990s\, star ting with his current project “Morality” which he has initiated as the new leitmotif for Witte de With. Morality is a broad subject that references a total field of social engagement. As a project\, “Morality” seeks to explor e critical points of fragmentation in everyday life which seem to be simple \, but are also disturbingly difficult to grasp.
The Curatorial Lectu re Series presents lectures on contemporary curatorial practice. It is orga nized by the Morris and Helen Belkin Art Gallery in collaboration with the Department of Art History\, Visual Art and Theory\; the Museum of Anthropol ogy\; and the Department of Anthropology\; with the support of the Audain E ndowment for Curatorial Studies\; and the Faculty of Arts at The University of British Columbia. This talk is presented in collaboration with the Walt er Phillips Gallery\; Visual Arts at The Banff Centre\; and the Curatorial Practice MA Program at the California College of the Arts.
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