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UID:20211009T1127Z-1633778837.6171-EO-22840-37@10.19.146.2
STATUS:CONFIRMED
DTSTAMP:20260309T230332Z
CREATED:20170206T234524Z
LAST-MODIFIED:20210816T193024Z
DTSTART;TZID=America/Vancouver:20131126T123000
DTEND;TZID=America/Vancouver:20131126T170000
SUMMARY: Ariane Noel de Tilly
DESCRIPTION: Rewind. Pause. Play: Looking Back at Videoscape\, Video Art\, 
 and The Video Show AHVA Postdoctoral Research Fellow Ariane Noel de Tilly w
 ill be presenting her research on video art. Video art began with a series 
 of acts of destructions and displacements\, as for instance with a gesture 
 made by Korean-born artist Nam June Paik in […]
X-ALT-DESC;FMTTYPE=text/html: <h4>Rewind. Pause. Play: Looking Back at Vide
 oscape\, Video Art\, and The Video Show</h4><p>AHVA Postdoctoral Research F
 ellow <strong>Ariane Noel de Tilly</strong> will be presenting her research
  on video art.</p><p>Video art began with a series of acts of destructions 
 and displacements\, as for instance with a gesture made by Korean-born arti
 st Nam June Paik in <em>Exposition of Music – Electronic Television</em> he
 ld in the Wuppertal Galerie Parnass in March 1963.</p><p>In one of the room
 s of the exhibition\, Paik had not only displaced television sets from the 
 living room to the exhibition space\, but he had also distorted their broad
 cast signals. In 1965\, Paik stated: “Television has been attacking us all 
 our lives\, now we can attack it back.” It is therefore in a climate of dis
 tortions\, attacks\, and contestation that video art was born.</p><p>Despit
 e this violent genesis\, the study of the early survey exhibitions of video
  art held in Canada\, the United States\, and in the United Kingdom in the 
 mid-1970s shows that early on\, there was a change of paradigm and even if 
 certain artists continued to exploit (and distort) the specifically electro
 nic features of video\, many others used the medium in a more conceptual or
  experiential manner. The artworks included in the exhibitions <em>Videosca
 pe: An Exhibition of Video Art </em>(Art Gallery of Ontario\, Toronto\, 197
 4-1975)\, <em>Video Art</em> (Institute of Contemporary Art\, Philadelphia\
 , 1975)\, and <em>The Video Show</em> (Serpentine Gallery\, London\, 1975) 
 are good cases in point.</p><p>Even if many of the works moved away and bey
 ond an attitude of contestation in regards to broadcast television\, it is 
 perhaps more in the organization of these exhibitions that the relationship
  to broadcast television remained the most tangible. Indeed\, since the tim
 e-based feature of the works prevented them to be shown all at once\, the e
 xhibitions were organized according to specific programmes. In this talk\, 
 I intend to shed light on the different curatorial strategies employed to d
 isseminate this new medium. I will also speak of how these exhibitions cont
 ributed to a strengthening of the video community and of the rallying poten
 tial of group exhibitions.</p><p>This event is free and open to the public.
 </p>
LOCATION:Frederic Lasserre\, Room 102
GEO:49.267665;-123.255830
URL;VALUE=URI:https://ahva.ubc.ca/events/event/ariane-noel-de-tilly/
ATTACH;FMTTYPE=image/jpeg:https://ahva.cms.arts.ubc.ca/wp-content/uploads/sites/37/2021/05/1257.jpg
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TZOFFSETFROM:-0700
TZOFFSETTO:-0800
DTSTART:20131103T090000
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