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UID:20211009T2229Z-1633818558.2617-EO-27276-37@10.19.146.2
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SUMMARY: Decadence: 43rd Annual AHVA Graduate Symposium
DESCRIPTION: Decadence: Flows of Abundance and Decay 43rd Annual AHVA Gradu
 ate Symposium Friday\, March 6\, 2020 9:00 AM – 6:00 PM Audain Art Centre\,
  Room 1002 6398 University Blvd Keynote address by Dr. Julia Skelly\, Conco
 rdia University The AHVA graduate symposium and its concurrent exhibition i
 s a collaborative\, interdisciplinary event\, organized by current AHVA gra
 duate students. […]
X-ALT-DESC;FMTTYPE=text/html: <p><em>Decadence: Flows of Abundance and Deca
 y</em><br />43rd Annual AHVA Graduate Symposium<br />Friday\, March 6\, 202
 0<br />9:00 AM – 6:00 PM</p><p>Audain Art Centre\, Room 1002<br />6398 Univ
 ersity Blvd</p><p>Keynote address by Dr. Julia Skelly\, Concordia Universit
 y</p><p>The AHVA graduate symposium and its concurrent exhibition is a coll
 aborative\, interdisciplinary event\, organized by current AHVA graduate st
 udents. In line with the University’s mandate our programming is aimed at c
 reating a rich academic environment and fostering intellectual exchange amo
 ng graduate students. This symposium is a unique opportunity to engage in q
 uestions concerning cultural mediation within visual art and the histories 
 of art and architecture.</p><p>Originating in the Latin roots <em>de</em>\,
  meaning “apart/down” and <em>cadere</em>\, meaning “to fall\,” decadence c
 ame to signify decay\, or a fall from a more vital state. Beyond its lingui
 stic origins\, decadence has taken on a plurality of often contradictory me
 anings. <em>Decadence: Flows of Abundance and Decay </em>welcomes a variety
  of perspectives that explore the term’s malleability\, taking decadence as
  a generative force in understanding past and contemporary culture and poli
 tics. Considering Charles Baudelaire’s statement that decadence is “an inge
 nious style complex\, wise\, full of nuances and reﬁnements\, forever exten
 ding the limits of language\, borrowing from all technical lexicons\, takin
 g colours from every palette and notes from every musical instrument.” This
  symposium sets out to locate and examine these complexities within distinc
 t historical and cultural contexts.</p><p><strong>SCHEDULE</strong></p><p><
 strong>9:00     Refreshments</strong><br /><strong>9:45     Welcome and Ope
 ning Remarks<br /></strong><strong>Dr. </strong><strong>Julia Orell\, Assis
 tant Professor </strong><strong>Department of Art History\, Visual Art and 
 Theory\, UBC</strong></p><h4>SESSION ONE</h4><p>10:00<br />Exploitation in 
 Memoriam: The Trap of Imperial Valorization and Postcolonial Nationhood thr
 ough the War-time Photography of Glenn S. Hensley<br /><strong>Adrian Devea
 u\, MA Candidate </strong><strong>Department of Art History\, Visual Art an
 d Theory\, UBC</strong><strong> </strong></p><p>10:25<br />The High-rise in
  Press and Press Photography of 1950s FAZ - Chronological Manipulation of M
 aterial Structures as a Means for Renewal<br /><strong>Dorothee Leesing\, P
 hD Candidate </strong><strong>Department of Central\, Eastern\, & Northern 
 European Studies\, UBC</strong></p><p><strong>11:10 Break</strong></p><h4>S
 ESSION TWO</h4><p>11:25<br />The Five Hundred Arhats by Wu Bin: Dimensions 
 of individuality in the late-Ming China<br /><strong>Elena Ren\, MA\, </str
 ong><strong>Department of Fine Arts\, HKU</strong><strong> </strong></p><p>
 11:50<br />Decadence as a Generative Force in the Tale of Genji<br /><stron
 g>Benjamin Weisman\, MA Candidate Department of Art and Art History\, UCDav
 is</strong><strong> </strong></p><p><strong>12:35 Lunch</strong></p><h4>ART
 IST TALK</h4><p>1:45<br />Cybernetics\, Disability and Craft<br /><strong>S
 harona Franklin\, Honorary Artist Speaker</strong></p><p><strong>2:35     B
 reak</strong></p><h4>SESSION THREE</h4><p>3:00<br />Metamorphosis of the Bo
 dy in <em>Haruna in a Meteor Shower<br /></em><strong>Asia Adomanis\, MA/Ph
 D </strong><strong>Art History OSU</strong><strong> </strong></p><p>3:25<br
  />“You Eat Money from La SAPE”: Conversations with Women Sapeurs in Kinsha
 sa\, Democratic Republic of Congo<br /><strong>Kristen Laciste\, PhD Candid
 ate </strong><strong>Department of History of Art and Visual Theory\, UCSC<
 /strong><strong> </strong></p><p><strong>4:10     Break</strong></p><h4>KEY
 NOTE PRESENTATION</h4><p>4:25<br />Queer Decadance Matters: Perspectives Pa
 st and Present<br /><strong>Dr. Julia Skelly\, Afﬁliate Assistant Professor
  Department of Art History\, Concordia University</strong></p><h4>REVIEW AN
 D FINAL THOUGHTS</h4><p>5:30<br />Panel Discussion<br /><strong>Dr. Julia S
 kelly\, Faculty Lecturer<br /></strong><strong>Department of Art History an
 d Communication Studies\, McGill University<br /></strong>+<br /><strong>Dr
 . Erin Silver\, Assistant Professor<br /></strong><strong>Department of Art
  History\, Visual Art and Theory\, UBC</strong></p><p>6:00     Closing Rema
 rks</p><p>Concurrent with the symposium is an exhibition at the AHVA Galler
 y\, in the Audain Art Centre\, which runs from March 5 to 26</p>
LOCATION:Audain Art Centre Rm 1002
GEO:49.263846;-123.254584
URL;VALUE=URI:https://ahva.ubc.ca/events/event/decadence-43rd-annual-ahva-g
 raduate-symposium/
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DTSTART:20191103T090000
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