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BEGIN:VEVENT
UID:20211102T1426Z-1635863193.7654-EO-21935-37@10.19.146.2
STATUS:CONFIRMED
DTSTAMP:20261010T073525Z
CREATED:20170117T000744Z
LAST-MODIFIED:20210816T192040Z
DTSTART;TZID=America/Vancouver:20080913T140000
DTEND;TZID=America/Vancouver:20080913T173000
SUMMARY: Christine D’Onofrio – Falling Woman
DESCRIPTION: September 13th through October 18th 2009 with an artist recept
 ion on Saturday\, September 13th\, 2 – 5 pm. The exhibition features a new 
 work entitled Falling Woman\, a large scale\, looped video depicting a woma
 n trapped in a never-ending fall. The fall specifically references art hist
 orical events and works\, such as Yves Klein’s photomontage farce […]
X-ALT-DESC;FMTTYPE=text/html: <h4>September 13th through October 18th 2009 
 with an artist reception on Saturday\, September 13th\, 2 - 5 pm.</h4><p>Th
 e exhibition features a new work entitled Falling Woman\, a large scale\, l
 ooped video depicting a woman trapped in a never-ending fall.</p><p>The fal
 l specifically references art historical events and works\, such as Yves Kl
 ein's photomontage farce <em>Leap into the Void</em> and the loss of contro
 l in the humble gestures of Bas Jan Ader's falling pieces. D'Onofrio addres
 ses the influence feminist discourse has had on her own practice and positi
 oning\, and particularly references second wave feminist artist Ana Mendiet
 a\, known for her site-specific installations and performances. Mendieta at
 tempted to retrieve the nude body from the masculine eye\; in her signature
  "Sileuta" series she imposed her body onto the environment with impression
 s of her contours\, a series that foreshadowed her untimely and suspicious 
 death. In <em>Falling Woman</em> the body continues to be a battleground of
  desire and exploitation.</p><p>The fall in <em>Falling Woman</em> represen
 ts the D'Onofrio's interest in contrived depictions of unconsciousness. The
  piece plays with the dream of falling interpreted as a loss of control or 
 the feeling of fear and humiliation that comes in dreams of being naked. Th
 e wind from the fall forces the protagonist's dress over her head\, which s
 imultaneously conceals her identity and exposes her body\, acting as a natu
 ral yet exploitative flirtation with the camera. Autonomy and control clash
 \, for the subject has not jumped nor has she been pushed and she will neve
 r land\; instead she is in the midst of a continuous falL The meeting of th
 ese moments manifest themselves in an endless sublime sky where we witness 
 the woman frustrated in her attempt to connect with it\, in a piece that as
 ks: can feminists fly?</p><p><em>Christine D'Onofrio would like to express 
 her gratitude to the Canada Council for the Arts for their generous support
  in the research and execution of this project. Falling Woman is Christine'
 s second solo show with Republic Gallery\, and will be showing from Septemb
 er 13th through October 18th with an artist reception on Saturday\, Septemb
 er 13th\, 2 - 5 pm. Gallery hours are 11 am - 4 pm\, Wednesday through Satu
 rday or by appointment. For more information\, please contact Pantea Haghig
 hi by phone at 604.632.1590 or via email </em><a href="mailto:atpantea@repu
 blicgallery.com"><em>atpantea@republicgallery.com</em></a><em>.</em></p><p>
  <br /><a class='download-btn' href="https://ahva.cms.arts.ubc.ca/wp-conten
 t/uploads/sites/37/2017/01/615.pdf">615</a></p>
LOCATION:Republic Gallery
GEO:49.280647;-123.116520
URL;VALUE=URI:https://ahva.ubc.ca/events/event/christine-donofrio-falling-w
 oman/
ATTACH;FMTTYPE=image/jpeg:https://ahva.cms.arts.ubc.ca/wp-content/uploads/sites/37/2021/05/615.jpg
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DTSTART:20080309T100000
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