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BEGIN:VEVENT
UID:20211102T1605Z-1635869146.3381-EO-20357-37@10.19.146.14
STATUS:CONFIRMED
DTSTAMP:20260915T231740Z
CREATED:20160629T213959Z
LAST-MODIFIED:20210816T192722Z
DTSTART;VALUE=DATE:20160310
DTEND;VALUE=DATE:20160403
SUMMARY: 39th Annual UBC AHVA Graduate Symposium: The Margin is the Centre
DESCRIPTION: Symposium runs March 10 – 11 and Exhibition runs March 10 – Ap
 ril 2 The 39th Annual University of British Columbia Department of Art Hist
 ory\, Visual Art & Theory Graduate Symposium is pleased to announce that th
 is year’s event\, The Margin is the Centre\, will take place from March 10 
 – 11\, 2016. The concurrent […]
X-ALT-DESC;FMTTYPE=text/html: <h4>Symposium runs March 10 – 11 and Exhibiti
 on runs March 10 – April 2</h4><p>The 39th Annual University of British Col
 umbia Department of Art History\, Visual Art & Theory Graduate Symposium is
  pleased to announce that this year’s event\, The Margin is the Centre\, wi
 ll take place from March 10 – 11\, 2016. The concurrent exhibition\, curate
 d by the Graduate Symposium Committee\, will open from 5 – 7pm on March 10\
 , at the AHVA Gallery in the Audain Art Centre.</p><p>The Margin is the Cen
 tre will engage with and bridge materialist\, cultural\, geopolitical\, and
  medium-oriented discourses on marginality within art and art history at a 
 moment when the stability of the centre-margin binary is rapidly deteriorat
 ing. The political and cultural potential of marginality\, as well as the p
 ersistent actions of the former centre\, saturates contemporary discourse a
 nd reflects the historical progression of global de-colonial efforts\, glob
 alization\, and the acceleration of late capital. Artistic-activist interve
 ntions\, new approaches within marginalized discourses in art history\, and
  subalternized artistic practices and objects ask us to re-evaluate the dyn
 amic process of constitution and identification at play in the centre-margi
 n binary. Perhaps the decentering work required by these practices can enco
 urage us to see each margin as a centre of its own. The AHVA Graduate Sympo
 sium proposes a self-reflexive examination of this shifting dichotomy withi
 n art and art history\, as well as the social sciences and humanities at la
 rge.</p><p>The keynote speaker will be Byron Hamann\, from the Department o
 f History of Art at Ohio State University.</p><p><strong>MARCH 10</strong><
 /p><p><strong>10am–1pm</strong>: Seminar with Byron Hamann: “Marginality an
 d (Imagined) Exhibitions”<br />Seating is limited. To attend\, RSVP to <a h
 ref="mailto:grad.symposium@ubc.ca">grad.symposium@ubc.ca</a></p><p><strong>
 5pm–7pm</strong>: Exhibition opening (AHVA Gallery in the Audain Art Centre
 )<br />Featuring artists:</p><p>Mallory Amirault (Emily Carr University of 
 Art and Design)</p><p>Shannon Deer (University of British Columbia)</p><p>Y
 oriko Gillard (University of British Columbia/Douglas College)</p><p>Scott 
 Mallory (Emily Carr University of Art and Design)</p><p>Alice Olsen William
 s\, Anishinaabe-Kwe and Joanne Ursino (University of British Columbia)</p><
 p>Setareh Yasan (University of British Columbia)</p><p><strong>MARCH 11</st
 rong></p><p><strong>10.30am – 10.45am</strong>: Opening remarks</p><p><stro
 ng>10.45am – 12pm</strong>: Panel 1</p><p>Timothy Chandler (University of G
 uelph): <em>Engineering Failure: Measuring Historiographical Changes in Art
  History</em></p><p>Julie Dansereau-Tackett (Case Western Reserve Universit
 y): <em>Stereographs and Souvenirs: Monet’s Garden of the Princess and the 
 1867 Paris Exposition universelle</em></p><p>Julian Lawrence (Emily Carr Un
 iversity of Art and Design): <em>Regarding the Marginalization of Comic Boo
 ks: Two Questions for Scholars</em></p><p><strong>12pm – 1.15pm</strong>: P
 anel 2</p><p>Lane Eagles (University of Washington): <em>Pregnant Images: E
 arly Modern Female Portraiture and the Maternal Body</em></p><p>Erin Traver
 s (University of California\, Santa Barbara): <em>Representing the Body: Pi
 ctorial Strategies in 17th-century Dutch Anatomical Atlases</em></p><p><str
 ong>1.15pm – 1.45pm</strong>: Lunch</p><p><strong>1.45pm – 3pm: </strong>Pa
 nel 3</p><p>Naomi Calnitsky (Carleton University): <em>Graciela Iturbide an
 d the Village Poetic: Revisiting Cultural Resilience in the Queer Photograp
 hs of Juchitán de las Mujeres</em></p><p>Michael Feinberg (University of Wi
 sconsin-Madison): <em>Repositioning Girodet’s Pasha: The Case of the Abject
 ed Subject</em></p><p>Christian Whitworth (Tufts University): <em>Turning A
 ffect into Activism\, into Aesthetics: Douglas Crimp on the Institutionaliz
 ation of AIDS</em></p><p><strong>3pm – 3.45pm</strong>: Keynote by Byron Ha
 mann (Ohio State University)</p><p><strong>3.45pm – 4pm</strong>: Q&A</p><p
 ><strong>4pm</strong>: Closing remarks</p><p><em>The 39th Annual UBC AHVA G
 raduate Symposium Committee would like to thank the following University of
  British Columbia units for their generous contributions: Audain Endowment 
 for Curatorial Studies\; Morris and Helen Belkin Art Gallery\; Museum of An
 thropology\; Department of Art History\, Visual Art and Theory\; Department
  of Asian Studies\; Department of Classical\, Near Eastern and Religious St
 udies\; Department of English\; Department of French\, Hispanic and Italian
  Studies\; Department of Philosophy\; Department of Theatre and Film\; Facu
 lty of Arts HSS Grant\; Faculty of Graduate Studies Dean’s Office\; Provost
  and Vice President Academic.</em></p><p> </p><p>[gallery link="file" ids="
 23764\,23767\,23766\,23765\,23768\,23769"]</p>
LOCATION:AHVA Gallery\, Audain Art Centre
GEO:49.263869;-123.254735
URL;VALUE=URI:https://ahva.ubc.ca/events/event/39th-annual-ubc-ahva-graduat
 e-symposium-the-margin-is-the-centre/
ATTACH;FMTTYPE=image/jpeg:https://ahva.cms.arts.ubc.ca/wp-content/uploads/sites/37/2021/05/1406.jpg
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DTSTART:20151101T090000
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