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UID:20211027T1554Z-1635350078.0721-EO-21410-37@10.19.146.2
STATUS:CONFIRMED
DTSTAMP:20260915T232535Z
CREATED:20161028T205928Z
LAST-MODIFIED:20210816T192703Z
DTSTART;VALUE=DATE:20050311
DTEND;VALUE=DATE:20050312
SUMMARY: 24th Annual Art History Graduate Symposium
DESCRIPTION: Excess and Impoverishment – The shifting states of economic\, 
 ethical\, and visual balances are written across bodies\, space\, and time 
 telling a tale of extremes. The ever constant realities of imbalance (wheth
 er it be political\, eco Key Note: Darcy Grimaldo Grigsby University of Cal
 ifornia\, Berkeley “The Statue of Liberty\, More or Less” Heidi Ravenel Uni
 versity […]
X-ALT-DESC;FMTTYPE=text/html: <h4>Excess and Impoverishment - The shifting 
 states of economic\, ethical\, and visual balances are written across bodie
 s\, space\, and time telling a tale of extremes. The ever constant realitie
 s of imbalance (whether it be political\, eco</h4><p>Key Note:<br /><span c
 lass="boldbody"><strong>Darcy Grimaldo Grigsby</strong></span><br /><span c
 lass="mainbody">University of California\, Berkeley</span><br /><span class
 ="mainbodygreen">"The Statue of Liberty\, More or Less"</span></p><p><span 
 class="boldbody"><strong>Heidi Ravenel</strong></span><br /><span class="ma
 inbody">University of British Columbia</span><br /><span class="mainbodygre
 en">"Coloring Zapatista Political Praxis"</span></p><p><span class="boldbod
 y"><strong>Jennifer Howes</strong></span><br /><span class="mainbody">McGil
 l University</span><br /><span class="mainbodygreen">"Eros and the Gift of 
 Alterity: Caressing Valie Export"</span></p><p><span class="boldbody"><stro
 ng>Margo Handwerker</strong></span><br /><span class="mainbody">School of t
 he Art Institute of Chicago</span><br /><span class="mainbodygreen">"Contem
 porary Art in Tijuana: Bridging Difference in the Border Region"</span></p>
 <p><span class="boldbody"><strong>Matthew Hills</strong></span><br /><span 
 class="mainbody">University of British Columbia<br /></span><span class="ma
 inbodygreen">"The Yuquot Whalers Shrine"</span></p><p><span class="boldbody
 "><strong>Reid Cooper</strong></span><br /><span class="mainbody">Concordia
  University</span><br /><span class="mainbodygreen">"Unsanctioned Utterance
 s: Public Art as Spatial Praxis"</span></p><p><span class="boldbody"><stron
 g>Leanne Coughlin</strong></span><br /><span class="mainbody">University of
  British Columbia</span><br /><span class="mainbodygreen">"Artist Talk"</sp
 an></p><p><span class="boldbody"><strong>Deniz Karakas</strong></span><br /
 ><span class="mainbody">State University of New York\, Binghamton</span><br
  /><span class="mainbodygreen">"The Composers of Urbanism in the Mid-Eighte
 enth Century Istanbul"</span></p><p><span class="mainbodygreen"><em>This co
 nference is made possible by the following UBC sponsors: Program in Canadia
 n Studies and the International Canadian Studies Centre/ Department of Thea
 tre\, Film and Creative Writing/ Department of Art History\, Visual Art and
  Theory/ Department of Social Work and Family Studies/ History Department/ 
 Walter H. Gage Memorial Fund. Organized by Laura MacDonald and Kristen Lamb
 ertson\, Department of Art History\, Visual Art and Theory.</em></span></p>
LOCATION:Lasserre Building\, Rooms 102-104
GEO:49.267665;-123.255830
URL;VALUE=URI:https://ahva.ubc.ca/events/event/24th-annual-art-history-grad
 uate-symposium/
ATTACH;FMTTYPE=image/jpeg:https://ahva.cms.arts.ubc.ca/wp-content/uploads/sites/37/2021/05/152.jpg
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DTSTART:20041031T090000
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