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X-WR-CALDESC:Department of Art History, Visual Art &amp; Theory - Events
BEGIN:VEVENT
UID:20211012T1305Z-1634043910.8111-EO-22119-37@10.19.146.1
STATUS:CONFIRMED
DTSTAMP:20260511T201028Z
CREATED:20170119T020709Z
LAST-MODIFIED:20210816T202228Z
DTSTART;VALUE=DATE:20090904
DTEND;VALUE=DATE:20090905
SUMMARY: INTERROBANG: UBC Master of Fine Arts Graduate Exhibition 2009
DESCRIPTION: MFA 2009 Graduate Exhibition Shea Allan-McCachen\, Scott Billi
 ngs\, Krista Dragomer\, Julio Lopez\, Jen Weih Opening Reception: Thursday\
 , September 10\, 7 – 10 pm External Critique by Liz Magor: Saturday Septemb
 er 12\, 12 to 5 pm Interrobang. This uncommon typographic ligature superimp
 oses the meaning of a question mark onto an exclamation point and indicates
  a common […]
X-ALT-DESC;FMTTYPE=text/html: <h4>MFA 2009 Graduate Exhibition</h4><p>Shea 
 Allan-McCachen\, Scott Billings\, Krista Dragomer\, Julio Lopez\, Jen Weih<
 /p><p><strong>Opening Reception</strong>: Thursday\, September 10\, 7 - 10 
 pm<br /><strong>External Critique</strong> by Liz Magor: Saturday September
  12\, 12 to 5 pm</p><p><em>Interrobang</em>. This uncommon typographic liga
 ture superimposes the meaning of a question mark onto an exclamation point 
 and indicates a common connection and bonding between different characters 
 whose meaning depends on their surroundings. <em>Interrobang</em>\, the exh
 ibition\, presents divergent work by five emerging artists who work in the 
 mediums of video\, sound\, sculpture\, drawing\, painting and new media.</p
 ><p><strong>Shea Allan-McCachen</strong>’s drawings\, paintings and collage
 s investigate bodily abstraction\, making reference to the interstice betwe
 en a penetrating gaze and the penetrated body. Incorporating primary source
  material from <em>Hustler</em>magazine\, her fragmented assemblages of gen
 italia\, bodiless apparel and indistinguishable swatches of skin evoke an a
 nxiety about the body while partaking in an aesthetic search for beauty. Th
 e result is a matrix of fleshy exploration in which the traditional concept
  of a figure is absent.</p><p><strong>Scott Billings</strong>’ media works 
 explore the relationship between the body and the cinematic machine. By tak
 ing apart and reconfiguring older obsolete machines\, such as turning theat
 rical lighting into a projector\, Billings’ creates both moving objects and
  moving images that play with the concepts of mimicry and motility to depic
 t and understand the quality of being animal. Often using his own body and 
 figures of animals\, his work resides somewhere between cinema and automata
 . The modified machine apparatus delivers a moving image to activate the vi
 ewer’s body and prompt a physical interrogation of the exhibition space.</p
 ><p>Sound artist <strong>Krista Dragomer</strong> works collaboratively wit
 h video artist Rashin Fahandej to explore moments that occur between histor
 ical events\, borders\, and identities. Their sound and video works engage 
 the audience in a sensorial experience of “culture” as something that exist
 s within one’s body. The artists’ audiovisual installations combine project
 ion with monitors and multi-channel stereo sound. Their works incorporates 
 ideas about shared literature\, music\, art\, traditions\, dreams and night
 mares—common struggles and stories told by different people in different pl
 aces\, past and present.</p><p>Built around the principles of the Open Sour
 ce movement <strong>Julio Lopez</strong>’ current project <em>HUB</em>\, is
  an experimental web-based initiative focused on collaboration\, the sharin
 g of ideas and knowledge\, and the creative exploration of information tech
 nology. For the duration of the project\, Lopez will operate a computer lab
  that provides a workspace and access to software and technologies free of 
 charge\, and delivers educational programming focused on providing particip
 ants with technical knowledge. A series of talks will highlight the work of
  local Vancouver artists that use a variety of technologies within their ar
 tistic practice. More information and a schedule of events can be found at 
 www.hubcentre.org.</p><p><strong>Jen Weih</strong>’s practice investigates 
 a combination of the rational and the irrational. The work proposes a dialo
 g between construction and collapse\, elegance and horror\, sense and non-s
 ense. Her projects include a range of aesthetics from “bad” fonts to geomet
 ric balance and can include found\, manufactured\, or crafted materials. Wo
 rk for this show will include a collection of 8 ½ x 11 inch\, 20 lb. bond\,
  paper sculptures produced through a combination of conscious decision maki
 ng and unconscious and chance-based processes.</p><p>The department of Art 
 History\, Visual Art\, and Theory will be hosting an afternoon event where 
 each graduating student will speak about her or his work\, followed by a di
 scussion led by Liz Magor.</p><p>The public is invited to participate in th
 e critique of and conversation about the MFA students’ presentation and wor
 k.</p><p>—</p><p>For further information please contact: Naomi Sawada at na
 omi.sawada@ubc.ca\,<br />tel: (604) 822-3640\, or fax: (604) 822-6689</p><p
 >Morris and Helen Belkin Art Gallery<br /><a href="http://www.belkin.ubc.ca
 /" target="blank" rel="noopener noreferrer">http://www.belkin.ubc.ca/</a></
 p>
LOCATION:Morris and Helen Belkin Art Gallery
GEO:49.268088;-123.256007
URL;VALUE=URI:https://ahva.ubc.ca/events/event/interrobang-ubc-master-of-fi
 ne-arts-graduate-exhibition-2009/
ATTACH;FMTTYPE=image/jpeg:https://ahva.cms.arts.ubc.ca/wp-content/uploads/sites/37/2021/05/781.jpg
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TZID:America/Vancouver
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TZOFFSETFROM:-0800
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DTSTART:20090308T100000
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