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UID:20211013T1059Z-1634122751.8633-EO-20285-37@10.19.146.2
STATUS:CONFIRMED
DTSTAMP:20260509T191234Z
CREATED:20160627T203001Z
LAST-MODIFIED:20210816T191931Z
DTSTART;VALUE=DATE:20040403
DTEND;VALUE=DATE:20040426
SUMMARY: Manufacturing Mod: Metal Tunics to Paper Dresses\; curated by CCST
  candidate Jamila Dunn
DESCRIPTION: 3 – 25 April 2004 Opening Reception: Friday 2 April 2004\,  8 
 – 10 pm This exhibition features a spectacular selection of original metal 
 tunics by Paco Rabanne\, extremely rare presidential candidate paper dresse
 s for Nixon\, Kennedy\, Rockefeller\, and Trudeau along with the Warhol ins
 pired “Campbell’s Souper Dress\,” and vintage magazines. Manufacturing Mod:
  Metal Tunics to Paper […]
X-ALT-DESC;FMTTYPE=text/html: <h4>3 – 25 April 2004<br />Opening Reception:
  Friday 2 April 2004\,  8 - 10 pm</h4><p>This exhibition features a spectac
 ular selection of original metal tunics by Paco Rabanne\, extremely rare pr
 esidential candidate paper dresses for Nixon\, Kennedy\, Rockefeller\, and 
 Trudeau along with the Warhol inspired "Campbell’s Souper Dress\," and vint
 age magazines.</p><p><em>Manufacturing Mod: Metal Tunics to Paper Dresses</
 em>examines challenges to the couture industry in the mid to late 1960s. Th
 e garments imply simultaneous anxieties and curiosities about technological
  ‘progress’ and provoke questions about the interrelationships among 1960s 
 women’s clothing design/production and an expanded market economy. Shifts i
 n consumer culture\, the global dynamics of the space race\, new technology
 \, and contemporary art intersect in these experimental garments. Paco Raba
 nne’s metal tunics reference medieval armor with a futuristic vision of clo
 thing as an erotically revealing and decorative form. Paper dresses reject 
 the pretense of corporeal protection while picturing icons of consumer cult
 ure and contemporary art. These experimental garments exemplify the utopian
  ideology of modern living and propose liberation from the labor of regular
  clothing maintenance and promise a carefree lifestyle – ideas that are as 
 timely now as they were in the 1960s. Fashion\, politics\, and art were as 
 entangled then as they are today.</p><p>Curated by <strong>Jamila Dunn</str
 ong>. The exhibition is the second in a series curated by Master of Arts ca
 ndidates in the Critical Curatorial Studies Program at the University of Br
 itish Columbia. We gratefully acknowledge the support of The Alvin Balkind 
 Fund for Student Curatorial Initiatives.</p><p><a class="download-btn" href
 ="https://ahva.cms.arts.ubc.ca/wp-content/uploads/sites/37/2016/06/753.pdf"
 >753</a></p>
LOCATION:Satellite Gallery\, Floor 2
GEO:49.283221;-123.114563
URL;VALUE=URI:https://ahva.ubc.ca/events/event/manufacturing-mod-metal-tuni
 cs-to-paper-dresses-curated-by-ccst-candidate-jamila-dunn/
ATTACH;FMTTYPE=image/jpeg:https://ahva.cms.arts.ubc.ca/wp-content/uploads/sites/37/2021/05/753.jpg
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DTSTART:20031026T090000
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