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PRODID:-//Department of Art History, Visual Art &amp; Theory//NONSGML Events//EN
CALSCALE:GREGORIAN
X-ORIGINAL-URL:https://ahva.ubc.ca/events/event/
X-WR-CALDESC:Department of Art History, Visual Art &amp; Theory - Events
BEGIN:VEVENT
UID:20211014T2023Z-1634242986.8627-EO-22991-37@10.19.146.14
STATUS:CONFIRMED
DTSTAMP:20260915T232444Z
CREATED:20170214T235132Z
LAST-MODIFIED:20210816T192435Z
DTSTART;VALUE=DATE:20150708
DTEND;VALUE=DATE:20150709
SUMMARY: Camera Atomica
DESCRIPTION: Exhibition runs July 8 to Nov 15\, 2015 Photographs have playe
 d a crucial role in shaping perceptions of nuclear weapons and nuclear ener
 gy. Camera Atomica — guest-curated by writer\, curator and art historian Jo
 hn O’Brian — is the first substantial exhibition of nuclear photography to 
 encompass the entire postwar period from the bombings of Hiroshima […]
X-ALT-DESC;FMTTYPE=text/html: <h4>Exhibition runs July 8 to Nov 15\, 2015</
 h4><p>Photographs have played a crucial role in shaping perceptions of nucl
 ear weapons and nuclear energy. Camera Atomica — guest-curated by writer\, 
 curator and art historian John O'Brian — is the first substantial exhibitio
 n of nuclear photography to encompass the entire postwar period from the bo
 mbings of Hiroshima and Nagasaki in 1945 to the triple meltdown at Fukushim
 a Daiichi in 2011.</p><p>The election of President Ronald Reagan in 1980 ac
 companied an intensification of the Cold War\, and artists and photographer
 s responded in large numbers to the escalating risk of a nuclear confrontat
 ion. The politics of the Cold War also coincided with a cultural debate aro
 und photography and its claims to represent what is “true” or “real.” Much 
 post-1980 nuclear photography reflects altered understandings of the limita
 tions of photography and the dangers of the nuclear arms race.</p><p>Camera
  Atomica addresses pressing issues in the post-war era – nuclear weapons pr
 oliferation\, toxic waste disposal and climate change – as they are represe
 nted in photography. Organized thematically\, it brings together vintage an
 d contemporary photographs\, press and fine arts photographs\, scientific a
 nd touristic images and advertisements and propaganda from a wide range of 
 sources. A discussion room\, designed to evoke a fallout shelter\, conclude
 s the exhibition\, replete with posters\, articles and details about local 
 engagement with atomic energy.</p><p>Beginning with Wilhelm Röntgen’s disco
 very of the X-ray in 1895\, the exhibition includes more than 200 works\, i
 ncluding an installation by Ken + Julia Yonetani\, Ken Domon and Shomei Tom
 atsu’s photographs of hibakusha (survivors of Hiroshima and Nagasaki)\, Dav
 id McMillan’s photographs at Chernobyl Nuclear Power Plant and Sandy Skoglu
 nd’s darkly humorous Radioactive Cats\, as well as works by Nancy Burson\, 
 Edward Burtynsky\, Philippe Chancel\, Carol Condé and Karl Beveridge\, Bruc
 e Conner\, Robert Del Tredici\, Carole Gallagher\, Blake Fitzpatrick\, Kenj
 i Higuchi\, Michael Light\, Dean Loomis\, Richard Misrach\, Ishiuchi Miyako
 \, Barbara Norfleet\, Andrea Pinheiro\, Shimpei Takeda\, Donald Weber\, Gar
 ry Winogrand and official U.S. Army and press photographs from the AGO’s co
 llection. Also featured is a recently acquired work by James Welling\, from
  his series The Glass House.</p><p>This exhibition is curated by <strong>Pr
 ofessor John O'Brian</strong></p><p><em>Image Credit: U.S. Military Operati
 on Priscilla\, taken at the moment of the shockwave\, 1957 / Camera Crew at
  Exact Moment of Shockwave Arrival\, Nevada Test Site 1957 Image courtesy V
 CE\, Inc.</em></p>
LOCATION:Art Gallery of Ontario
GEO:43.654098;-79.391547
URL;VALUE=URI:https://ahva.ubc.ca/events/event/camera-atomica/
ATTACH;FMTTYPE=image/jpeg:https://ahva.cms.arts.ubc.ca/wp-content/uploads/sites/37/2021/05/1374.jpg
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TZID:America/Vancouver
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TZOFFSETFROM:-0800
TZOFFSETTO:-0700
DTSTART:20150308T100000
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