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UID:20211128T0144Z-1638063847.995-EO-31808-37@10.19.146.14
STATUS:CONFIRMED
DTSTAMP:20260614T030806Z
CREATED:20211126T234838Z
LAST-MODIFIED:20220614T175247Z
DTSTART;TZID=America/Vancouver:20211124T120000
DTEND;TZID=America/Vancouver:20220114T160000
SUMMARY: Germaine Koh: Processes
DESCRIPTION: The AMS Hatch Art Gallery presents Germaine Koh’s new public e
 xhibition Processes\, opening Wednesday\, November 24\, 2021 and running th
 rough January 14\, 2022.
X-ALT-DESC;FMTTYPE=text/html: <p>[image_spread img_url="https://ahva.cms.ar
 ts.ubc.ca/wp-content/uploads/sites/37/2021/11/Koh_Processes_Hatch.jpg" capt
 ion="" width="content"]</p><p>The AMS Hatch Art Gallery presents Germaine K
 oh’s new public exhibition <em>Processes</em>\, opening Wednesday\, Novembe
 r 24\, 2021 and running through January 14\, 2022. The gallery is located o
 n the second floor of the AMS Student Nest\, 6133 University Boulevard\, Va
 ncouver. Gallery hours: 12:00 to 4:00pm\, Monday to Friday (closed December
  18 to January 3).</p><p>Germaine Koh is the 2021 Koerner Artist in Residen
 ce at the University of British Columbia. As one of the most influential co
 nceptual artists in Canada\, Koh is renowned for her ephemeral and concept-
 driven artistic production. Koh’s Processes actively explores two of her co
 ntinuing works\, <em>Accord of Wood</em>\, begun in 2013\, and <em>Fête</em
 >\, ongoing since 1997. Both works specifically look at processes of transf
 ormation\, accumulation\, archiving\, and administration of commonplace mat
 erials\, and how they change through the process of time. <em>Accord of Woo
 d</em> began as one cord of beetle-kill pine\, which will be transformed ov
 er time as it adapts to different administrative systems and records a grow
 ing understanding around both the material and Indigenous land rights. <em>
 Fête</em> displays a growing collection of the artist’s own hair\, cut and 
 sewn into swags over the past twenty-five years. The work evokes celebrator
 y décor and rites of passage\, while recording the aging of a female body a
 nd other changes over time.</p><p>This exhibition is curated by Violetta La
 pinski in collaboration with fellow class members in VISA 475: Exhibition T
 heory and Practice and Professor Althea Thauberger\, with the support of th
 e AMS\, the Art History Students’ Association and Mia Chen\, the Visual Art
  Students’ Association\, and the Department of Art History\, Visual Art and
  Theory.</p><p><a href="https://ahva.ubc.ca/uncategorized/germaine-koh-proc
 esses-curatorial-essay/" target="_blank" rel="noopener noreferrer">Read Vio
 letta Lapinski's curatorial essay.</a></p><p>Germaine Koh is an internation
 ally active artist and curator based in Vancouver\, in the ancestral territ
 ories of the Musqueam\, Squamish\, and Tsleil-Waututh First Nations. Her wo
 rk adapts familiar objects to create situations that look at the significan
 ce of everyday actions and common spaces\, and which encourage connections 
 between people\, technology\, and natural systems. She is currently working
  on a public art commission for the Topaz Skatepark in Victoria. Her ongoin
 g projects include <em>Home Made Home</em>\, an initiative to build and adv
 ocate for alternative forms of housing\, and <em>League</em>\, a participat
 ory project using play as a form of creative practice. From 2018 to 2020\, 
 she was the City of Vancouver’s first Engineering Artist in Residence.</p><
 p>The Hatch Art Gallery is situated on the traditional\, ancestral\, and un
 ceded territory of the xwmə0–kwəy’əm (Musqueam).</p><p>Contact:<br />Violet
 ta Lapinski\, Project Curator<br /><a href="mailto:hatch@ams.ubc.ca">hatch@
 ams.ubc.ca</a></p>
LOCATION:AMS Hatch Art Gallery
GEO:49.266553;-123.249839
URL;VALUE=URI:https://ahva.ubc.ca/events/event/germaine-koh-processes/
ATTACH;FMTTYPE=image/jpeg:https://ahva.cms.arts.ubc.ca/wp-content/uploads/sites/37/2021/11/Germaine-Koh_Process_web-featured-image.jpg
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DTSTART:20211107T090000
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